Find a copy online
Links to this item
sfx.metabib.ch Online via SFX mit UZH- oder USZ-Authentifizierung
sfx.metabib.ch Online via SFX

Find a copy in the library
Finding libraries that hold this item...
Details
Genre/Form: | Online-Publikation |
---|---|
Additional Physical Format: | Druckausg. |
Material Type: | Document, Internet resource |
Document Type: | Internet Resource, Computer File |
All Authors / Contributors: |
Susan Broadhurst; Josephine Machon |
ISBN: | 9781137284440 1137284447 9780230298880 0230298885 9781137284433 1137284439 |
OCLC Number: | 813526024 |
Notes: | Epublication based on: ISBN 9780230298880. |
Description: | Online-Ressource (256 Seiten) : 25 b&w, Illustrationen. |
Contents: | List of Illustrations Foreword; T.Schiphorst Notes on Contributors Introduction; S.Broadhurst & J.Machon PART I: IDENTITIES - NEW EPISTEMOLOGIES AND ONTOLOGIES Improvising Artists, Embodied Technology and Emergent Techniques; A.Bucksbarg & S.Carter Shifting Listening Identities - Towards a Fluidity of Form in Digital Music; F.Schroeder Art as Eudaimonia: Embodied Identities and the Return Beat; O.Taiwo Graeae: An Aesthetic of Access - (De)cluttering the Clutter; J.Sealey & C.Hope Lynch PART II: (EX)POSING IDENTITY - EMBODIED ART PRACTICES Woven Bodies, Woven Cultures; G.Boddington Pina; S.Broadhurst Experiential Identities in the Work of Marisa Carnesky; J.Machon Lynn Hershman and the Creation of Multiple Robertas; R.Mock PART III: EMPOWERMENT/DISEMPOWERMENT IN DIGITAL PERFORMANCE (be)longing: A Case Study of Recording and Representation; L.Hill Pluralistic Presence: Practising Embodiment with My Avatar; S.Popat & K.Preece The Silent Screen/Scream: A Sensual Exploration of the Interior/Exterior Screens of the (Dis)closing Subject; P.Woodward PART IV: BLURRING THE BOUNDARIES: THE DELIMITED SELF Below the Surface; H.Paris 'Stelarc's Mystical Body'; C.Gere Borderless Bodies - The Cellulardata Body; H.Sky Index |
Series Title: | Palgrave studies in performance and technology |
Responsibility: | edited by Susan Broadhurst, Josephine Machon. |
Abstract:
Reviews
Publisher Synopsis
'...this is an important addition to the material on performance and technology and its impact on embodied performance practices. In its ambition and scope this volume will be of interest to those concerned with somatic practice and the range of emergent thinking and multiple impacts of digital technologies deployed in contemporary performance.' - Scott Palmer, New Theatre Quarterly'...a solid collection of interesting and insightful case studies of performance events and practices incorporating media technologies.' - David Z. Saltz, Theatre Journal'This book has something to offer those interested in the confluence of performance and technology from practitioners to scholars of all levels, as well as those outside the academy with an active interest in this type of performance work.' - Sophie Lally, Contemporary Theatre Review Read more...

