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Linn Meyers : works 2004-2018.

Author: Linn MeyersJonathan Frederick WalzAnne Collins GoodyearRadius Books.Columbus Museum (Columbus, Ga.)All authors
Publisher: Santa Fe, NM : Radius Books [2018] ©2018
Edition/Format:   Print book : English
Summary:
Linn Meyers is best known for her intricate line-based paintings and drawings, and her large-scale installations. This book provides a comprehensive survey of site-specific wall drawings in museums and galleries since 2000, as well as the detailed preparatory drawings and plans created by the artist for these projects, plus recent paintings that inform, and are informed by, the site-specific works. Meyers's large  Read more...
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Genre/Form: Catalogs
Exhibitions
Named Person: Linn Meyers
Document Type: Book
All Authors / Contributors: Linn Meyers; Jonathan Frederick Walz; Anne Collins Goodyear; Radius Books.; Columbus Museum (Columbus, Ga.); Jason Haam (Gallery : Seoul, South Korea)
ISBN: 9781942185499 1942185499
OCLC Number: 1046072870
Notes: Co-published with The Columbus Museum and Jason Haam.
Poem by Seph Rodney, and essays by Jonathan Frederick Walz and Anne Collins Goodyear.
Accompanying booklet: Graph paper drawings.
Description: 197 pages : color illustrations ; 31 cm + 1 booklet (12 unnumbered leaves : color illustrations ; 27 cm)
Contents: About a line / Seph Rodney --
Gazing has its limits / Jonathan Frederick Walz --
Linn Meyers : flow / Anne Collins Goodyear --
plates --
biography --
acjnowledgments.
Other Titles: Graph paper drawings.
Works 2004-2018

Abstract:

Linn Meyers is best known for her intricate line-based paintings and drawings, and her large-scale installations. This book provides a comprehensive survey of site-specific wall drawings in museums and galleries since 2000, as well as the detailed preparatory drawings and plans created by the artist for these projects, plus recent paintings that inform, and are informed by, the site-specific works. Meyers's large projects require a great deal of endurance and involve drawing in the gallery space over the course of days, sometimes weeks or months, accumulating lines into dense and intricate compositions. The scale of these projects allows Meyers to respond to the existing architectural features, magnifying the wholly committed performativity of her process. On Meyers' exhibition for The Hammer Museum, Senior Curator Anne Ellegood wrote, "The sense of being present while viewing the work is also amplified at this larger scale, allowing viewers to experience the work not just visually but also physically. To see a wall drawing is to be surrounded by it and to feel oneself to be part of the work."

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