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Landscape and film

Author: Martin Lefebvre
Publisher: New York : Routledge, 2006.
Series: AFI film readers.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Landscape is everywhere in film, but it has been largely overlooked in theory and criticism. This book addresses questions, such as: What kind of landscape is cinematic landscape? How is cinematic landscape different from landscape painting?
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Landscape and film.
New York : Routledge, 2006
(DLC) 2005033754
(OCoLC)62342746
Named Person: David Wark Griffith; Anthony Mann; Peter Greenaway
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Martin Lefebvre
ISBN: 9780203959404 020395940X
OCLC Number: 143608405
Description: 1 online resource (xxxi, 361 pages) : illustrations
Contents: The invention of place: Danièle Huillet and Jean-Marie Straub's Moses and Aaron / Jacques Aumont --
Between setting and landscape in the cinema / Martin Lefebvre --
Toward a genealogy of the American landscape: notes on some landscapes in D.W. Griffith (1908-1912) / Jean Mottet --
The course of the empire: sublime landscapes in the American cinema / Maurizia Natali --
Asphalt nomadism: the new desert in Arab independent cinema / Laura U. Marks --
The inhabited view: landscape in the films of David Rimmer / Catherine Russell --
Sites of meaning: Gallipoli and other Mediterranean landscapes in amateur films, (c. 1928-1960) / Heather Nicholson --
The presence (and absence) of landscape in silent east Asian films / Peter Rist --
From flatland to vernacular relativity: the genesis of early English screenscapes / David B. Clarke and Marcus A. Doel --
Landscape and archive: trips around the world as early film topic (1896-1914) / Antonio Costa --
A walk through heterotopia: Peter Greenaway's landscapes by numbers / Bridget Elliott and Anthony Purdy --
Landscape and perception: on Anthony Mann / Tom Conley --
The cinematic void: desert iconographies in Michelangelo Antonioni's Zabriskie Point / Matthew Gandy.
Series Title: AFI film readers.
Responsibility: edited by Martin Lefebvre.

Abstract:

Landscape is everywhere in film, but it has been largely overlooked in theory and criticism. This book addresses questions, such as: What kind of landscape is cinematic landscape? How is cinematic  Read more...

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