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Interview with Rudolf Nureyev

Author: Rudolf Nureyev; Nigel Gosling
Publisher: 1962.
Series: Rudolf Nureyev Collection.
Edition/Format:   Audiobook on CD : CD audio : EnglishView all editions and formats
Summary:
Track 1: 32 min. Poor sound quality. Interviewee is too close to microphone; loud popping noises. Rudolf Nureyev discusses Giselle; the of role of critics and criticism in ballet (and Russia), and the importance of self-criticism; differences and similarities in choreography for men and women; Marius Petipa's choreography for Swan lake and how he thinks it should develop over time; Sleeping beauty at the time of its
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Details

Named Person: Marius Petipa; Margot Fontyen; Michel Fokine; Vera Volkova; Erik Bruhn; Maria Tallchief; Erik Bruhn; Michel Fokine; Marius Petipa; Maria Tallchief; Vera Volkova
Material Type: Audio book, etc.
Document Type: Sound Recording
All Authors / Contributors: Rudolf Nureyev; Nigel Gosling
OCLC Number: 49790329
Notes: Nigel Gosling [Alexander Bland] interviews Rudolf Nureyev for his 1962 autobiography.
For partial transcript, see *MGZMT 4-2325.
Description: 1 audio disc (64 min.) : digital ; 4 3/4 in.
Series Title: Rudolf Nureyev Collection.
Other Titles: Nigel Gosling interviews Rudolf Nureyev for his 1962 autobiography
Responsibility: by Nigel Gosling.

Abstract:

Track 1: 32 min. Poor sound quality. Interviewee is too close to microphone; loud popping noises. Rudolf Nureyev discusses Giselle; the of role of critics and criticism in ballet (and Russia), and the importance of self-criticism; differences and similarities in choreography for men and women; Marius Petipa's choreography for Swan lake and how he thinks it should develop over time; Sleeping beauty at the time of its premiere, the differences in dancers bodies, style and production elements; how he feels England has not embraced these developments; changes he feels need to be made in Covent Garden's version of Giselle; his first impression of Margot Fonteyn; his first meeting of Dame Ninette de Valois in 1958 in Russia; his feelings about Michel Fokine's choreography for Petrushka and Firebird.

Track 2: 32 min. Poor sound quality towards last 10 min. of track. Loud popping noises. This may be the first half of interview. Nureyev continues his discussion with Nigel Gosling of Vera Volkova's classes in Copenhagen with Erik Bruhn; dancing in the Vaganova style in comparison to other styles; his impressions of Copenhagen and the Danish Ballet; Maria Tallchief and Erik in Copenhagen; Margot Fonteyn getting in contact with him about dancing with her; his experience in Israel; dancing Swan Lake, Sleeping Beauty and Don Quixote in Israel; Jews in Russia; how he spent his time while dancing with the Ballet De Cuevas; comparisons of Israel to Egypt.

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