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Leonardo da Vinci's technical practice : paintings, drawings and influence = La pratique technique de Léonard de Vinci : peintures, dessins et influence : [colloque, Londres, 13-14 janvier 2012

Auteur : Daniel Arasse; Ashok Roy; David Saunders; Michel Menu; Rémy Goavec; et al; Tous les auteurs
Éditeur: Paris : Hermann, DL 2014, cop. 2014.
Collection: La nature de l'œuvre.
Édition/format:  Livre imprimé : Biographie : Publication de conférence : AnglaisVoir toutes les éditions et tous les formats
Résumé:
"Sous l'auspice du projet CHARISMA, à l'occasion de l'admirable exposition "Léonard de Vinci : Peintre de la cour de Milan" à la National Gallery de Londres (9 novembre 2011-5 février 2012), un colloque de deux jours fut organisé les 13 et 14 janvier 2012 pour présenter les résultats les plus récents sur la pratique technique de Léonard, fruits des analyses et des examens réalisés sur les peintures et les  Lire la suite...
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Genre/forme: [Actes de congrès]
Actes de congrès
Congrès
Personne nommée: Léonard, de Vinci; Léonard de Vinci; Léonard de Vinci; Léonard de Vinci; Léonard, (de Vinci) - dessin.; Léonard, (de Vinci) - peinture.; Léonard, (de Vinci) - influence exercée.
Type d’ouvrage: Biographie, Publication de conférence
Type de document: Livre
Tous les auteurs / collaborateurs: Daniel Arasse; Ashok Roy; David Saunders; Michel Menu; Rémy Goavec; CHARISMA,; et al
ISBN: 9782705684556 2705684557
Numéro OCLC: 875181419
Notes: Textes en français et en anglais. Résumés en français et en anglais.
Description: 1 vol. (286 p.) : ill. en noir et en coul., couv. ill. en coul. ; 31 cm.
Contenu: Michel Menu: Leonardo da Vinci's art and science = Art et science de Léonard de Vinci. --
Daniel Arasse: Space and light at the origin in modern painting : from Alberti to Leonardo = Espace et lumière à l'origine de la peinture classique : d'Alberti à Léonard. --
Ashok Roy et David Saunders: Introduction : the Charisma Workshop devoted to Leonardo's studio practices. --
Brunetto Giovanni Brunetti: The European project Charisma. --
Cecilia Frosinini: Leonardo's charisma : Leonardo as a subject for scientific study applied to cultural heritage. --
Roberto Bellucci, Patrizia Riitano, Marco Ciatti, Cecilia Frosinini et Antonio Natali: Leonardo's Adoration of the Magi at the Uffizi : preliminary technical studies at the OPD. --
Jan Schmidt, Heike Stege, Cornelia Syre, Ursula Baumer, Johann Koller et Christian Nippert: The Madonna with a carnation : technological studies of an early painting by Leonardo. --
Elizabeth Walmsley: Leonardo's portrait of Ginevra de' Benci : a reading of the x-radiographs and infrared reflectographs. --
Vincent Delieuvin, Bruno Mottin et Élisabeth Ravaud: The Paris Virgin of the rocks : a new approach based on scientific analysis. --
Thereza Wells: The Madonna of the yarnwinder : conservation history and the painting's influence. --
Cristina Acidini, Roberto Bellucci et Cecilia Frosinini: New hypotheses on the Madonna of the yarnwinder series. --
Élisabeth Ravaud et Myriam Eveno: La Belle Ferronnière : a non invasive technical examination. --
Dianne Dwyer Modestini: The Salvator Mundi by Leonardo da Vinci rediscovered : history, technique and condition. --
Maria Teresa Fiorio: Leonardo's Portrait of a musician and some reflections on his Milanese workshop. --
Pietro C. Marani: Leonardo's Last Supper : technique of execution and conservation thirteen years after its restoration. --
Sue Ann Chui et Alan Phenix: The Esterházy Madonna in the context of Leonardo da Vinci's studio practice. --
Carlotta Beccaria: Some observations on the painting technique of Boltraffio's The Madonna and Child. --
Ana González Mozo: The copy of the Gioconda. --
Bruno Mottin: Leonardo's Monna Lisa in the light of its Madrid copy. --
Carmen C. Bambach: On the role of scientific evidence in the study of Leonardo's drawings. --
Jenny Bescoby et Judith Rayner: The visual and technical examination of Leonardo drawings in the British Museum. --
Alan Donnithorne et Joanna Russell: An investigation of "faded" metalpoint drawings by Leonardo da Vinci in the Royal Collection
Titre de collection: La nature de l'œuvre.
Autres titres: Pratique technique de Léonard de Vinci :
Responsabilité: organisé par le projet CHARISMA] ; editor, Michel Menu ; [textes par Daniel Arasse, Ashok Roy, David Saunders ... [et al.] ; traducteur, Rémy Goavec].
Plus d’informations:

Résumé:

"Sous l'auspice du projet CHARISMA, à l'occasion de l'admirable exposition "Léonard de Vinci : Peintre de la cour de Milan" à la National Gallery de Londres (9 novembre 2011-5 février 2012), un colloque de deux jours fut organisé les 13 et 14 janvier 2012 pour présenter les résultats les plus récents sur la pratique technique de Léonard, fruits des analyses et des examens réalisés sur les peintures et les dessins à l'aide des méthodes les plus performantes. Le livre rassemble les contributions des participants au colloque, auquel est adjoint, en préface, un inédit de Daniel Arasse."--Page liminaire.

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\n\n

Primary Entity<\/h3>\n
<http:\/\/www.worldcat.org\/oclc\/875181419<\/a>> # Leonardo da Vinci\'s technical practice paintings, drawings and influence = La pratique technique de L\u00E9onard de Vinci : peintures, dessins et influence : [colloque, Londres, 13-14 janvier 2012<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a>, schema:Book<\/a> ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"875181419<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Place\/paris<\/a>> ; # Paris<\/span>\n\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/id.loc.gov\/vocabulary\/countries\/fr<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Topic\/art_italien_technique<\/a>> ; # Art italien--Technique<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Person\/leonard_de_vinci_influence_exercee<\/a>> ; # (de Vinci) - influence exerc\u00E9e. L\u00E9onard<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Topic\/disciples<\/a>> ; # Disciples<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Person\/leonard_de_vinci_1452_1519<\/a>> ; # L\u00E9onard de Vinci<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Topic\/technique<\/a>> ; # Technique<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Topic\/ateliers_d_artiste_italie<\/a>> ; # Ateliers d\'artiste--Italie<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Topic\/ateliers_d_artistes<\/a>> ; # Ateliers d\'artistes<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/dewey.info\/class\/759.03\/e22\/<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Topic\/dessin_technique<\/a>> ; # Dessin--Technique<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Person\/leonard_de_vinci_dessin<\/a>> ; # (de Vinci) - dessin. L\u00E9onard<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Topic\/peinture_technique<\/a>> ; # Peinture--Technique<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.loc.gov\/authorities\/classification\/NX552<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Topic\/art_et_sciences<\/a>> ; # Art et sciences<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Person\/leonard_de_vinci_peinture<\/a>> ; # (de Vinci) - peinture. L\u00E9onard<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Topic\/conservation_et_restauration<\/a>> ; # Conservation et restauration<\/span>\n\u00A0\u00A0\u00A0\nschema:alternateName<\/a> \"Pratique technique de L\u00E9onard de Vinci :<\/span>\" ;\u00A0\u00A0\u00A0\nschema:bookFormat<\/a> bgn:PrintBook<\/a> ;\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Person\/goavec_remy<\/a>> ; # R\u00E9my Goavec<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Person\/menu_michel_1953<\/a>> ; # Michel Menu<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Person\/arasse_daniel_1944_2003<\/a>> ; # Daniel Arasse<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Person\/saunders_david<\/a>> ; # David Saunders<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Person\/roy_ashok<\/a>> ; # Ashok Roy<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Organization\/charisma<\/a>> ; # CHARISMA,<\/span>\n\u00A0\u00A0\u00A0\nschema:copyrightYear<\/a> \"2014<\/span>\" ;\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2014<\/span>\" ;\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"DL 2014<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"\"Sous l\'auspice du projet CHARISMA, \u00E0 l\'occasion de l\'admirable exposition \"L\u00E9onard de Vinci : Peintre de la cour de Milan\" \u00E0 la National Gallery de Londres (9 novembre 2011-5 f\u00E9vrier 2012), un colloque de deux jours fut organis\u00E9 les 13 et 14 janvier 2012 pour pr\u00E9senter les r\u00E9sultats les plus r\u00E9cents sur la pratique technique de L\u00E9onard, fruits des analyses et des examens r\u00E9alis\u00E9s sur les peintures et les dessins \u00E0 l\'aide des m\u00E9thodes les plus performantes. Le livre rassemble les contributions des participants au colloque, auquel est adjoint, en pr\u00E9face, un in\u00E9dit de Daniel Arasse.\"--Page liminaire.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Michel Menu: Leonardo da Vinci\'s art and science = Art et science de L\u00E9onard de Vinci. -- Daniel Arasse: Space and light at the origin in modern painting : from Alberti to Leonardo = Espace et lumi\u00E8re \u00E0 l\'origine de la peinture classique : d\'Alberti \u00E0 L\u00E9onard. -- Ashok Roy et David Saunders: Introduction : the Charisma Workshop devoted to Leonardo\'s studio practices. -- Brunetto Giovanni Brunetti: The European project Charisma. -- Cecilia Frosinini: Leonardo\'s charisma : Leonardo as a subject for scientific study applied to cultural heritage. -- Roberto Bellucci, Patrizia Riitano, Marco Ciatti, Cecilia Frosinini et Antonio Natali: Leonardo\'s Adoration of the Magi at the Uffizi : preliminary technical studies at the OPD. -- Jan Schmidt, Heike Stege, Cornelia Syre, Ursula Baumer, Johann Koller et Christian Nippert: The Madonna with a carnation : technological studies of an early painting by Leonardo. -- Elizabeth Walmsley: Leonardo\'s portrait of Ginevra de\' Benci : a reading of the x-radiographs and infrared reflectographs. -- Vincent Delieuvin, Bruno Mottin et \u00C9lisabeth Ravaud: The Paris Virgin of the rocks : a new approach based on scientific analysis. -- Thereza Wells: The Madonna of the yarnwinder : conservation history and the painting\'s influence. -- Cristina Acidini, Roberto Bellucci et Cecilia Frosinini: New hypotheses on the Madonna of the yarnwinder series. -- \u00C9lisabeth Ravaud et Myriam Eveno: La Belle Ferronni\u00E8re : a non invasive technical examination. -- Dianne Dwyer Modestini: The Salvator Mundi by Leonardo da Vinci rediscovered : history, technique and condition. -- Maria Teresa Fiorio: Leonardo\'s Portrait of a musician and some reflections on his Milanese workshop. -- Pietro C. Marani: Leonardo\'s Last Supper : technique of execution and conservation thirteen years after its restoration. -- Sue Ann Chui et Alan Phenix: The Esterh\u00E1zy Madonna in the context of Leonardo da Vinci\'s studio practice. -- Carlotta Beccaria: Some observations on the painting technique of Boltraffio\'s The Madonna and Child. -- Ana Gonz\u00E1lez Mozo: The copy of the Gioconda. -- Bruno Mottin: Leonardo\'s Monna Lisa in the light of its Madrid copy. -- Carmen C. Bambach: On the role of scientific evidence in the study of Leonardo\'s drawings. -- Jenny Bescoby et Judith Rayner: The visual and technical examination of Leonardo drawings in the British Museum. -- Alan Donnithorne et Joanna Russell: An investigation of \"faded\" metalpoint drawings by Leonardo da Vinci in the Royal Collection<\/span>\" ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/2067385141<\/a>> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Actes de congr\u00E8s<\/span>\" ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Biography<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Conference publication<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"[Actes de congr\u00E8s]<\/span>\" ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"en<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isPartOf<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Series\/la_nature_de_l_oeuvre<\/a>> ; # La nature de l\'\u0153uvre.<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Leonardo da Vinci\'s technical practice paintings, drawings and influence = La pratique technique de L\u00E9onard de Vinci : peintures, dessins et influence : [colloque, Londres, 13-14 janvier 2012<\/span>\" ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"875181419<\/span>\" ;\u00A0\u00A0\u00A0\nschema:publication<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/875181419#PublicationEvent\/paris_hermann_dl_2014_cop_2014<\/a>> ;\u00A0\u00A0\u00A0\nschema:publisher<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Agent\/hermann<\/a>> ; # Hermann<\/span>\n\u00A0\u00A0\u00A0\nschema:workExample<\/a> <http:\/\/worldcat.org\/isbn\/9782705684556<\/a>> ;\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/875181419<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Related Entities<\/h3>\n
<http:\/\/dewey.info\/class\/759.03\/e22\/<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Agent\/hermann<\/a>> # Hermann<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:Agent<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Hermann<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Organization\/charisma<\/a>> # CHARISMA,<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"CHARISMA,<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Person\/arasse_daniel_1944_2003<\/a>> # Daniel Arasse<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1944<\/span>\" ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \"2003,<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Arasse<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Daniel<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Daniel Arasse<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Person\/goavec_remy<\/a>> # R\u00E9my Goavec<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Goavec<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"R\u00E9my<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"R\u00E9my Goavec<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Person\/leonard_de_vinci_1452_1519<\/a>> # L\u00E9onard de Vinci<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1452<\/span>\" ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \"1519<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"L\u00E9onard de Vinci<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"L\u00E9onard<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"L\u00E9onard de Vinci<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"de Vinci L\u00E9onard<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Person\/leonard_de_vinci_dessin<\/a>> # (de Vinci) - dessin. L\u00E9onard<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"L\u00E9onard<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"(de Vinci) - dessin. L\u00E9onard<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Person\/leonard_de_vinci_influence_exercee<\/a>> # (de Vinci) - influence exerc\u00E9e. L\u00E9onard<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"L\u00E9onard<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"(de Vinci) - influence exerc\u00E9e. L\u00E9onard<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Person\/leonard_de_vinci_peinture<\/a>> # (de Vinci) - peinture. L\u00E9onard<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"L\u00E9onard<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"(de Vinci) - peinture. L\u00E9onard<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Person\/menu_michel_1953<\/a>> # Michel Menu<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1953<\/span>\" ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \",<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Menu<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Michel<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Michel Menu<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Person\/roy_ashok<\/a>> # Ashok Roy<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Roy<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Ashok<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Ashok Roy<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Person\/saunders_david<\/a>> # David Saunders<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Saunders<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"David<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"David Saunders<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Place\/paris<\/a>> # Paris<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Paris<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Series\/la_nature_de_l_oeuvre<\/a>> # La nature de l\'\u0153uvre.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:PublicationSeries<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/www.worldcat.org\/oclc\/875181419<\/a>> ; # Leonardo da Vinci\'s technical practice paintings, drawings and influence = La pratique technique de L\u00E9onard de Vinci : peintures, dessins et influence : [colloque, Londres, 13-14 janvier 2012<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"La nature de l\'\u0153uvre.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"La nature de l\'oeuvre<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Topic\/art_et_sciences<\/a>> # Art et sciences<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Art et sciences<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Topic\/art_italien_technique<\/a>> # Art italien--Technique<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Art italien--Technique<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Topic\/ateliers_d_artiste_italie<\/a>> # Ateliers d\'artiste--Italie<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Ateliers d\'artiste--Italie<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Topic\/ateliers_d_artistes<\/a>> # Ateliers d\'artistes<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Ateliers d\'artistes<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Topic\/conservation_et_restauration<\/a>> # Conservation et restauration<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Conservation et restauration<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Topic\/dessin_technique<\/a>> # Dessin--Technique<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Dessin--Technique<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Topic\/disciples<\/a>> # Disciples<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Disciples<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Topic\/peinture_technique<\/a>> # Peinture--Technique<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Peinture--Technique<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Topic\/technique<\/a>> # Technique<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Technique<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/classification\/NX552<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/fr<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"fr<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9782705684556<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"2705684557<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9782705684556<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/875181419<\/a>>\u00A0\u00A0\u00A0\u00A0a \ngenont:InformationResource<\/a>, genont:ContentTypeGenericResource<\/a> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/www.worldcat.org\/oclc\/875181419<\/a>> ; # Leonardo da Vinci\'s technical practice paintings, drawings and influence = La pratique technique de L\u00E9onard de Vinci : peintures, dessins et influence : [colloque, Londres, 13-14 janvier 2012<\/span>\n\u00A0\u00A0\u00A0\nschema:dateModified<\/a> \"2019-12-16<\/span>\" ;\u00A0\u00A0\u00A0\nvoid:inDataset<\/a> <http:\/\/purl.oclc.org\/dataset\/WorldCat<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/875181419#PublicationEvent\/paris_hermann_dl_2014_cop_2014<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:PublicationEvent<\/a> ;\u00A0\u00A0\u00A0\nschema:location<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Place\/paris<\/a>> ; # Paris<\/span>\n\u00A0\u00A0\u00A0\nschema:organizer<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2067385141#Agent\/hermann<\/a>> ; # Hermann<\/span>\n\u00A0\u00A0\u00A0\nschema:startDate<\/a> \"DL 2014<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Content-negotiable representations<\/p>\n