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French musical thought, 1600-1800

Author: Georgia Cowart
Publisher: Ann Arbor, Mich. : UMI Research Press, ©1989.
Series: Studies in music (Ann Arbor, Mich.), no. 105.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

Essays exploring the relationship of critical thought in music to social and philosophical changes in 17-18c France.

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Genre/Form: Criticism, interpretation, etc
Document Type: Book
All Authors / Contributors: Georgia Cowart
ISBN: 0835718824 9780835718820
OCLC Number: 18878674
Description: vi, 258 pages : illustrations ; 24 cm.
Contents: "Baroque" as a music-critical term / Claude V. Palisca --
The meanings and uses of caractere in eighteenth-century France / Jane R. Stevens --
"Dealing in shepherds": the pastoral ploy in Nascent French opera / Louis E. Auld --
Transport, ecstasy, and enthusiasm / Gloria Flaherty --
The conciliatory partisan of musical liberty: Jean Le Rond d'Alembert, 1717-1783 / Robert M. Isherwood --
Rameau, equal temperament, and the Academy of Lyon: a controversy revisited / Albert Cohen --
The iconography of a salon concert: a reappraisal / Barbara Russano Hanning --
Persuading the affections: rhetorical theory and Mersenne's advice to harmonic orators / David Allen Duncan --
Ancients and moderns, tragedy and opera: the quarrel over Alceste / Buford Norman --
Music, beauty, and the paradox of rationalism / Charles Dill --
Inventing the arts: changing critical language in the Ancien Regime / Georgia Cowart.
Series Title: Studies in music (Ann Arbor, Mich.), no. 105.
Responsibility: edited by Georgia Cowart.

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