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George P. Knauff's Virginia reels and the history of American fiddling Preview this item
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George P. Knauff's Virginia reels and the history of American fiddling

Author: Chris Goertzen
Publisher: Jackson : University Press of Mississippi, [2017]
Series: American made music series.
Edition/Format:   eBook : Document : Biography : EnglishView all editions and formats
Summary:
A study of the seminal nineteenth-century fiddle tune collection and its lasting impact.
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Goertzen, Chris.
George P. Knauff's Virginia reels and the history of American fiddling
Jackson : University Press of Mississippi, [2017]
(DLC) 2017016688
Named Person: George P Knauff
Material Type: Biography, Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Chris Goertzen
ISBN: 9781496814319 1496814312
OCLC Number: 983786552
Description: 1 online resource (xiii, 223 pages).
Contents: George P. Knauff and the Publishing of His Virginia Reels, the First Collection of Southern Fiddle Tunes--
Speed the Plough" and "Money Musk" Knauff and the Dance Music Component of Early American Popular Music --
"Peter Francisco" and "Richmond Blues" The Titles of Knauff's Virginia Reels --
"Lady of the Lake" and "George Booker" Knauff Digs More Deeply into Local Oral Tradition --
Knauff's "Ohio River" and "Indian Whoop" The Rhythmic and Timbral Puzzles of Blackface Minstrelsy and of Modern Old-Time Fiddling --
Epilogue "Forked Deer"Multivalent Nostalgia, Sustainability, and the Edge Effect --
Appendix The Willig Edition of Knauff's Virginia Reels --
Notes--
References
Series Title: American made music series.
Responsibility: Chris Goertzen.

Abstract:

George P. Knauff's Virginia Reels (1839) was the first collection of southern fiddle tunes and the only substantial one published in the nineteenth century. Chris Goertzen uses this seminal  Read more...

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Goertzen is a meticulous and creative researcher and an engaging writer. His book is a model for integrating social history into the study of musical history.--Gregory Hansen "Arkansas Review 49.3 Read more...

 
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