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Identity, Performance and Technology Practices of Empowerment, Embodiment and Technicity

Author: Susan Broadhurst; Josephine Machon
Publisher: 2012.
Series: Palgrave Studies in Performance and Technology
Edition/Format:   eBook : EnglishView all editions and formats
Summary:
This project investigates the implications of technology on identity in embodied performance, opening up a forum of debate exploring the interrelationship of and between identities in performance practices and considering how identity is formed, de-formed, blurred and celebrated within diverse approaches to technological performance practice.
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Material Type: Internet resource
Document Type: Internet Resource
All Authors / Contributors: Susan Broadhurst; Josephine Machon
ISBN: 9781137284440 1137284447
OCLC Number: 1111066168
Notes: Electronic book text.
Epublication based on: 9780230298880.
Reproduction Notes: Electronic reproduction. Palgrave Connect.
Description: 25 b&w, ill.
Details: PDF.
Contents: List of Illustrations Foreword --
T.Schiphorst Notes on Contributors Introduction --
S.Broadhurst & J.Machon PART I: IDENTITIES --
NEW EPISTEMOLOGIES AND ONTOLOGIES Improvising Artists, Embodied Technology and Emergent Techniques --
A.Bucksbarg & S.Carter Shifting Listening Identities --
Towards a Fluidity of Form in Digital Music --
F.Schroeder Art as Eudaimonia: Embodied Identities and the Return Beat --
O.Taiwo Graeae: An Aesthetic of Access --
(De)cluttering the Clutter --
J.Sealey & C.Hope Lynch PART II: (EX)POSING IDENTITY --
EMBODIED ART PRACTICES Woven Bodies, Woven Cultures --
G.Boddington Pina --
S.Broadhurst Experiential Identities in the Work of Marisa Carnesky --
J.Machon Lynn Hershman and the Creation of Multiple Robertas --
R.Mock PART III: EMPOWERMENT/DISEMPOWERMENT IN DIGITAL PERFORMANCE (be)longing: A Case Study of Recording and Representation --
L.Hill Pluralistic Presence: Practising Embodiment with My Avatar --
S.Popat & K.Preece The Silent Screen/Scream: A Sensual Exploration of the Interior/Exterior Screens of the (Dis)closing Subject --
P.Woodward PART IV: BLURRING THE BOUNDARIES: THE DELIMITED SELF Below the Surface --
H.Paris 'Stelarc's Mystical Body' --
C.Gere Borderless Bodies --
The Cellulardata Body --
H.Sky Index.
Series Title: Palgrave Studies in Performance and Technology
Responsibility: Edited by Susan Broadhurst, Josephine Machon.

Abstract:

This project investigates the implications of technology on identity in embodied performance, opening up a forum of debate exploring the interrelationship of and between identities in performance practices and considering how identity is formed, de-formed, blurred and celebrated within diverse approaches to technological performance practice.

This book investigates the implications of technology on identity in embodied performance; the discussion within it forms a forum of debate exploring the interrelationship of and between identities in performance practices, informed by new technologies. This collection considers how identity is formed, de-formed, constructed, deconstructed, blurred and celebrated within diverse approaches to technological performance practices. Digital practices as experimental artworks and performances both serve as critique and have an indirect affect on the social and political. The discussions included in this collection highlight how a redefinition of the latter term comes about in as much as they question the very nature of our accepted ideas and belief systems regarding new technologies. These essays demonstrate how embodied technological practice, as with all avant-garde art, presents itself and any analysis applied to it as an experimental extension of the socio-political and cultural experience of an epoch.

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