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  E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/25248148 Title: A history of Western musical aesthetics Author: Edward A Lippman Publisher: Lincoln : University of Nebraska Press, ©1992. ISBN/ISSN: 0803228635 9780803228634 0803279515 9780803279513 OCLC:25248148

  
  

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A history of Western musical aesthetics

Author:	Edward A Lippman
Publisher:	Lincoln : University of Nebraska Press, ©1992.
Edition/Format:	Print book : EnglishView all editions and formats
Summary:	A History of Western Musical Aesthetics follows through the centuries debates about the place and function of music, the perceived role of music as a good or bad influence on the development of character, as a magical art or a domestic entertainment, and as a gateway to transcendental truths. Edward Lippman describes the beginnings of musical tradition in the myths and philosophies of antiquity. He shows how music theory began to take on new dimensions and intensity in the seventeenth century, how musical esthetics was specifically defined and elaborated in the eighteenth century, and how, by the nineteenth century, music became the standard by which other arts were judged. The twentieth century added problems, pressure, and theories as music continued to diversify and as cultures viewed each other with more respect. - Back cover. Among the fine arts music has always held a paramount position. "Musical training is a more potent instrument than any other, because rhythm and harmony find their way into the inward places of the soul," wrote Plato. From the "music of the spheres" of Pythagoras to the "Future Music" of Wagner, from churches, courts, cathedrals, and concert halls to amateur recitals, military marches, and electronic records, music has commanded the perpetual attention of every civilization in history. This book follows through the centuries the debates about the place and function of music, the perceived role of music as a good or bad influence on the development of character, as a magical art or a domestic entertainment, and as a gateway to transcendental truths. Edward Lippman describes the beginnings of musical tradition in the myths and philosophies of antiquity. He shows how music theory began to take on new dimensions and intensity in the seventeenth century, how musical aesthetics was specifically defined and elaborated in the eighteenth century, and how, by the nineteenth century, music became the standard by which other arts were judged. The twentieth century added problems, pressure, and theories as music continued to diversify and as cultures viewed each other with more respect.  Read more...
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Subjects	Music -- Philosophy and aesthetics. Musique -- Philosophie et esthétique -- Histoire. Muziek. View all subjects
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