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Jean-Baptiste Isabey : petits portraits et grands desseins

Author: Cyril Lécosse
Publisher: Paris : CTHS : Institut national d'histoire de l'art, [2018]
Series: Art & l'essai, 19.
Edition/Format:   Print book : FrenchView all editions and formats
Summary:
Jean-Baptiste Isabey, like François Gérard or Anne-Louis Girodet, made his name under the Revolution and the Empire. Like them, he trained as a painter of history in the studio of Jacques-Louis David and attended the school of the Royal Academy of painting. But Isabey has differentiated herself from her colleagues by making miniature and finished drawing her specialties. His success will be dazzling and he will  Read more...
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Genre/Form: Criticism, interpretation, etc
History
Named Person: Jean-Baptiste Isabey; Jean-Baptiste Isabey; Jean-Baptiste Isabey
Document Type: Book
All Authors / Contributors: Cyril Lécosse
ISBN: 9782735508556 2735508552
OCLC Number: 1065416160
Description: 323 pages, 32 unnembered pages of plates : mostly color illustrations ; 22 cm.
Contents: 1. Le temps de la formation (1767-1791) --
Nancy --
Paris et l'atelier de David --
Le commerce de l'art au temps de la Révolution --
Le portrait politique --
L'exposition des "artistes libres" --
La liberté d'exposition --
2. Les transformations du petit portrait sous la Révolution (1791-1799) --
Le marché du petit portrait --
Le succès d'Isabey au Salon --
Les grandes miniatures --
L'atelier du Louvre --
Le portrait sur papier --
De la manière noire à la manière d'Isabey --
L'abus de dessin --
La cause du dessin --
Le goût du portrait "à la française" --
3. Portrait et propagande du Consulat au lendemain du sacre (1799-1805) --
L'artiste et le militaire --
Le pouvoir manipulateur de l'image : Isabey propagandiste --
L'idéologie républicaine --
Le dessinateur dans les arcanes du pouvoir --
L'art au miroir de l'industrie française --
Vivant Denon contre Isabey --
Le sacre et les artistes --
Le Livre du sacre --
Le sacre des artistes --
4. L'artiste de cour sous l'Empire (1804-1814) --
Privilèges et obligations de l'artiste de cour --
Organiser et gérer la production des portraits diplomatiques --
Enchantement et désenchantement impérial (1810-1814) --
Le goût pour le portrait miniature d'apparat --
Crépuscule d'Empire --
5. Entre Napoléon et Louis XVIII --
Le règne des girouettes --
Une nouvelle cour --
Le congrès de Vienne --
Le portrait séditieux --
Le roi de Rome à l'épreuve du bonapartisme libéral --
Scandale au Salon --
Isabey en quête de succès --
La rétrospective londonienne d'Isabey --
6. La fin de l'hégémonie du peintre --
Le sacre de Charles X --
Le Salon de 1827 et le style troubadour --
Une nouvelle génération de miniaturistes --
Les artistes aux Tuileries --
Isabey et l'Institut --
Isabey et Napoléon III.
Series Title: Art & l'essai, 19.
Responsibility: Cyril Lécosse.

Abstract:

Jean-Baptiste Isabey, like François Gérard or Anne-Louis Girodet, made his name under the Revolution and the Empire. Like them, he trained as a painter of history in the studio of Jacques-Louis David and attended the school of the Royal Academy of painting. But Isabey has differentiated herself from her colleagues by making miniature and finished drawing her specialties. His success will be dazzling and he will remain his life during one of the painters of the elite. Playing Through it stands this artist, Cyril Lacosse allows us to understand the issues at once political, artistic and commercial production of portraits of small format at the turn of the XIX th century.--INHA

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