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Gabriel Orozco : thinking in circles

Author: Gabriel Orozco; Briony Fer; Fruitmarket Gallery.
Publisher: Edinburgh : Fruitmarket Gallery, 2013.
Edition/Format:   Print book : Biography : EnglishView all editions and formats
Summary:
This new exhibition takes the 2005 painting 'The Eye of Go' as its starting point, and looks at how the circular geometric motif of this painting - part of a way of thinking for Orozco, a way to organise ideas of structure, organisation and perspective - migrates onto other work, recurring in other paintings, sculptures and photographs. A highlight of the exhibition is a series of large geometric works on acetate,  Read more...
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Genre/Form: Exhibition catalogs
Exhibitions
Named Person: Gabriel Orozco; Gabriel Orozco; Gabriel Orozco
Material Type: Biography
Document Type: Book
All Authors / Contributors: Gabriel Orozco; Briony Fer; Fruitmarket Gallery.
ISBN: 9781908612236 1908612231
OCLC Number: 858804422
Notes: Published on the occasion of the exhibition held at Fruitmarket Gallery, Edinburgh, Aug. 1-Oct. 18, 2013.
Includes 1 folded insert (1 fol., [4] p.) with installation views and a list of works.
Description: 144 pages : illustrations (chiefly color) ; 27 cm + 1 folded insert (25 cm)
Other Titles: Thinking in circles
Responsibility: [curated by] Briony Fer.

Abstract:

This new exhibition takes the 2005 painting 'The Eye of Go' as its starting point, and looks at how the circular geometric motif of this painting - part of a way of thinking for Orozco, a way to organise ideas of structure, organisation and perspective - migrates onto other work, recurring in other paintings, sculptures and photographs. A highlight of the exhibition is a series of large geometric works on acetate, made in the mid 1990s, yet never before exhibited. Rather than surveying the whole range of Orozco's practice, the exhibition seeks to cut a conceptual slice through it, to look deeply into the mechanics of the artist's thinking and working process. Not only does the exhibition propose a different view of Orozco's major contribution to changes in art in the 90s but it brings to the fore the urgent problem of art's 'makeability' now.

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