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History of the American cinema.

Author: Charles MusserTino BalioDavid A CookRichard KoszarskiDonald CraftonAll authors
Publisher: Berkeley : University of California Press, 1994-<2006>
Edition/Format:   Print book : State or province government publication : English
Summary:
Covering a tumultuous period of the 1950s, this work explores the divorce of movie studios from their theater chains, the panic of the blacklist era, the explosive emergence of science fiction as the dominant genre, and the rise of television and Hollywood's response with widescreen spectacles.
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Genre/Form: History
Material Type: Government publication, State or province government publication
Document Type: Book
All Authors / Contributors: Charles Musser; Tino Balio; David A Cook; Richard Koszarski; Donald Crafton; Peter Lev; Stephen Prince; Thomas Schatz; Eileen Bowser
ISBN: 0520085337 9780520085336 0520085345 9780520085343 0520085353 9780520085350 0520221303 9780520221307 9780520249660 0520249666 0520238044 9780520238046 0520232658 9780520232655 0520232666 9780520232662 9780520203341 0520203348
OCLC Number: 29316804
Description: volumes <1-10> : illustrations ; 26 cm
Contents: v. 1. The emergence of cinema, to 1907 / Charles Musser --
v. 2. The transformation of cinema, 1907-1915 / Eileen Bowser --
v. 3. An evening's entertainment, 1915-1928 / Richard Koszarski --
v. 4. The talkies, 1926-1931 / Donald Crafton --
v. 5. Grand design, 1930-1939 / Tino Balio --
v. 6. Boom and bust, 1940-1949 / Thomas Schatz --
v. 7. The Fifties: Transforming the screen, 1950-1959 / Peter Lev --
v. 8. The sixties, 1960-1969 / Paul Monaco --
v. 9. Lost illusions, 1970-1979 / David A. Cook --
v. 10. A new pot of gold, 1980-1989 / Stephen Prince. v. 1. The emergence of cinema, to 1907 / Charles Musser - Part 1: Before cinema - Toward a history of screen practice --
Thomas Edison and the amusement world --
Projecting motion pictures: invention and innovation --
Part 2: The novelty of the cinema: 1896-1897 - The Vitascope --
Early motion-picture companies --
The proliferation of motion-picture companies and an assessment of the Novelty Year --
Part 3: The exhibitor plays a creative role: 1897-1900 - Full-length programs: fights, passion plays, and travel --
Commercial warfare and the Spanish American War: 1897-1898 --
The film industry achieves modest stability: 1898-1901 --
Part 4: The production company assumes creative dominance: 1900-1905 - A period of commercial crisis: 1900-1903 --
The transition to story films: 1903-1904 --
Cinema flourishes within its existing commercial framework: 1904-1905 --
Part 5: The beginnings of the Nickelodeon Era: 1905-1907 - Nickels count: storefront theaters: 1905-1907 --
Production as the nickelodeon era begins: 1905-1907 v. 2. The transformation of cinema, 1907-1915 / Eileen Bowser - The nickelodeon --
A Game of freeze-out --
he recruiting station of vice --
The films: alternate scenes --
General Filmco and the pushcart peddlers --
Acting: The camera's closer view --
Brand names and stars --
Movie palaces --
Trademarks, titles, introductions --
Detours on the way to Hollywood --
The genre film --
The feature film --
The lid comes off --
Refining the product --
Scene dissection, spectacle, film as art v. 3. An evening's entertainment, 1915-1928 / Richard Koszarski - An industry and an art --
Going to the movies --
Corporate organization --
Making movies --
Technology --
The show --
Watching the screen --
The filmmakers --
The stars --
The envelope, please v. 4. The talkies, 1926-1931 / Donald Crafton - Introduction: The uncertainty of sound --
Part 1: A new era in electrical entertainment - Electric affinities --
Virtual Broadway, virtual orchestra: De Forest and Vitaphone --
Fox-case, Movietone, and the talking newsreel --
Enticing the audience: Warner Bros. and Vitaphone --
Battle of the giants: ERPI and RCA consolidate sound --
The big hedge: Hollywood's defensive strategies --
Boom to bust --
Labor troubles --
Inaudible technology --
Exhibition: Talkies change the Bijou --
Part 2: Three Seasons: the films of 1928-1931 - The new entertainment vitamin: 1928-1929 --
Taming the talkies: 1929-1930 --
The well-tempered sound track: 1930-1931 --
The sound of Custard: shorts, travelogues, and animated cartoons --
Outside the mainstream --
Foreign affairs --
Part 3: Hearing the audience - The voice squad --
Constructive criticism: the fans' perspective --
Buying Broadway: The Jazz Singer's reception --
"The great ninety per cent" v. 5. Grand design, 1930-1939 / Tino Balio - Introduction --
Surviving the Great Depression --
The Production Code and the Hays Office / Richard Maltby --
Feeding the maw of exhibition --
Technological change and classical film style / David Brodwell and Kristin Thompson --
Selling stars --
Production trends --
The B film: Hollywood's other half / Brian Taves --
The poetics and politics of nonfiction: documentary film / Charles Wolfe --
Avant-garde film / Jan-Christopher Horak v. 6. Boom and bust, 1940-1949 / Thomas Schatz - Introduction --
Part 1: The prewar era: The motion picture industry in 1940-1941 --
The Hollywood studio system in 1940-1941 --
Prewar stars, genres, and production trends --
Part 2: The war era: The motion picture industry during World War II --
The Hollywood studio system 1942-1945 --
Wartime stars, genres, and production trends --
Regulating the screen: the Office of War Information and the Production Code Administration / Clayton R. Koppes --
Part 3: The postwar era: The postwar motion picture industry, SAG, HUAC, and postwar Hollywood / Gorham Kindem --
The Hollywood studio system, 1946-1949 --
Postar stars, genres, and production trends --
Part 4: Ancillary developments - Documenting the 1940s / Thoms Doherty --
Experimental and avant-garde cinema in the 1940s / Lauren Robinovitz v. 7. The Fifties: Transforming the screen, 1950-1959 / Peter Lev - The American film industry in the early 1950s --
Genres and production trends, 1950-1954 --
HUAC, the Blacklist, and the decline of social cinema / Brian Neve --
Censorship and self-regulation --
Technology and spectacle --
Hollywood and television in the 1950s: the roots of diversification / Janet Wasko --
Hollywood international --
Science fiction films and cold war anxiety / Victoria O'Donnell --
The film industry in the late 1950s --
Genres and production trends, 1955-1959 --
American documentary in the 1950s --
"Unquiet years": Experimental cinema in the 1950s / Greg S. Faller v. 8. The sixties, 1960-1969 / Paul Monaco - Hollywood faces new challenges --
Changing patterns of production and the arrival of the conglomerates --
The runaway audience and the changing world of movie exhibition --
The waning production code and the rise of the ratings system --
The camera eye --
The cutter's room --
Sound and music --
The twilight of the goddesses: Hollywood actresses in the 1960s --
Male domination of the Hollywood screen --
The establishment judges: Academy Awards for best picture --
Landmark movies of the 1960s and the cinema of sensation --
The nonfiction film / Richard M. Barsam --
"What went wrong?": the American avant-garde cinema of the 1960s / Walter Metz v. 9 Lost illusions: American cinema in the shadow of Watergate and Vietnam, 1970-1979 / David A. Cook - Introduction: A decade of change --
Formative industry trends 1970-1979 --
Manufacturing the blockbuster: the "newest art form of the twentieth century" --
The auteur cinema: directors and directions in the "Hollywood Renaissance" --
Genres I: Revision, transformation, and revival --
Genres II: Exploitation and Allusion --
Orders of magnitude I: majors, mini-majors, "instant majors," and independents --
Orders of magnitude II: costs, agents, stars --
Technological innovation and aesthetic response --
Motion picture exhibition in 1970s America / Douglas Gomery --
Looking back and turning inward: American documentary films of the seventies / William Rothman --
Avant-garde cinema of the seventies / Robin Blaetz v. 10. A new pot of gold, 1980-1989 / Stephen Prince - The industry at the dawn of the decade --
Merger mania --
The brave new ancillary world --
Independents, packaging, and inflationary pressure in 1980s Hollywood / Justin Wyatt --
The talent oligopoly --
The filmmakers --
Genres and production cycles --
Movies and morality --
American documentary in the 1980s / Carl Plantings --
Experimental cinema in the 1980s / Scott MacDonald

Abstract:

Covering the tumultuous period of the 1950s, this work explores the divorce of movie studios from their theater chains; the panic of the blacklist era; the explosive emergence of science fiction as  Read more...

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"A book of impressive research which eschews vague impressions for a rigorous look at industry documents and publications, among other sources of information.... The breakthrough in Cook's study Read more...

 
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<http:\/\/id.worldcat.org\/fast\/1027150<\/a>> # Motion picture industry<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Motion picture industry<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/1027285<\/a>> # Motion pictures<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Motion pictures<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/1204155<\/a>> # United States.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"United States.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9780520085336<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"0520085337<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9780520085336<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9780520085343<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"0520085345<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9780520085343<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9780520085350<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"0520085353<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9780520085350<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9780520203341<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"0520203348<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9780520203341<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9780520221307<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"0520221303<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9780520221307<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9780520232655<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"0520232658<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9780520232655<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9780520232662<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"0520232666<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9780520232662<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9780520238046<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"0520238044<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9780520238046<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9780520249660<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"0520249666<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9780520249660<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/29316804<\/a>>\u00A0\u00A0\u00A0\u00A0a \ngenont:InformationResource<\/a>, genont:ContentTypeGenericResource<\/a> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/www.worldcat.org\/oclc\/29316804<\/a>> ; # History of the American cinema.<\/span>\n\u00A0\u00A0\u00A0\nschema:dateModified<\/a> \"2019-10-08<\/span>\" ;\u00A0\u00A0\u00A0\nvoid:inDataset<\/a> <http:\/\/purl.oclc.org\/dataset\/WorldCat<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/29316804#PublicationEvent\/berkeley_university_of_california_press_1994_2006<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:PublicationEvent<\/a> ;\u00A0\u00A0\u00A0\nschema:location<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9565597667#Place\/berkeley<\/a>> ; # Berkeley<\/span>\n\u00A0\u00A0\u00A0\nschema:organizer<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9565597667#Agent\/university_of_california_press<\/a>> ; # University of California Press<\/span>\n\u00A0\u00A0\u00A0\nschema:startDate<\/a> \"1994-2006<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Content-negotiable representations<\/p>\n