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  E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/490459621 Title: Le gland et le chêne : genèse et formulations de la poétique de Paul Claudel Author: Didier Alexandre; Jean-Claude Mathieu; Université de Paris VIII Publisher: [S.l.] : [s.n.], 1996. OCLC:490459621

  
  

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Le gland et le chêne : genèse et formulations de la poétique de Paul Claudel

Author:	Didier Alexandre; Jean-Claude Mathieu; Université de Paris VIII.
Publisher:	[S.l.] : [s.n.], 1996.
Dissertation:	Thèse de doctorat : Littérature française : Paris 8 : 1996.
Edition/Format:	Thesis/dissertation : Thesis/dissertation : FrenchView all editions and formats
Summary:	Paul Claudel compose entre 1900 et 1904 son art poétique. Notre travail se propose d'en établir la généalogie, et la permanence dans l'écriture poétique postérieure. La poétique apporte une réponse à une crise biographique (religieuse, affective), spirituelle et philosophique (domination du matérialisme, mort de dieu) littéraire rapports du discours scientifique et du discours poétique, crise mallarméenne du vers). Elle résulte d'un dialogisme constant ou Claudel confronte les intertextes philosophiques et littéraires pour formuler une théorie de la connaissance dont nous définissons les notions constitutives (fin forme vibration mouvement connaissance après la mort conscience). À cette généalogie intellectuelle s'ajoute une genèse dans l'écriture, les états manuscrits des traités, les poèmes de Connaissance de l'est, les drames de L'arbre. Enfin, la thèse mesure les nouvelles formulations données dans les écrits postérieures à 1904 : les Cinq grandes odes sont l'occasion d'une définition de la poétique claudélienne des genres certaines exégèses (Paul Claudel interroge le Cantique des cantiques, Paul Claudel interroge l'apocalypse, un poète regarde la croix) confirment cette permanence de la poétique, dans la pratique herméneutique dont elle fournit les instruments définitionnels et analytiques du texte sacré, et dans la définition de cette pratique comme écriture lyrique. Claudel composes between 1900 and 1904 his poetic art. By this work we purpose establishing the genesis, and the permanence of the poetics in the later works. The treatises on art of poetry answer a crisis, biographical, spiritual and philosophical (materialism, spiritualism, positivism): and literary (relations of science and poetry: crisis of verse). It results from a constant dialogue: Claudel collates the philosophical intertexts (materialism, spiritualism, Thomas d'Aquin, Aristotle) ant the literary ones (Poe, Baudelaire, Rimbaud, and Mallarme), and defines his own theory ok knowledge, his own linguistics and mystic. We analyse the principal notions of the poetics (vibration, movement, knowledge, form, fin, conscience, knowledge of soul after death). After this intellectual genesis, we study the genesis in the manuscripts and in the works of the former period: two compilations of poems (Connaissance de l'est, Vers d'exil) and the first plays (L'arbre) finally, the thesis analyses the new definitions of poetics in poetic works subsequent to poetic art, and the commentaries on the Bible. The poetics become a lyric poetry in Cinq grandes odes: we define a theory of lyric poetry, epic poetry, and drama. The poetics is also a hermeneutic method: Claudel uses notions of poetic art for defining and analysing scriptures, and defines this commentary as a lyrical poem.  Read more...
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Subjects	Claudel, Paul -- (1868-1955) -- Contribution à la réflexion sur la poésie. Bible -- Herméneutique. Lyrisme (littérature). View all subjects
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