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The films of Stan Brakhage in the American tradition of Ezra Pound, Gertrude Stein and Charles Olson

Author: Bruce Elder
Publisher: Waterloo, Ont. : Wilfrid Laurier University Press, [2011], ©1998
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Since the late 1950s Stan Brakhage has been in the forefront of independent filmmaking. His body of work, some seventy hours, is one of the largest of any filmmaker in the history of cinema, and one of the most diverse. Probably the most widely quoted experimental filmmaker in history, his films typify the independent cinema. Until now, despite well-deserved acclaim, there has been no comprehensive study of  Read more...
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Details

Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Named Person: Stan Brakhage; Stan Brakhage
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Bruce Elder
ISBN: 9780889208162 0889208166
OCLC Number: 794701507
Notes: OldControl:muse9780889208162.
"Stan Brakhage filmography"--Page 545-553.
Description: 1 online resource (1 online resource (xi, 572 pages) :
Contents: Four for America: Williams, Pound, Stein, Brakhage --
The Conception of the Body in Open Form Poetics and Its Influence on Stan Brakhage's Filmmaking --
Glossary.
Responsibility: R. Bruce Elder.

Abstract:

Since the late 1950s Stan Brakhage has been in the forefront of independent filmmaking. His body of work, some seventy hours, is one of the largest of any filmmaker in the history of cinema, and one of the most diverse. Probably the most widely quoted experimental filmmaker in history, his films typify the independent cinema. Until now, despite well-deserved acclaim, there has been no comprehensive study of Brakhage's oeuvre. The Films of Stan Brakhage in the American Tradition fills this void. R. Bruce Elder delineates the aesthetic parallels between Brakhage's films and a broad spectrum of American art from the 1920s through the 1960s. This book is certain to stir the passions of those interested in artistic critique and interpretation in its broadest terms.

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Linked Data


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