Let me consider it from here : DeJong, Fletcher, Hsu, Kudo, O'Brien, White, Xu (Book, 2019) [WorldCat.org]
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Let me consider it from here : DeJong, Fletcher, Hsu, Kudo, O'Brien, White, Xu
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Let me consider it from here : DeJong, Fletcher, Hsu, Kudo, O'Brien, White, Xu

Author: Solveig Øvstebø; University of Chicago Renaissance Society
Publisher: Chicago The Renaissance Society [2019]
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
Published on the occasion of the eponymous exhibition, Let me consider it from here features color reproductions of artworks by Saul Fletcher, Brook Hsu, and Tetsumi Kudo and transcriptions of the audio works of Constance DeJong, alongside newly commissioned poems by Geoffrey G. O'Brien, Simone White, and Lynn Xu, and an epilogue by Solveig Øvstebø. These artists frequently draw from their own histories, humors, and  Read more...
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Genre/Form: Exhibition catalogs
Bildband
Ausstellungskatalog
Exhibitions
Expositions
Document Type: Book
All Authors / Contributors: Solveig Øvstebø; University of Chicago Renaissance Society
ISBN: 9780941548762 0941548767
OCLC Number: 1130269591
Notes: Published on the occasion of the exhibition Let me consider it from here, The Renaissance Society at the University of Chicago, November 17, 2018-January 27, 2019.
Description: 103 Seiten ; 22 cm
Responsibility: editor, Solveig Øvstebø.
More information:

Abstract:

Published on the occasion of the eponymous exhibition, Let me consider it from here features color reproductions of artworks by Saul Fletcher, Brook Hsu, and Tetsumi Kudo and transcriptions of the audio works of Constance DeJong, alongside newly commissioned poems by Geoffrey G. O'Brien, Simone White, and Lynn Xu, and an epilogue by Solveig Øvstebø. These artists frequently draw from their own histories, humors, and instincts as they grapple with or reimagine what's happening in the world around them. Across a range of mediums, their works open up spaces that oscillate between strange and familiar, registering deeply personal experiences as well as more ambient cultural and political pressures. Their practices are all similarly anchored in solitude and stretch outward to meet the world, guiding us to the liminal realms between the public and the intimate, the concrete and the fantastical.

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