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Japanese horror and the transnational cinema of sensations

Author: Steven T Brown
Publisher: Cham, Switzerland : Palgrave Macmillan, [2018] ©2018
Series: East Asian popular culture (New York, N.Y.)
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Japanese Horror and the Transnational Cinema of Sensations undertakes a critical reassessment of Japanese horror cinema by attending to its intermediality and transnational hybridity in relation to world horror cinema. Neither a conventional film history nor a thematic survey of Japanese horror cinema, this study offers a transnational analysis of selected films from new angles that shed light on previously ignored  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Brown, Steven T.
Japanese horror and the transnational cinema of sensations.
Cham, Switzerland : Palgrave Macmillan, [2018]
(OCoLC)1006442275
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Steven T Brown
ISBN: 9783319706290 3319706292
OCLC Number: 1022560760
Description: 1 online resource : illustrations
Contents: Intro; Acknowledgments; Contents; List of Figures; 1: Introduction; What Was J-Horror?; The Subject of "Resonance"; Towards a Cinema of Sensations; 2: Ambient Horror: From Sonic Palimpsests to Haptic Sonority in the Cinema of Kurosawa Kiyoshi; The Sonic Palimpsest; The Acousmatic Voice; Sonic Drones and Temporal Suspensions; Absolute Silence; Reinventing the Scream; Conclusion; 3: Double Trouble: Doppelgängers in Japanese Horror; A Brief Doppelgänger Lexicon; A Cinema of Doubles; Frame Games; Coda: Hyphenated Subjectivities; Haunted Leitmotifs 4: Cinema Fou: Surrealist Horror from Face of Another to GozuOther Surrealisms; The Exquisite Corpse; The Fragmented Body; The Invisible Man; Omote/Ura; Yakuza Horror Theater; Encounters with Monstrous Hybridity; Gender Ambiguity; Homosociality and Amour Fou; Conclusion; 5: In the Wake of Artaud: Cinema of Cruelty in Audition and Oldboy; From "Torture Porn" to "Spectacle Horror" to "Cinema of Cruelty"; Miike's Cinema of Outrage; The Color of Cruelty in Audition; Auditioning Cruelty: Phonic Disarticulations "My name is Oh Dae-su" : The Mythical Force of Cruelty in Oldboy Spectacle of Faces; Conclusion; 6: Conclusion: Envelopes of Fear;The Temporality of Japanese Horror; J-Horror Assemblages; Sensations of Horror; Affective Envelopes; Bibliography; Index
Series Title: East Asian popular culture (New York, N.Y.)
Responsibility: Steven T. Brown.

Abstract:

Japanese Horror and the Transnational Cinema of Sensations undertakes a critical reassessment of Japanese horror cinema by attending to its intermediality and transnational hybridity in relation to  Read more...

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