Learning from madness : Brazilian modernism and global contemporary art (eBook, 2018) [WorldCat.org]
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Learning from madness : Brazilian modernism and global contemporary art

Author: Kaira Marie Cabañas
Publisher: Chicago : The University of Chicago Press, 2018. ©2018
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Throughout the history of European modernism, philosophers and artists have been fascinated by madness. Something different happened in Brazil, however, with the "art of the insane" that flourished within the modernist movements there. From the 1920s to the 1960s, the direction and creation of art by the mentally ill was actively encouraged by prominent figures in both medicine and art criticism, which led to a much  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Cabañas, Kaira Marie, 1974-
Learning from madness : Brazilian modernism and global contemporary art.
Chicago ; London : The University of Chicago Press, 2018
245 pages
(DLC) 2018006266
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Kaira Marie Cabañas
ISBN: 9780226556314 022655631X
OCLC Number: 1054093024
Description: 1 online resource (236 pages)
Contents: Introduction: toward discomfort --
Clinical-artistic tableaux --
Common creativities --
Physiognomic gestalt --
Bispo's contemporaneity --
Monolingualism of the global.
Responsibility: Kaira M. Cabañas.
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Abstract:

Throughout the history of European modernism, philosophers and artists have been fascinated by madness. Something different happened in Brazil, however, with the "art of the insane" that flourished within the modernist movements there. From the 1920s to the 1960s, the direction and creation of art by the mentally ill was actively encouraged by prominent figures in both medicine and art criticism, which led to a much wider appreciation among the curators of major institutions of modern art in Brazil, where pieces are included in important exhibitions and collections. Kaira M. Cabañas shows that at the center of this advocacy stood such significant proponents as psychiatrists Osório César and Nise da Silveira, who championed treatments that included painting and drawing studios; and the art critic Mário Pedrosa, who penned Gestaltist theses on aesthetic response. Cabañas examines the lasting influence of this unique era of Brazilian modernism, and how the afterlife of this "outsider art" continues to raise important questions. How do we respect the experiences of the mad as their work is viewed through the lens of global art? Why is this art reappearing now that definitions of global contemporary art are being contested? Learning from Madness offers an invigorating series of case studies that track the parallels between psychiatric patients' work in Western Europe and its reception by influential artists there, to an analogous but altogether distinct situation in Brazil.

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