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From art to theatre; form and convention in the renaissance

Author: George Riley Kernodle
Publisher: Chicago, University of Chicago Press [1944]
Dissertation: Ph. D. Yale University 1937
Edition/Format:   Thesis/dissertation : Thesis/dissertation : EnglishView all editions and formats
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Genre/Form: History
Academic theses
Material Type: Thesis/dissertation
Document Type: Book
All Authors / Contributors: George Riley Kernodle
ISBN: 0226431886 9780226431888
OCLC Number: 1029380924
Notes: Without thesis note.
Description: ix, 255 pages illustrations 29 cm
Contents: The beginning of scenic background: Primitive cermonial, the Greek theatre, and medieval art --
Show-picture and show-architecture: The tableaux vivants --
The first stage facade: The Rederyker stage in the Netherlands --
The second stage facade: The Elizabethan stage --
Arcade facade and curtain facade: The curtain stages of Germany and Spain; the schools; the Jesuit stage; and the Treatro Olimpico --
The Italian perspective scene --
Framing the perspective scene: The inner stage, the proscenium, and the front curtain --
Compromises in France and England: The baroque scene.
Responsibility: [by] George R. Kernodle.

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