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French musical culture and the coming of sound cinema

Author: Hannah Lewis
Publisher: New York, NY : Oxford University Press, [2018] ©2019
Series: Oxford music/media series.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

In French Musical Culture and the Coming of Sound Cinema, author Hannah Lewis argues that debates about sound film resonated deeply within French musical culture of the early 1930s, and conversely,  Read more...

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Genre/Form: Criticism, interpretation, etc
History
Document Type: Book
All Authors / Contributors: Hannah Lewis
ISBN: 9780190635985 0190635983 9780190635978 0190635975
OCLC Number: 1019846639
Description: xii, 245 pages : illustrations, music ; 25 cm.
Contents: Introduction --
Imagining Sound Film: Debates in the Press --
Surrealist Sounds: Film Music and the Avant-Garde --
"An achievement that reflects its native soil": Songs, Stages, Cameras, and the Opérette Filmée --
Théâtre filmé, Opera, and Cinematic Poetry: The Clair/Pagnol Debate --
Source Music and Cinematic Realism: Jean Renoir and the Early Poetic Realists --
"The Music Has Something to Say": The Musical Revisions of L'Atalante (1934) --
Conclusion: Alternative Paths for Sound Film.
Series Title: Oxford music/media series.
Responsibility: Hannah Lewis.

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"Hannah Lewis has made a hugely important contribution towards our understanding of the exciting period in the early 1930s when French filmmakers and musicians began to grasp the manifold cultural Read more...

 
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