• Cite/Export
  Cite/Export

  Copy a citation

  APA (6th ed.)

  

  Chicago (Author-Date, 15th ed.)

  

  Harvard (18th ed.)

  

  MLA (7th ed.)

  

  Turabian (6th ed.)

  

  Export a citation

  Export to RefWorks   Export to EndNote / Reference Manager   Export to EasyBib
  Export to EndNote / Reference Manager(non-Latin)   Cancel

  Note: Citations are based on reference standards. However, formatting rules can vary widely between applications and fields of interest or study. The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied.
• Print
• E-mail
  E-mail

  All fields are required.

  The E-mail Address(es) field is required. Please enter recipient e-mail address(es).

  The E-mail Address(es) you entered is(are) not in a valid format. Please re-enter recipient e-mail address(es).

  You may send this item to up to five recipients.

  Enter recipient e-mail address(es): Separate up to five addresses with commas (,)

  The name field is required. Please enter your name.

  Enter your name: The subject field is required. Please enter the subject. Subject:

  The E-mail message field is required. Please enter the message.

  E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/605504639 Title: The invention of evening : perception and time in Romantic poetry Author: Christopher R Miller Publisher: Cambridge : Cambridge University Press, 2008. ISBN/ISSN: 9780521863827 0521863821 9780521123495 0521123496 OCLC:605504639

  
  

  Please verify that you are not a robot.

  Cancel
• Share
• Permalink
  Permalink

  Copy this URL to link to this page:

• Write a review
• Rate this item:
• • 1
  • 2
  • 3
  • 4
  • 5

The invention of evening : perception and time in Romantic poetry

Author:	Christopher R Miller
Publisher:	Cambridge : Cambridge University Press, 2008.
Series:	Cambridge studies in Romanticism, 66.
Edition/Format:	Print book : EnglishView all editions and formats
Summary:	Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this development. The tradition of evening poetry runs from the idyllic settings of Virgil to the urban twilights of T.S. Eliot, and flourished in the works of Coleridge, Wordsworth, Shelley, and Keats. In fresh readings of familiar Romantic poems, Miller shows how evening settings enabled poets to represent the passage of time and to associate it with subtle movements of thought and perception. This leads to new ways of reading canonical works, and of thinking about the kinds of themes the lyric can express. (Publisher).  Read more...
Rating:	(not yet rated) 0 with reviews - Be the first.
Subjects	Coleridge, Samuel Taylor, -- 1772-1834 -- Criticism and interpretation. Wordsworth, William, -- 1770-1850 -- Criticism and interpretation. Shelley, Percy Bysshe, -- 1792-1822 -- Criticism and interpretation. View all subjects
More like this	User lists Similar Items