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Hugo Riemann and the birth of modern musical thought

Author: Alexander Rehding
Publisher: Cambridge ; New York : Cambridge University Press, ©2003.
Series: New perspectives in music history and criticism, 11.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German.
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Genre/Form: Online resources
Criticism, interpretation, etc
History
Electronic book
Additional Physical Format: Print version:
Rehding, Alexander.
Hugo Riemann and the birth of modern musical thought.
Cambridge ; New York : Cambridge University Press, 2003
(DLC) 2002031364
(OCoLC)50403902
Named Person: Hugo Riemann; Hugo Riemann; Hugo Riemann
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Alexander Rehding
ISBN: 9780511481369 0511481365 0511061781 9780511061783 0511070241 9780511070242
OCLC Number: 57172268
Description: 1 online resource (x, 218 pages) : illustrations.
Contents: Riemann's moonshine experiment --
The responsibilities of nineteenth-century music theory --
Riemann's musical logic and the 'As if' --
Musical syntax, nationhood and universality --
Beethoven's deafness, exotic harmonies and tone imaginations.
Series Title: New perspectives in music history and criticism, 11.
Responsibility: Alexander Rehding.
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Abstract:

By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which  Read more...

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Review of the hardback: '... this is a magnificent study. The writing throughout is sympathetic, witty, engaged, quietly ambitious; and Rehding is wonderfully sensitive to the poignancy of Riemann's Read more...

 
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