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Genre/Form: | Thèses et écrits académiques |
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Additional Physical Format: | Genèse de la poétique de Paul Claudel : "comme le grain hors du furieux blutoir / Didier Alexandre Paris : H. Champion, 2001 1 vol. (603 p.). (@Littérature de notre siècle) 2-7453-0493-3 (ABES)058935878 Le gland et le chêne : genèse et formulations de la poétique de Paul Claudel / Didier Alexandre Lille : ANRT, 1998 5 microfiches. (@Lille-thèses) (ABES)191743674 |
Named Person: | Paul Claudel |
Material Type: | Thesis/dissertation |
Document Type: | Book |
All Authors / Contributors: |
Didier Alexandre; Jean-Claude Mathieu; Université de Paris VIII. |
OCLC Number: | 490459621 |
Description: | 4 vol. (1685 p.) |
Responsibility: | Didier Alexandre ; sous la direction de Jean-Claude Mathieu. |
Abstract:
Claudel composes between 1900 and 1904 his poetic art. By this work we purpose establishing the genesis, and the permanence of the poetics in the later works. The treatises on art of poetry answer a crisis, biographical, spiritual and philosophical (materialism, spiritualism, positivism): and literary (relations of science and poetry: crisis of verse). It results from a constant dialogue: Claudel collates the philosophical intertexts (materialism, spiritualism, Thomas d'Aquin, Aristotle) ant the literary ones (Poe, Baudelaire, Rimbaud, and Mallarme), and defines his own theory ok knowledge, his own linguistics and mystic. We analyse the principal notions of the poetics (vibration, movement, knowledge, form, fin, conscience, knowledge of soul after death). After this intellectual genesis, we study the genesis in the manuscripts and in the works of the former period: two compilations of poems (Connaissance de l'est, Vers d'exil) and the first plays (L'arbre) finally, the thesis analyses the new definitions of poetics in poetic works subsequent to poetic art, and the commentaries on the Bible. The poetics become a lyric poetry in Cinq grandes odes: we define a theory of lyric poetry, epic poetry, and drama. The poetics is also a hermeneutic method: Claudel uses notions of poetic art for defining and analysing scriptures, and defines this commentary as a lyrical poem.
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