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Jean-Auguste-Dominique Ingres, 1780-1867

Author: Uwe Fleckner; Jean-Auguste-Dominique Ingres
Publisher: Cologne : Könemann, ©2000.
Series: Masters of French art.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
Jean-Auguste-Dominique Ingres (1780-1867) had an unparalleled influence on 19th-century French painting. Ingres confronted the aesthetic challenges and conflicts of his time and reflected the historical and cultural upheavals of his era. In the course of his long life he succeeded in liberating himself from the aesthetic doctrines of the late 18th century, and thus achieved his own very individual concept of
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Genre/Form: Biography
Additional Physical Format: Online version:
Fleckner, Uwe.
Jean-Auguste-Dominique Ingres, 1780-1867.
Cologne : Könemann, ©2000
(OCoLC)691029376
Named Person: Jean-Auguste-Dominique Ingres; Jean-Auguste-Dominique Ingres
Document Type: Book
All Authors / Contributors: Uwe Fleckner; Jean-Auguste-Dominique Ingres
ISBN: 3829028717 9783829028714 9783829016322 3829016328
OCLC Number: 45914950
Description: 140 pages : illustrations (some color) ; 33 cm.
Contents: A Neoclassicist's Journey into Modernism 6 --
Origins and Development 12 --
Inset: The Studio of Jacques-Louis David 22 --
Early Participation in the Salon 26 --
Inset: The Paris Salon and the Public in the 19th Century 36 --
Apprentice Years in Rome 38 --
French in Rome 54 --
Triumph and Resignation 72 --
Inset: Neoclassicism and Romanticism 84 --
In the Service of Art 88 --
Between Portrait and History 98 --
Turkish Bath as a Bequest 126.
Series Title: Masters of French art.
Other Titles: Meister der franzos̈ischen Kunst, Ingres.
Ingres
Responsibility: Uwe Fleckner ; [translation from German, Christine Shuttleworth in association with Cambridge Publishing Management].

Abstract:

Jean-Auguste-Dominique Ingres (1780-1867) had an unparalleled influence on 19th-century French painting. Ingres confronted the aesthetic challenges and conflicts of his time and reflected the historical and cultural upheavals of his era. In the course of his long life he succeeded in liberating himself from the aesthetic doctrines of the late 18th century, and thus achieved his own very individual concept of Neoclassicism. The conflicts between traditional academic theories and an.

Increasingly dubious hierarchy of genres which attempted to force the artist into the antithetical roles of history painter and portraitist, create in his works a tension between the imitation of nature and free artistic form. The present volume traces Ingres' quest for an individual pictorial language and indicates the way from the artistic conflicts of the 19th century into the modern era. Ingres' work has been studied by 20th-century artists and continues to exert its influence up to.

The present day. Book jacket.

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