Handel : tercentenary collection (eBook, 1987) [WorldCat.org]
skip to content
Handel : tercentenary collection Preview this item
ClosePreview this item

Handel : tercentenary collection

Author: Stanley Sadie; Anthony Hicks
Publisher: Ann Arbor : UMI Research Press ; Basingstoke, Hampshire : Macmillan, ©1987.
Series: Studies in musicology, no. 99.
Edition/Format:   eBook : Document : Biography : Conference publication : EnglishView all editions and formats

(not yet rated) 0 with reviews - Be the first.

More like this

Find a copy online

Links to this item

Find a copy in the library

&AllPage.SpinnerRetrieving; Finding libraries that hold this item...


Genre/Form: Conference papers and proceedings
Additional Physical Format: Print version:
Ann Arbor : UMI Research Press ; Basingstoke, Hampshire : Macmillan, ©1987
(DLC) 87016238
Named Person: George Frideric Handel; George Frideric Handel; George Frideric Handel
Material Type: Biography, Conference publication, Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Stanley Sadie; Anthony Hicks
OCLC Number: 1181970728
Notes: Based on papers presented at a conference held at the Royal Society of Arts, London in July 1985.
Description: 1 online resource (xi, 308 pages) : tables, music, facsimiles
Contents: Research. Scholarship and the Handel revival, 1935-85 ; Sources, resources and Handel studies --
Sources and Influences. Handel and his central German background ; The case for Handel's borrowings: the judgment of three centuries ; Why did Handel borrow? --
The dramatic music and its background ; The staging of Handel's operas in London ; English traditions in Handel's Rinaldo ; The Royal Academy of Music (1719-28) and its directors ; Hendel's disengagement from the Italian opera ; New sources for the libretto of Handel's Joseph --
Vocal. 'A club of composers': Handel, Pepusch, and Arbuthnot at Cannons ; Steffani's influence on Handel's camber duets ; Handel's Italian Cantatas; Some new sources --
Instrumental. The orgins of Handel's opus 3: A historical review ; Handel and the organ concerto: what we know 250 years later ; Interpreting Handel's rhythmic notation-some reflections on modern Practice.
Series Title: Studies in musicology, no. 99.
Responsibility: edited by Stanley Sadie and Anthony Hicks.


User-contributed reviews
Retrieving GoodReads reviews...
Retrieving DOGObooks reviews...


Be the first.
Confirm this request

You may have already requested this item. Please select Ok if you would like to proceed with this request anyway.

Close Window

Please sign in to WorldCat 

Don't have an account? You can easily create a free account.