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French musical thought, 1600-1800

Author: Georgia Cowart
Publisher: Ann Arbor, Mich. : UMI Research Press, ©1989.
Series: Studies in music (Ann Arbor, Mich.), no. 105.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

Essays exploring the relationship of critical thought in music to social and philosophical changes in 17-18c France.

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Genre/Form: Criticism, interpretation, etc
Document Type: Book
All Authors / Contributors: Georgia Cowart
ISBN: 0835718824 9780835718820
OCLC Number: 18878674
Description: vi, 258 pages : illustrations ; 24 cm.
Contents: "Baroque" as a music-critical term / Claude V. Palisca --
The meanings and uses of caractere in eighteenth-century France / Jane R. Stevens --
"Dealing in shepherds": the pastoral ploy in Nascent French opera / Louis E. Auld --
Transport, ecstasy, and enthusiasm / Gloria Flaherty --
The conciliatory partisan of musical liberty: Jean Le Rond d'Alembert, 1717-1783 / Robert M. Isherwood --
Rameau, equal temperament, and the Academy of Lyon: a controversy revisited / Albert Cohen --
The iconography of a salon concert: a reappraisal / Barbara Russano Hanning --
Persuading the affections: rhetorical theory and Mersenne's advice to harmonic orators / David Allen Duncan --
Ancients and moderns, tragedy and opera: the quarrel over Alceste / Buford Norman --
Music, beauty, and the paradox of rationalism / Charles Dill --
Inventing the arts: changing critical language in the Ancien Regime / Georgia Cowart.
Series Title: Studies in music (Ann Arbor, Mich.), no. 105.
Responsibility: edited by Georgia Cowart.

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Primary Entity<\/h3>\n
<http:\/\/www.worldcat.org\/oclc\/18878674<\/a>> # French musical thought, 1600-1800<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a>, schema:Book<\/a> ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"18878674<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Place\/ann_arbor_mich<\/a>> ; # Ann Arbor, Mich.<\/span>\n\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/id.loc.gov\/vocabulary\/countries\/miu<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/musiktheorie<\/a>> ; # Musiktheorie<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/aufsatzsammlung<\/a>> ; # Aufsatzsammlung<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/music<\/a>> ; # Music<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.loc.gov\/authorities\/subjects\/sh2010102840<\/a>> ; # Music--France--18th century--History and criticism<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.loc.gov\/authorities\/classification\/ML270<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/musik<\/a>> ; # Musik<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.loc.gov\/authorities\/subjects\/sh2010102839<\/a>> ; # Music--France--17th century--History and criticism<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/24_42_systematic_musicology_general<\/a>> ; # 24.42 systematic musicology: general<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/dewey.info\/class\/780.944\/e19\/<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Event\/1600_1799<\/a>> ; # 1600-1799<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/musique_france_17e_siecle_histoire_et_critique<\/a>> ; # Musique--France--17e si\u00E8cle--Histoire et critique<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/cultuurgeschiedenis<\/a>> ; # Cultuurgeschiedenis<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Event\/geschichte_1600_1800<\/a>> ; # Geschichte 1600-1800<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Place\/frankreich<\/a>> ; # Frankreich<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/muziekkritiek<\/a>> ; # Muziekkritiek<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.worldcat.org\/fast\/1204289<\/a>> ; # France.<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/musique_france_18e_siecle_histoire_et_critique<\/a>> ; # Musique--France--18e si\u00E8cle--Histoire et critique<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/style_musical<\/a>> ; # Style, Musical<\/span>\n\u00A0\u00A0\u00A0\nschema:bookFormat<\/a> bgn:PrintBook<\/a> ;\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/viaf.org\/viaf\/268077764<\/a>> ; # Georgia Cowart<\/span>\n\u00A0\u00A0\u00A0\nschema:copyrightYear<\/a> \"1989<\/span>\" ;\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"1989<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"\"Baroque\" as a music-critical term \/ Claude V. Palisca -- The meanings and uses of caractere in eighteenth-century France \/ Jane R. Stevens -- \"Dealing in shepherds\": the pastoral ploy in Nascent French opera \/ Louis E. Auld -- Transport, ecstasy, and enthusiasm \/ Gloria Flaherty -- The conciliatory partisan of musical liberty: Jean Le Rond d\'Alembert, 1717-1783 \/ Robert M. Isherwood -- Rameau, equal temperament, and the Academy of Lyon: a controversy revisited \/ Albert Cohen -- The iconography of a salon concert: a reappraisal \/ Barbara Russano Hanning -- Persuading the affections: rhetorical theory and Mersenne\'s advice to harmonic orators \/ David Allen Duncan -- Ancients and moderns, tragedy and opera: the quarrel over Alceste \/ Buford Norman -- Music, beauty, and the paradox of rationalism \/ Charles Dill -- Inventing the arts: changing critical language in the Ancien Regime \/ Georgia Cowart.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/18862686<\/a>> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Criticism, interpretation, etc.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"en<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isPartOf<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Series\/studies_in_music_ann_arbor_mich<\/a>> ; # Studies in music (Ann Arbor, Mich.) ;<\/span>\n\u00A0\u00A0\u00A0\nschema:isPartOf<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Series\/studies_in_music<\/a>> ; # Studies in music ;<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"French musical thought, 1600-1800<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"18878674<\/span>\" ;\u00A0\u00A0\u00A0\nschema:publication<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/18878674#PublicationEvent\/ann_arbor_mich_umi_research_press_1989<\/a>> ;\u00A0\u00A0\u00A0\nschema:publisher<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Agent\/umi_research_press<\/a>> ; # UMI Research Press<\/span>\n\u00A0\u00A0\u00A0\nschema:workExample<\/a> <http:\/\/worldcat.org\/isbn\/9780835718820<\/a>> ;\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/18878674<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Agent\/umi_research_press<\/a>> # UMI Research Press<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:Agent<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"UMI Research Press<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Event\/1600_1799<\/a>> # 1600-1799<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Event<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"1600-1799<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Event\/geschichte_1600_1800<\/a>> # Geschichte 1600-1800<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Event<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Geschichte 1600-1800<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Place\/ann_arbor_mich<\/a>> # Ann Arbor, Mich.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Ann Arbor, Mich.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Place\/frankreich<\/a>> # Frankreich<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Frankreich<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Series\/studies_in_music<\/a>> # Studies in music ;<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:PublicationSeries<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/www.worldcat.org\/oclc\/18878674<\/a>> ; # French musical thought, 1600-1800<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Studies in music ;<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Series\/studies_in_music_ann_arbor_mich<\/a>> # Studies in music (Ann Arbor, Mich.) ;<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:PublicationSeries<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/www.worldcat.org\/oclc\/18878674<\/a>> ; # French musical thought, 1600-1800<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Studies in music (Ann Arbor, Mich.) ;<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/24_42_systematic_musicology_general<\/a>> # 24.42 systematic musicology: general<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"24.42 systematic musicology: general<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/aufsatzsammlung<\/a>> # Aufsatzsammlung<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Aufsatzsammlung<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/cultuurgeschiedenis<\/a>> # Cultuurgeschiedenis<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Cultuurgeschiedenis<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/music<\/a>> # Music<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Music<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/musik<\/a>> # Musik<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Musik<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/musiktheorie<\/a>> # Musiktheorie<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Musiktheorie<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/musique_france_17e_siecle_histoire_et_critique<\/a>> # Musique--France--17e si\u00E8cle--Histoire et critique<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Musique--France--17e si\u00E8cle--Histoire et critique<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/musique_france_18e_siecle_histoire_et_critique<\/a>> # Musique--France--18e si\u00E8cle--Histoire et critique<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Musique--France--18e si\u00E8cle--Histoire et critique<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/muziekkritiek<\/a>> # Muziekkritiek<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Muziekkritiek<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Topic\/style_musical<\/a>> # Style, Musical<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Style, Musical<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Style musical<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/classification\/ML270<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/subjects\/sh2010102839<\/a>> # Music--France--17th century--History and criticism<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Music--France--17th century--History and criticism<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/subjects\/sh2010102840<\/a>> # Music--France--18th century--History and criticism<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Music--France--18th century--History and criticism<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/miu<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"miu<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/1204289<\/a>> # France.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"France.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/268077764<\/a>> # Georgia Cowart<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Cowart<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Georgia<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Georgia Cowart<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9780835718820<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"0835718824<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9780835718820<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/18878674<\/a>>\u00A0\u00A0\u00A0\u00A0a \ngenont:InformationResource<\/a>, genont:ContentTypeGenericResource<\/a> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/www.worldcat.org\/oclc\/18878674<\/a>> ; # French musical thought, 1600-1800<\/span>\n\u00A0\u00A0\u00A0\nschema:dateModified<\/a> \"2020-08-29<\/span>\" ;\u00A0\u00A0\u00A0\nvoid:inDataset<\/a> <http:\/\/purl.oclc.org\/dataset\/WorldCat<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/18878674#PublicationEvent\/ann_arbor_mich_umi_research_press_1989<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:PublicationEvent<\/a> ;\u00A0\u00A0\u00A0\nschema:location<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Place\/ann_arbor_mich<\/a>> ; # Ann Arbor, Mich.<\/span>\n\u00A0\u00A0\u00A0\nschema:organizer<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/18862686#Agent\/umi_research_press<\/a>> ; # UMI Research Press<\/span>\n\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Content-negotiable representations<\/p>\n