skip to content
Covid-19 virus
COVID-19 Resources

Reliable information about the coronavirus (COVID-19) is available from the World Health Organization (current situation, international travel). Numerous and frequently-updated resource results are available from this WorldCat.org search. OCLC’s WebJunction has pulled together information and resources to assist library staff as they consider how to handle coronavirus issues in their communities.

Image provided by: CDC/ Alissa Eckert, MS; Dan Higgins, MAM
From Vocal Poetry to Song : Towards a Theory of Song Objects. Preview this item
ClosePreview this item
Checking...

From Vocal Poetry to Song : Towards a Theory of Song Objects.

Author: Jean Nicolas De Surmont; John Haines; Anastasija Ropa
Publisher: La Vergne : Ibidem Press, 2017.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Although the song is often the subject of monographs, one of its forms remains insufficiently researched: the vocalized song, communicated to the spectator through performance. The study of the song takes one back to the study of vocal practices, from aesthetic objects to forms and to plural styles. To conceive a song means approaching it in its different instances of creation as well as its linguistic diversity.  Read more...
Rating:

(not yet rated) 0 with reviews - Be the first.

Subjects
More like this

Find a copy online

Find a copy in the library

&AllPage.SpinnerRetrieving; Finding libraries that hold this item...

Details

Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Surmont, Jean Nicolas De.
From Vocal Poetry to Song : Towards a Theory of Song Objects.
La Vergne : Ibidem Press, ©2017
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Jean Nicolas De Surmont; John Haines; Anastasija Ropa
ISBN: 9783838270722 383827072X
OCLC Number: 1023551219
Description: 1 online resource (181 pages)
Contents: Intro; Table of Contents; Foreword; Note to the reader; Introduction; Theoretical approaches; Conceptual movement ... opera in movimento; Denominative neology; Learned and popular debate on the standards for the song; Use of empirical vocabulary; Chapter 1 Vocal poetry in mountains and dales; Historical approaches; Subject of polysemiotic study; Historical vision; Performance; Theme and style; Creative process; Song in a literary text; Status of text and status of music; Chapter 2 Parallel linearities: Poetry and music; Chapter 3 Componential mutations of the song object. Determining the nature of song objectVariation and hybridity; Folklorisation process: Notes for some concepts; Neology, definition of song vocabulary and examples of song objectsâ#x80;#x99; transformation; Internal hybrid song; External hybrid song; External variation in textual components of a signed song; External variation in musical components of a signed song; Polymorphous song; Signed folklorised song; Oralised signed song; Hybrid signed song; Literalised traditional song; Chapter 4 Popular song and its â#x80;#x98;popularâ#x80;#x99; epithet; When popular renders the meaning of the song. Description in the Trésor de la langue franÃaiseSong of the street, street song; â#x80;#x98;Popularâ#x80;#x99; song and Romanticism; Discarding the concept of /coming from the people/; Popular music and popular song; Chapter 5 Moral and aesthetic divisions; Distinction between music and text of lyrical poetry; Good song and exacting song; Paradoxical status of the song; Conclusion; Glossary; Bibliography; Index of names; Index of notions.

Abstract:

Although the song is often the subject of monographs, one of its forms remains insufficiently researched: the vocalized song, communicated to the spectator through performance. The study of the song takes one back to the study of vocal practices, from aesthetic objects to forms and to plural styles. To conceive a song means approaching it in its different instances of creation as well as its linguistic diversity. Jean Nicolas De Surmont proposes ways of research and analysis useful to musicians, musicologists, and literary critics alike. He takes up the issue of vocal poetry in addition to examining the theoretic aspects of song objects. Rather than offering an autonomous model of analysis, De Surmont extends the research fields and suggests responses to debates that have involved everyone interested in vocal poetic forms.

Reviews

User-contributed reviews
Retrieving GoodReads reviews...
Retrieving DOGObooks reviews...

Tags

Be the first.
Confirm this request

You may have already requested this item. Please select Ok if you would like to proceed with this request anyway.

Linked Data


\n\n

Primary Entity<\/h3>\n
<http:\/\/www.worldcat.org\/oclc\/1023551219<\/a>> # From Vocal Poetry to Song : Towards a Theory of Song Objects.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Book<\/a>, schema:MediaObject<\/a>, schema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"1023551219<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Place\/la_vergne<\/a>> ; # La Vergne<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.loc.gov\/authorities\/classification\/ML2800<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Topic\/music_musical_instruments_general<\/a>> ; # MUSIC--Musical Instruments--General<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/dewey.info\/class\/784.09\/e23\/<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Topic\/popular_music_philosophy_and_aesthetics<\/a>> ; # Popular music--Philosophy and aesthetics<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Topic\/songs_history_and_criticism<\/a>> ; # Songs--History and criticism<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Topic\/songs<\/a>> ; # Songs<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Topic\/music_printed_music_band_&_orchestra<\/a>> ; # MUSIC--Printed Music--Band & Orchestra<\/span>\n\u00A0\u00A0\u00A0\nschema:bookFormat<\/a> schema:EBook<\/a> ;\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Person\/haines_john<\/a>> ; # John Haines<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Person\/ropa_anastasija<\/a>> ; # Anastasija Ropa<\/span>\n\u00A0\u00A0\u00A0\nschema:creator<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Person\/surmont_jean_nicolas_de<\/a>> ; # Jean Nicolas De Surmont<\/span>\n\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2017<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Intro; Table of Contents; Foreword; Note to the reader; Introduction; Theoretical approaches; Conceptual movement ... opera in movimento; Denominative neology; Learned and popular debate on the standards for the song; Use of empirical vocabulary; Chapter 1 Vocal poetry in mountains and dales; Historical approaches; Subject of polysemiotic study; Historical vision; Performance; Theme and style; Creative process; Song in a literary text; Status of text and status of music; Chapter 2 Parallel linearities: Poetry and music; Chapter 3 Componential mutations of the song object.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Although the song is often the subject of monographs, one of its forms remains insufficiently researched: the vocalized song, communicated to the spectator through performance. The study of the song takes one back to the study of vocal practices, from aesthetic objects to forms and to plural styles. To conceive a song means approaching it in its different instances of creation as well as its linguistic diversity. Jean Nicolas De Surmont proposes ways of research and analysis useful to musicians, musicologists, and literary critics alike. He takes up the issue of vocal poetry in addition to examining the theoretic aspects of song objects. Rather than offering an autonomous model of analysis, De Surmont extends the research fields and suggests responses to debates that have involved everyone interested in vocal poetic forms.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/790268439<\/a>> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Criticism, interpretation, etc.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Electronic books<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"en<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isSimilarTo<\/a> <http:\/\/worldcat.org\/entity\/work\/data\/790268439#CreativeWork\/from_vocal_poetry_to_song_towards_a_theory_of_song_objects<\/a>> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"From Vocal Poetry to Song : Towards a Theory of Song Objects.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"1023551219<\/span>\" ;\u00A0\u00A0\u00A0\nschema:publication<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/1023551219#PublicationEvent\/la_vergne_ibidem_press_2017<\/a>> ;\u00A0\u00A0\u00A0\nschema:publisher<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Agent\/ibidem_press<\/a>> ; # Ibidem Press<\/span>\n\u00A0\u00A0\u00A0\nschema:url<\/a> <http:\/\/www.vlebooks.com\/vleweb\/product\/openreader?id=none&isbn=9783838270722<\/a>> ;\u00A0\u00A0\u00A0\nschema:url<\/a> <https:\/\/search.ebscohost.com\/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1821513<\/a>> ;\u00A0\u00A0\u00A0\nschema:url<\/a> <https:\/\/rbdigital.rbdigital.com<\/a>> ;\u00A0\u00A0\u00A0\nschema:url<\/a> <https:\/\/public.ebookcentral.proquest.com\/choice\/publicfullrecord.aspx?p=5782747<\/a>> ;\u00A0\u00A0\u00A0\nschema:url<\/a> <https:\/\/public.ebookcentral.proquest.com\/choice\/publicfullrecord.aspx?p=5276189<\/a>> ;\u00A0\u00A0\u00A0\nschema:workExample<\/a> <http:\/\/worldcat.org\/isbn\/9783838270722<\/a>> ;\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/1023551219<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Related Entities<\/h3>\n
<http:\/\/dewey.info\/class\/784.09\/e23\/<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Agent\/ibidem_press<\/a>> # Ibidem Press<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:Agent<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Ibidem Press<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Person\/haines_john<\/a>> # John Haines<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Haines<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"John<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"John Haines<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Person\/ropa_anastasija<\/a>> # Anastasija Ropa<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Ropa<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Anastasija<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Anastasija Ropa<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Person\/surmont_jean_nicolas_de<\/a>> # Jean Nicolas De Surmont<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Surmont<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Jean Nicolas De<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Jean Nicolas De Surmont<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Place\/la_vergne<\/a>> # La Vergne<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"La Vergne<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Topic\/music_musical_instruments_general<\/a>> # MUSIC--Musical Instruments--General<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"MUSIC--Musical Instruments--General<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Topic\/music_printed_music_band_&_orchestra<\/a>> # MUSIC--Printed Music--Band & Orchestra<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"MUSIC--Printed Music--Band & Orchestra<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Topic\/popular_music_philosophy_and_aesthetics<\/a>> # Popular music--Philosophy and aesthetics<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Popular music--Philosophy and aesthetics<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Topic\/songs<\/a>> # Songs<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Songs<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Topic\/songs_history_and_criticism<\/a>> # Songs--History and criticism<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Songs--History and criticism<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/classification\/ML2800<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/entity\/work\/data\/790268439#CreativeWork\/from_vocal_poetry_to_song_towards_a_theory_of_song_objects<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nrdfs:label<\/a> \"From Vocal Poetry to Song : Towards a Theory of Song Objects.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Print version:<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isSimilarTo<\/a> <http:\/\/www.worldcat.org\/oclc\/1023551219<\/a>> ; # From Vocal Poetry to Song : Towards a Theory of Song Objects.<\/span>\n\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9783838270722<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"383827072X<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9783838270722<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/1023551219<\/a>>\u00A0\u00A0\u00A0\u00A0a \ngenont:InformationResource<\/a>, genont:ContentTypeGenericResource<\/a> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/www.worldcat.org\/oclc\/1023551219<\/a>> ; # From Vocal Poetry to Song : Towards a Theory of Song Objects.<\/span>\n\u00A0\u00A0\u00A0\nschema:dateModified<\/a> \"2020-05-12<\/span>\" ;\u00A0\u00A0\u00A0\nvoid:inDataset<\/a> <http:\/\/purl.oclc.org\/dataset\/WorldCat<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/1023551219#PublicationEvent\/la_vergne_ibidem_press_2017<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:PublicationEvent<\/a> ;\u00A0\u00A0\u00A0\nschema:location<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Place\/la_vergne<\/a>> ; # La Vergne<\/span>\n\u00A0\u00A0\u00A0\nschema:organizer<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/790268439#Agent\/ibidem_press<\/a>> ; # Ibidem Press<\/span>\n\u00A0\u00A0\u00A0\nschema:startDate<\/a> \"2017<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Content-negotiable representations<\/p>\n