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Flesh and the ideal : Winckelmann and the origins of art history Preview this item
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Flesh and the ideal : Winckelmann and the origins of art history

Author: Alex Potts
Publisher: New Haven : Yale University Press, 1994.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
Winckelmann was not just an historian of considerable stature. He was also a very powerful writer who offered an unusually eloquent account of the aesthetic and imaginative charge of the Greek ideal in art. He is particularly revealing as to the political and the homoerotic sexual content of the fantasies that gave the antique ideal male nude its larger resonance.
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Named Person: Johann Joachim Winckelmann; Johann Joachim Winckelmann; Johann Joachim Winckelmann
Document Type: Book
All Authors / Contributors: Alex Potts
ISBN: 0300058136 9780300058130 0300087365 9780300087369
OCLC Number: 29636172
Description: vi, 294 pages : illustrations ; 24 cm
Contents: I. Inventing a History of Art. The significance of Winckelmann's history ; A new paradigm ; History as system --
II. Fact and Fantasy. A lover's discourse ; Rise and decline ; Dichotomies of freedom ; Presences and absences --
III. Style. The high style and the beautiful style ; Precedents ; Visual facts ; Verbal and visual ; The rhetoric of the image --
IV. Beauty and Sublimity. The sex of the sublime ; Beautiful masculinity ; The sublime fetish --
V. Ideal Bodies. The Greek ideal and the ideal ego ; Oneness and ideal beauty ; The body of Narcissus ; Nightmare and Utopia --
VI. Freedom and Desire. A free subject ; Politics, patronage, and identity ; Friendship and desire ; Endings --
VII. Afterlife. Jacobin politics and Victorian aestheticism ; Revolutionary heroes ; Modernity and its discontents.
Responsibility: Alex Potts.

Abstract:

A biography of Johann Joachim Winckelmann, 18th-century German philosopher and aesthetician. Analyzing Winckelmann's magnum opus, "History of the Art of Antiquity", it explains the fundamental  Read more...

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Primary Entity<\/h3>\n
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A lover\'s discourse ; Rise and decline ; Dichotomies of freedom ; Presences and absences -- III. Style. The high style and the beautiful style ; Precedents ; Visual facts ; Verbal and visual ; The rhetoric of the image -- IV. Beauty and Sublimity. The sex of the sublime ; Beautiful masculinity ; The sublime fetish -- V. Ideal Bodies. The Greek ideal and the ideal ego ; Oneness and ideal beauty ; The body of Narcissus ; Nightmare and Utopia -- VI. Freedom and Desire. A free subject ; Politics, patronage, and identity ; Friendship and desire ; Endings -- VII. Afterlife. Jacobin politics and Victorian aestheticism ; Revolutionary heroes ; Modernity and its discontents.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Winckelmann\'s writing has a richness and density that take it well beyond the bounds of the simple rationalist art history and Neo-classical art theory with which it is usually associated. 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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/31965654#Agent\/yale_university_press<\/a>> # Yale University Press<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:Agent<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Yale University Press<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/31965654#Topic\/aesthetics<\/a>> # Aesthetics<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Aesthetics<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/31965654#Topic\/aesthetics_german<\/a>> # Aesthetics, German<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Aesthetics, German<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/31965654#Topic\/art_historiography<\/a>> # Art--Historiography<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Art--Historiography<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/31965654#Topic\/art_history<\/a>> # Art--history<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Art--history<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/31965654#Topic\/esthetics_history<\/a>> # Esthetics--history<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Esthetics--history<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/31965654#Topic\/human_body_in_art<\/a>> # Human Body--in art<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Human Body--in art<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/31965654#Topic\/influence_literary_artistic_etc<\/a>> # Influence (Literary, artistic, etc.)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Influence (Literary, artistic, etc.)<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/31965654#Topic\/kunstgeschiedenis_wetenschap<\/a>> # Kunstgeschiedenis (wetenschap)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Kunstgeschiedenis (wetenschap)<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/31965654#Topic\/kunsttheorie<\/a>> # Kunsttheorie<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Kunsttheorie<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/31965654#Topic\/male_nude_in_art<\/a>> # Male nude in art<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Male nude in art<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/31965654#Topic\/sculpture_greek<\/a>> # Sculpture, Greek<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Sculpture, Greek<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/id.loc.gov\/authorities\/classification\/N7483<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/subjects\/sh85001459<\/a>> # Aesthetics, German--18th century<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Aesthetics, German--18th century<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/subjects\/sh85007487<\/a>> # Art--Historiography<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Art--Historiography<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/ctu<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"ctu<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/39524078<\/a>> # Alex Potts<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Potts<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Alex<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Alex Potts<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/64019631<\/a>> # Johann Joachim Winckelmann<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1717<\/span>\" ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \"1768<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Winckelmann<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Johann Joachim<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Johann Joachim Winckelmann<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9780300058130<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"0300058136<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9780300058130<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9780300087369<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"0300087365<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9780300087369<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/29636172<\/a>>\u00A0\u00A0\u00A0\u00A0a \ngenont:InformationResource<\/a>, genont:ContentTypeGenericResource<\/a> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/www.worldcat.org\/oclc\/29636172<\/a>> ; # Flesh and the ideal : Winckelmann and the origins of art history<\/span>\n\u00A0\u00A0\u00A0\nschema:dateModified<\/a> \"2020-07-28<\/span>\" ;\u00A0\u00A0\u00A0\nvoid:inDataset<\/a> <http:\/\/purl.oclc.org\/dataset\/WorldCat<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/29636172#PublicationEvent\/new_haven_yale_university_press_1994<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:PublicationEvent<\/a> ;\u00A0\u00A0\u00A0\nschema:location<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/31965654#Place\/new_haven<\/a>> ; # New Haven<\/span>\n\u00A0\u00A0\u00A0\nschema:organizer<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/31965654#Agent\/yale_university_press<\/a>> ; # Yale University Press<\/span>\n\u00A0\u00A0\u00A0\nschema:startDate<\/a> \"1994<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Content-negotiable representations<\/p>\n