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  E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/54454558 Title: Humoring the body : emotions and the Shakespearean stage Author: Gail Kern Paster Publisher: Chicago : University of Chicago Press, 2004. ISBN/ISSN: 0226648478 9780226648477 9780226648484 0226648486 9780226213828 022621382X OCLC:54454558

  
  

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Humoring the body : emotions and the Shakespearean stage

Author:	Gail Kern Paster
Publisher:	Chicago : University of Chicago Press, 2004.
Edition/Format:	Print book : EnglishView all editions and formats
Summary:	"In Humoring the Body, Gail Kern Paster proposes a new way of interpreting the emotions of the early modern stage so that readers may recover some of this historical particularity." "Using notions drawn from humoral medical theory to untangle passages from important moral treatises, medical texts, natural histories, and major Shakespearean plays, Paster identifies a historical phenomenology in the language of affect by underscoring the significance of the four humors as the language of embodied emotion. Beginning with an overview of the differences between early modern behavioral theory and the models of mind-body relations dominant in post-Enlightenment thought, Humoring the Body goes on to consider the relationship among the body, the emotions, and the natural world in Hamlet and Othello; the phenomenon of the melancholy virgin in As You Like It and the opposite phenomenon of choler in The Taming of the Shrew; the representation of animal and human emotion against the backdrop of early modern natural history in Macbeth; and the connection between early modern social and emotional hierarchies. With unmatched acumen, Paster expertly probes how Shakespearean characters experienced rage, pain, and joy in a world in which no distinction existed between physiology and psychology." "A major contribution both to Shakespeare studies and to the history of embodied emotions, Humoring the Body challenges modern readers - steeped in the influence of post-Cartesian abstraction and the disembodiment of human psychology - to reexamine the literal language of embodied emotion in early modern England."--Jacket.  Read more...
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Subjects	Shakespeare, William, -- 1564-1616 -- Knowledge -- Psychology. Drama -- Psychological aspects. Mind and body in literature. View all subjects
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