skip to content
In secrecy's shadow : the OSS and CIA in Hollywood cinema 1941-1979 Preview this item
ClosePreview this item
Checking...

In secrecy's shadow : the OSS and CIA in Hollywood cinema 1941-1979

Author: Simon Willmetts
Publisher: Edinburgh : Edinburgh U.P., 2017
Series: Traditions in American cinema
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

Drawing on extensive archival research, In Secrecy s Shadow explores the revolution in the relationship between Hollywood and the secret state, from unwavering trust and cooperation to extreme  Read more...

Rating:

(not yet rated) 0 with reviews - Be the first.

Subjects
More like this

Find a copy in the library

&AllPage.SpinnerRetrieving; Finding libraries that hold this item...

Details

Genre/Form: Criticism, interpretation, etc
Named Person: Darryl F Zanuck; John Ford
Document Type: Book
All Authors / Contributors: Simon Willmetts
ISBN: 9781474425940 1474425941
OCLC Number: 1001412121
Notes: Index ; bibliogr. ; filmogr. ; teleogr.
Description: xii, 307 s. : illustrations
Contents: Af indholdet: S. 51-57: Zanuck, Ford and the filming of the North African invasion. --
S. 77-120: What is past is prologue: Hollywood's history of the OSS and the establishment of the CIA. --
S. 85-89: O.S.S. --
S. 89-102: Cloak and dagger. --
S. 102-120: 13 Rue madeleine. --
S. 142-158: Joseph Mankiewicz's The quiet American. --
S. 181-185: Our man in Havana and the origins of Cold War satire. --
S. 185-193: North by Northwest. --
S. 193-204: The man from U.N.C.L.E. and tv spy satire in the 1960s.- S. 204-222: Parody turns political in The president's analyst. --
S. 232-235: Scorpio and CIA public relations. --
S. 236-241: The spook who sat by the door. --
S. 241-248: Watergate, The parallax view and the emergence of the conspiracy thriller. --
S. 248-253: Three days of the condor.
Series Title: Traditions in American cinema
Responsibility: Simon Willmetts

Reviews

User-contributed reviews
Retrieving GoodReads reviews...
Retrieving DOGObooks reviews...

Tags

Be the first.
Confirm this request

You may have already requested this item. Please select Ok if you would like to proceed with this request anyway.

Linked Data


\n\n

Primary Entity<\/h3>\n
<http:\/\/www.worldcat.org\/oclc\/1001412121<\/a>> # In secrecy\'s shadow : the OSS and CIA in Hollywood cinema 1941-1979<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Book<\/a>, schema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"1001412121<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Place\/edinburgh<\/a>> ; # Edinburgh<\/span>\n\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/id.loc.gov\/vocabulary\/countries\/uik<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/spook_who_sat_by_the_door_the_us_ivan_dixon_1973<\/a>> ; # Spook who sat by the door, The (US, Ivan Dixon, 1973)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/cloak_and_dagger_us_fritz_lang_1946<\/a>> ; # Cloak and dagger (US, Fritz Lang, 1946)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Topic\/cold_war_in_films_usa<\/a>> ; # COLD WAR IN FILMS\/USA<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Topic\/government_control_usa<\/a>> ; # GOVERNMENT CONTROL\/USA<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/man_from_u_n_c_l_e_the_us_1964_68_tv_prod<\/a>> ; # Man from U.N.C.L.E., The (US, 1964-68) (tv-prod.)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Organization\/central_intelligence_agency<\/a>> ; # Central Intelligence Agency<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/quiet_american_the_us_joseph_l_mankiewicz_1958<\/a>> ; # Quiet American, The (US, Joseph L. Mankiewicz, 1958)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/north_by_northwest_us_alfred_hitchcock_1959<\/a>> ; # North by Northwest (US, Alfred Hitchcock, 1959)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Topic\/politics_and_the_cinema_usa<\/a>> ; # POLITICS AND THE CINEMA\/USA<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Organization\/office_of_strategic_services<\/a>> ; # Office of Strategic Services<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Topic\/state_and_the_cinema_usa<\/a>> ; # STATE AND THE CINEMA\/USA<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/three_days_of_the_condor_us_sydney_pollack_1975<\/a>> ; # Three days of the condor (US, Sydney Pollack, 1975)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/13_rue_madeleine_us_henry_hathaway_1947<\/a>> ; # 13 Rue Madeleine (US, Henry Hathaway, 1947)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Place\/united_states<\/a>> ; # United States<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/parallax_view_the_us_alan_j_pakula_1974<\/a>> ; # Parallax view, The (US, Alan J. Pakula, 1974)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Person\/zanuck_darryl_f<\/a>> ; # Darryl F Zanuck<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/o_s_s_us_irving_pichel_1946<\/a>> ; # O.S.S. (US, Irving Pichel, 1946)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Topic\/spy_films<\/a>> ; # Spy films<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/dewey.info\/class\/791.43\/e23\/<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Person\/ford_john<\/a>> ; # John Ford<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/our_man_in_havana_uk_carol_reed_1960<\/a>> ; # Our man in Havana (UK, Carol Reed, 1960)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Topic\/spy_films_united_states_history_and_criticism<\/a>> ; # Spy films--United States--History and criticism<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/president_s_analyst_the_us_theodore_j_flicker_1967<\/a>> ; # President\'s analyst, The (US, Theodore J. Flicker, 1967)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Topic\/cold_war_and_the_cinema_usa<\/a>> ; # COLD WAR AND THE CINEMA\/USA<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/scorpio_us_michael_winner_1972<\/a>> ; # Scorpio (US, Michael Winner, 1972)<\/span>\n\u00A0\u00A0\u00A0\nschema:bookFormat<\/a> bgn:PrintBook<\/a> ;\u00A0\u00A0\u00A0\nschema:creator<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Person\/willmetts_simon<\/a>> ; # Simon Willmetts<\/span>\n\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2017<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Af indholdet: S. 51-57: Zanuck, Ford and the filming of the North African invasion. -- S. 77-120: What is past is prologue: Hollywood\'s history of the OSS and the establishment of the CIA. -- S. 85-89: O.S.S. -- S. 89-102: Cloak and dagger. -- S. 102-120: 13 Rue madeleine. -- S. 142-158: Joseph Mankiewicz\'s The quiet American. -- S. 181-185: Our man in Havana and the origins of Cold War satire. -- S. 185-193: North by Northwest. -- S. 193-204: The man from U.N.C.L.E. and tv spy satire in the 1960s.- S. 204-222: Parody turns political in The president\'s analyst. -- S. 232-235: Scorpio and CIA public relations. -- S. 236-241: The spook who sat by the door. -- S. 241-248: Watergate, The parallax view and the emergence of the conspiracy thriller. -- S. 248-253: Three days of the condor.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/3004208882<\/a>> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Criticism, interpretation, etc.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"en<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isPartOf<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Series\/traditions_in_american_cinema<\/a>> ; # Traditions in American cinema<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"In secrecy\'s shadow : the OSS and CIA in Hollywood cinema 1941-1979<\/span>\" ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"1001412121<\/span>\" ;\u00A0\u00A0\u00A0\nschema:publication<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/1001412121#PublicationEvent\/edinburgh_edinburgh_u_p_2017<\/a>> ;\u00A0\u00A0\u00A0\nschema:publisher<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Agent\/edinburgh_u_p<\/a>> ; # Edinburgh U.P.<\/span>\n\u00A0\u00A0\u00A0\nschema:workExample<\/a> <http:\/\/worldcat.org\/isbn\/9781474425940<\/a>> ;\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/1001412121<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Related Entities<\/h3>\n
<http:\/\/dewey.info\/class\/791.43\/e23\/<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Agent\/edinburgh_u_p<\/a>> # Edinburgh U.P.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:Agent<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Edinburgh U.P.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/13_rue_madeleine_us_henry_hathaway_1947<\/a>> # 13 Rue Madeleine (US, Henry Hathaway, 1947)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"13 Rue Madeleine (US, Henry Hathaway, 1947)<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/cloak_and_dagger_us_fritz_lang_1946<\/a>> # Cloak and dagger (US, Fritz Lang, 1946)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Cloak and dagger (US, Fritz Lang, 1946)<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/man_from_u_n_c_l_e_the_us_1964_68_tv_prod<\/a>> # Man from U.N.C.L.E., The (US, 1964-68) (tv-prod.)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Man from U.N.C.L.E., The (US, 1964-68) (tv-prod.)<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/north_by_northwest_us_alfred_hitchcock_1959<\/a>> # North by Northwest (US, Alfred Hitchcock, 1959)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"North by Northwest (US, Alfred Hitchcock, 1959)<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/o_s_s_us_irving_pichel_1946<\/a>> # O.S.S. (US, Irving Pichel, 1946)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"O.S.S. (US, Irving Pichel, 1946)<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/our_man_in_havana_uk_carol_reed_1960<\/a>> # Our man in Havana (UK, Carol Reed, 1960)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Our man in Havana (UK, Carol Reed, 1960)<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/parallax_view_the_us_alan_j_pakula_1974<\/a>> # Parallax view, The (US, Alan J. Pakula, 1974)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Parallax view, The (US, Alan J. Pakula, 1974)<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/president_s_analyst_the_us_theodore_j_flicker_1967<\/a>> # President\'s analyst, The (US, Theodore J. Flicker, 1967)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"President\'s analyst, The (US, Theodore J. Flicker, 1967)<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/quiet_american_the_us_joseph_l_mankiewicz_1958<\/a>> # Quiet American, The (US, Joseph L. Mankiewicz, 1958)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Quiet American, The (US, Joseph L. Mankiewicz, 1958)<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/scorpio_us_michael_winner_1972<\/a>> # Scorpio (US, Michael Winner, 1972)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Scorpio (US, Michael Winner, 1972)<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/spook_who_sat_by_the_door_the_us_ivan_dixon_1973<\/a>> # Spook who sat by the door, The (US, Ivan Dixon, 1973)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Spook who sat by the door, The (US, Ivan Dixon, 1973)<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#CreativeWork\/three_days_of_the_condor_us_sydney_pollack_1975<\/a>> # Three days of the condor (US, Sydney Pollack, 1975)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Three days of the condor (US, Sydney Pollack, 1975)<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Organization\/central_intelligence_agency<\/a>> # Central Intelligence Agency<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Central Intelligence Agency<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Organization\/office_of_strategic_services<\/a>> # Office of Strategic Services<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Office of Strategic Services<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Person\/ford_john<\/a>> # John Ford<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Ford<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"John<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"John Ford<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Person\/willmetts_simon<\/a>> # Simon Willmetts<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Willmetts<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Simon<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Simon Willmetts<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Person\/zanuck_darryl_f<\/a>> # Darryl F Zanuck<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Zanuck<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Darryl F.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Darryl F Zanuck<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Place\/edinburgh<\/a>> # Edinburgh<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Edinburgh<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Place\/united_states<\/a>> # United States<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"United States<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Series\/traditions_in_american_cinema<\/a>> # Traditions in American cinema<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:PublicationSeries<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/www.worldcat.org\/oclc\/1001412121<\/a>> ; # In secrecy\'s shadow : the OSS and CIA in Hollywood cinema 1941-1979<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Traditions in American cinema<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Topic\/cold_war_and_the_cinema_usa<\/a>> # COLD WAR AND THE CINEMA\/USA<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"COLD WAR AND THE CINEMA\/USA<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Topic\/cold_war_in_films_usa<\/a>> # COLD WAR IN FILMS\/USA<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"COLD WAR IN FILMS\/USA<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Topic\/government_control_usa<\/a>> # GOVERNMENT CONTROL\/USA<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"GOVERNMENT CONTROL\/USA<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Topic\/politics_and_the_cinema_usa<\/a>> # POLITICS AND THE CINEMA\/USA<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"POLITICS AND THE CINEMA\/USA<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Topic\/spy_films<\/a>> # Spy films<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Spy films<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Topic\/spy_films_united_states_history_and_criticism<\/a>> # Spy films--United States--History and criticism<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Spy films--United States--History and criticism<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Topic\/state_and_the_cinema_usa<\/a>> # STATE AND THE CINEMA\/USA<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"STATE AND THE CINEMA\/USA<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/uik<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"uik<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9781474425940<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"1474425941<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9781474425940<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/1001412121<\/a>>\u00A0\u00A0\u00A0\u00A0a \ngenont:InformationResource<\/a>, genont:ContentTypeGenericResource<\/a> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/www.worldcat.org\/oclc\/1001412121<\/a>> ; # In secrecy\'s shadow : the OSS and CIA in Hollywood cinema 1941-1979<\/span>\n\u00A0\u00A0\u00A0\nschema:dateModified<\/a> \"2020-08-09<\/span>\" ;\u00A0\u00A0\u00A0\nvoid:inDataset<\/a> <http:\/\/purl.oclc.org\/dataset\/WorldCat<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/1001412121#PublicationEvent\/edinburgh_edinburgh_u_p_2017<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:PublicationEvent<\/a> ;\u00A0\u00A0\u00A0\nschema:location<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Place\/edinburgh<\/a>> ; # Edinburgh<\/span>\n\u00A0\u00A0\u00A0\nschema:organizer<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/3004208882#Agent\/edinburgh_u_p<\/a>> ; # Edinburgh U.P.<\/span>\n\u00A0\u00A0\u00A0\nschema:startDate<\/a> \"2017<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Content-negotiable representations<\/p>\n