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Formations of masculinity in post-communist Hungarian cinema : labyrinthian men

Author: György Kalmár
Publisher: Cham, Switzerland : Palgrave Macmillan, [2017] ©2017
Edition/Format:   eBook : Document : EnglishView all editions and formats
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Genre/Form: Electronic books
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: György Kalmár
ISBN: 9783319636641 3319636642
OCLC Number: 1004377991
Description: 1 online resource : color illustrations
Contents: Preface; Contents; List of Figures; Introduction; Chapter 1 The Labyrinth Principle: Figures of Entrapment in Hungarian Art House Cinema; Local Spaces, Local Masculinities?; The Labyrinth Motif; The Labyrinth Principle and the Round-up; The Labyrinth Principle and Post-1989 Hungarian Cinema; References; Chapter 2 Historical Ruptures and Ironic Masculinities (Moscow Square. Ferenc Török, 2001); Identity and Historical Transition; Contingency, Irony and a Moment of Solidarity; Masculinity and Social Space; Nostalgia; References. Chapter 3 Men on the Margins of History (Hukkle. György Pálfi, 2002)Supplements to an Impossible History; Eastern European Cinema and Counter-Memory; Men on the Backside of History; Lost in a Maze of Multisensory Impressions; References; Chapter 4 Inhabiting the Post-Communist (Kontroll. Nimród Antal, 2003); The World Underground; Inhabitation; Masculinity de-Idealised; Tactics of Resistance; References; Chapter 5 Masculinity Outside Victory Narratives (White Palms. Szabolcs Hajdu, 2006); Sports in Hungarian identity politics; Narratives of loss; Unreconciled pasts; References. Chapter 6 Fathers and Their Monsters (Tender Son: The Frankenstein Project. Kornél Mundruczó, 2010)Fathers and Sons; The Orphans of Post-Communism; Through the Eyes of the Minotaur; References; Chapter 7 Little Black Boys (Just the Wind. Benedek Fliegauf, 2012); The Politics of Roma Representations; Roma-Representation in Just the Wind; Roma Men in Post-Communist Hungarian Auteur Cinema; References; Conclusion; References; Index.
Responsibility: György Kalmár.

Abstract:

In looking closely at the films' male figures, one may not only get a glimpse of the dramatic changes Eastern European societies went through after the fall of communism but also see the brave new  Read more...

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