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E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/1132284031 Title: Hardy, Conrad and the senses Author: Hugh Epstein Publisher: Edinburgh : Edinburgh University Press, [2020] ISBN/ISSN: 9781474449861 1474449867 OCLC:1132284031

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Hardy, Conrad and the senses

Author:	Hugh Epstein
Publisher:	Edinburgh : Edinburgh University Press, [2020]
Edition/Format:	Print book : EnglishView all editions and formats
Summary:	"This book reads the highly descriptive impressionist writings of Hardy and Conrad together in the light of a shared attention to sight and sound. With a focus on nature and the environment, Hugh Epstein analyses thirteen of these powerful works in the historical company of contemporary discussions in Victorian science. He takes them beyond their 'Victorian' and 'Modernist' labels to show how vivid and urgent these novels are for the modern reader."-- Read more...
Rating:	(not yet rated) 0 with reviews - Be the first.
Subjects	Hardy, Thomas, -- 1840-1928 -- Criticism and interpretation. Conrad, Joseph, -- 1857-1924 -- Criticism and interpretation. Impressionism in literature. View all subjects
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Details

Genre/Form:	Criticism, interpretation, etc
Named Person:	Thomas Hardy; Joseph Conrad; Joseph Conrad; Thomas Hardy; Joseph Conrad; Thomas Hardy
Document Type:	Book
All Authors / Contributors:	Hugh Epstein Find more information about:
ISBN:	9781474449861 1474449867
OCLC Number:	1132284031
Description:	vi, 304 pages ; 24 cm
Contents:	Introduction -- The physiology of sensation and literary style -- Facing nature -- The visible world -- An audible world -- Identity and margin -- Minding the senses.
Responsibility:	Hugh Epstein.

Abstract:

"This book reads the highly descriptive impressionist writings of Hardy and Conrad together in the light of a shared attention to sight and sound. With a focus on nature and the environment, Hugh Epstein analyses thirteen of these powerful works in the historical company of contemporary discussions in Victorian science. He takes them beyond their 'Victorian' and 'Modernist' labels to show how vivid and urgent these novels are for the modern reader."--

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