skip to content
Living as form : socially engaged art from 1991-2011 Preview this item
ClosePreview this item
Checking...

Living as form : socially engaged art from 1991-2011

Author: Nato Thompson
Publisher: New York, N.Y. : Creative Time ; Cambridge, Mass. ; London : MIT Press, 2012.
Edition/Format:   Print book : English : 1st edView all editions and formats
Summary:
'Living as Form' grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a 30-person curatorial advisory team; each project is documented by a selection of colour images.
Rating:

(not yet rated) 0 with reviews - Be the first.

Subjects
More like this

Find a copy in the library

&AllPage.SpinnerRetrieving; Finding libraries that hold this item...

Details

Genre/Form: Exhibition catalogs
History
Exhibitions
Document Type: Book
All Authors / Contributors: Nato Thompson
ISBN: 9780262017343 0262017342
OCLC Number: 758387852
Description: 259 pages : illustrations (some color) ; 26 cm
Contents: Living as form / Nato Thompson --
Participation and spectacle: where are we now? / Claire Bishop --
Returning on bikes: notes on social practice / Maria Lind --
Democratizing urbanization and the search for a new civic imagination / Teddy Cruz --
Microutopias: public practice in the public sphere / Carol Becker --
Eventwork: the fourfold matrix of contemporary social movements / Brian Holmes --
Living takes many forms / Shannon Jackson --
Projects. Ai Weiwei ; Ala Plástica ; Jennifer Allora and Guillermo Calzadilla ; Lara Almarcegui and Begoña Movellán ; Alternate ROOTS ; Francis Alÿs ; Appalshop ; Julieta Aranda and Anton Vidokle ; Claire Barclay ; Barefoot Artists ; Basurama ; BijaRi ; Bread and Puppet Theater ; Tania Bruguera ; CAMP ; Cemeti Art House ; Paul Chan ; Mel Chin et al. ; Chto Delat? (What is to be done?) ; Santiago Cirugeda ; Cambalache Colectivo ; Phil Collins ; Céline Condorelli and Gavin Wade ; Cornerstone Theater Company ; Alice Creischer and Andreas Siekmann ; Minerva Cuevas ; Decolonizing Architecture Art Residency ; Jeremy Deller ; Mark Dion, J. Morgan Puett, and collaborators ; Marilyn Douala-Bell and Didier Schaub ; Election Night, Harlem, New York ; Fallen Fruit ; Bita Fayyazi, Ata Hasheminejad, Khosrow Hassanzadeh, Farid Jahangir and Sassan Nassiri ; Finishing School ; Free Class Frankfurt/M ; Frente 3 de Fevereiro ; Theaster Gates ; Alonso Gil and Federico Guzmán ; Paul Glover ; Josh Greene ; Fritz Haeg ; Haha ; Helena Producciones ; Stephen Hobbs and Marcus Neustetter ; Fran Ilich ; Tellervo Kalleinen and Oliver Kochta-Kalleinen ; Amal Kenawy ; Surasi Kusolwong ; Bronwyn Lace and Anthea Moys ; Suzanne Lacy ; Land Foundation ; Long March Project ; Los Angeles Poverty Department ; Mammalian Diving Reflex ; Mardi Gras Indian Community ; Angela Melitopoulos ; Zayd Minty ; The Mobile Academy ; Mujeres Creando ; Vik Muniz ; Navin Production Studio ; Neue Slowenische Kunst (NSK) ; Nuts Society ; John O'Neal ; Oda Projesi ; Park Fiction and the Right to the City Network Hamburg ; Pase Usted ; Piratbyrån (The Bureau of Piracy) ; Platforma 9.81 ; Public Movement ; Pulska Grupa ; Pedro Reyes ; Laurie Jo Reynolds ; Athi-Patra Ruga ; The San Francisco Cacophony Society ; The Sarai Programme at CSDS and Ankur ; Christoph Schlingensief ; Florian Schneider ; Katerina Šedá ; Chemi Rosado Seijo ; Michihiro Shimabuku ; Buster Simpson ; Slanguage ; SUPERFLEX ; Apolonija Šušteršič ; Tahrir Square ; Taller Popular de Serigrafía (Popular Silkscreen Workshop) ; Temporary Services ; Torolab ; Mierle Laderman Ukeles ; Ultra-red ; United Indian Health Services ; Urban Bush Women ; US Social Forum ; Bik van der Pol ; Wendelien van Oldenborgh ; Eduardo Vásquez Martín ; Voina ; Marion von Osten ; Peter Watkins ; WikiLeaks ; Elin Wikström ; WochenKlausur ; Women on Waves --
The Leonore Annenberg Prize for art and social change. The Yes Men ; Rick Lowe ; Jeanne van Heeswijk.
Responsibility: edited by Nato Thompson.

Abstract:

'Living as Form' grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a 30-person curatorial advisory team; each project is documented by a selection of colour images.

Reviews

User-contributed reviews
Retrieving GoodReads reviews...
Retrieving DOGObooks reviews...

Tags

All user tags (3)

View most popular tags as: tag list | tag cloud

Confirm this request

You may have already requested this item. Please select Ok if you would like to proceed with this request anyway.

Linked Data


\n\n

Primary Entity<\/h3>\n
<http:\/\/www.worldcat.org\/oclc\/758387852<\/a>> # Living as form : socially engaged art from 1991-2011<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Book<\/a>, schema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"758387852<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/id.loc.gov\/vocabulary\/countries\/nyu<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/art_modern_themes_motives<\/a>> ; # Art, Modern--Themes, motives<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/art_modern_themes_motives_20th_century<\/a>> ; # Art, Modern--Themes, motives--20th century<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.loc.gov\/authorities\/classification\/N8243<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.loc.gov\/authorities\/subjects\/sh2010113470<\/a>> ; # Social movements--History<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/radicalism_in_art<\/a>> ; # Radicalism in art<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.loc.gov\/authorities\/subjects\/sh96012004<\/a>> ; # Social movements in art<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/art_modern_20th_century_themes_motives<\/a>> ; # Art, Modern--20th century--Themes, motives<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/performance<\/a>> ; # Performance<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/aktionskunst<\/a>> ; # Aktionskunst<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Event\/1900_1999<\/a>> ; # 1900-1999<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/soziales_engagement<\/a>> ; # Soziales Engagement<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/engagierte_kunst<\/a>> ; # Engagierte Kunst<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/social_movements_in_art<\/a>> ; # Social movements in art<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.loc.gov\/authorities\/subjects\/sh97000670<\/a>> ; # Radicalism in art<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/art_and_design<\/a>> ; # Art and Design<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/dewey.info\/class\/701.03\/e23\/<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/soziale_bewegung<\/a>> ; # Soziale Bewegung<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/social_movements<\/a>> ; # Social movements<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/social_practice_art<\/a>> ; # Social practice (Art)<\/span>\n\u00A0\u00A0\u00A0\nschema:bookEdition<\/a> \"1st ed.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:bookFormat<\/a> bgn:PrintBook<\/a> ;\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/viaf.org\/viaf\/27352194<\/a>> ; # Nato Thompson<\/span>\n\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2012<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Living as form \/ Nato Thompson -- Participation and spectacle: where are we now? \/ Claire Bishop -- Returning on bikes: notes on social practice \/ Maria Lind -- Democratizing urbanization and the search for a new civic imagination \/ Teddy Cruz -- Microutopias: public practice in the public sphere \/ Carol Becker -- Eventwork: the fourfold matrix of contemporary social movements \/ Brian Holmes -- Living takes many forms \/ Shannon Jackson -- Projects. Ai Weiwei ; Ala Pl\u00E1stica ; Jennifer Allora and Guillermo Calzadilla ; Lara Almarcegui and Bego\u00F1a Movell\u00E1n ; Alternate ROOTS ; Francis Al\u00FFs ; Appalshop ; Julieta Aranda and Anton Vidokle ; Claire Barclay ; Barefoot Artists ; Basurama ; BijaRi ; Bread and Puppet Theater ; Tania Bruguera ; CAMP ; Cemeti Art House ; Paul Chan ; Mel Chin et al. ; Chto Delat? (What is to be done?) ; Santiago Cirugeda ; Cambalache Colectivo ; Phil Collins ; C\u00E9line Condorelli and Gavin Wade ; Cornerstone Theater Company ; Alice Creischer and Andreas Siekmann ; Minerva Cuevas ; Decolonizing Architecture Art Residency ; Jeremy Deller ; Mark Dion, J. Morgan Puett, and collaborators ; Marilyn Douala-Bell and Didier Schaub ; Election Night, Harlem, New York ; Fallen Fruit ; Bita Fayyazi, Ata Hasheminejad, Khosrow Hassanzadeh, Farid Jahangir and Sassan Nassiri ; Finishing School ; Free Class Frankfurt\/M ; Frente 3 de Fevereiro ; Theaster Gates ; Alonso Gil and Federico Guzm\u00E1n ; Paul Glover ; Josh Greene ; Fritz Haeg ; Haha ; Helena Producciones ; Stephen Hobbs and Marcus Neustetter ; Fran Ilich ; Tellervo Kalleinen and Oliver Kochta-Kalleinen ; Amal Kenawy ; Surasi Kusolwong ; Bronwyn Lace and Anthea Moys ; Suzanne Lacy ; Land Foundation ; Long March Project ; Los Angeles Poverty Department ; Mammalian Diving Reflex ; Mardi Gras Indian Community ; Angela Melitopoulos ; Zayd Minty ; The Mobile Academy ; Mujeres Creando ; Vik Muniz ; Navin Production Studio ; Neue Slowenische Kunst (NSK) ; Nuts Society ; John O\'Neal ; Oda Projesi ; Park Fiction and the Right to the City Network Hamburg ; Pase Usted ; Piratbyr\u00E5n (The Bureau of Piracy) ; Platforma 9.81 ; Public Movement ; Pulska Grupa ; Pedro Reyes ; Laurie Jo Reynolds ; Athi-Patra Ruga ; The San Francisco Cacophony Society ; The Sarai Programme at CSDS and Ankur ; Christoph Schlingensief ; Florian Schneider ; Katerina \u0160ed\u00E1 ; Chemi Rosado Seijo ; Michihiro Shimabuku ; Buster Simpson ; Slanguage ; SUPERFLEX ; Apolonija \u0160u\u0161ter\u0161i\u010D ; Tahrir Square ; Taller Popular de Serigraf\u00EDa (Popular Silkscreen Workshop) ; Temporary Services ; Torolab ; Mierle Laderman Ukeles ; Ultra-red ; United Indian Health Services ; Urban Bush Women ; US Social Forum ; Bik van der Pol ; Wendelien van Oldenborgh ; Eduardo V\u00E1squez Mart\u00EDn ; Voina ; Marion von Osten ; Peter Watkins ; WikiLeaks ; Elin Wikstr\u00F6m ; WochenKlausur ; Women on Waves -- The Leonore Annenberg Prize for art and social change. The Yes Men ; Rick Lowe ; Jeanne van Heeswijk.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"\'Living as Form\' grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a 30-person curatorial advisory team; each project is documented by a selection of colour images.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/1119083069<\/a>> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"History<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Exhibition catalogs<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"en<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Living as form : socially engaged art from 1991-2011<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"758387852<\/span>\" ;\u00A0\u00A0\u00A0\nschema:workExample<\/a> <http:\/\/worldcat.org\/isbn\/9780262017343<\/a>> ;\u00A0\u00A0\u00A0\numbel:isLike<\/a> <http:\/\/bnb.data.bl.uk\/id\/resource\/GBB1E4191<\/a>> ;\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/758387852<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Related Entities<\/h3>\n
<http:\/\/dewey.info\/class\/701.03\/e23\/<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Event\/1900_1999<\/a>> # 1900-1999<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Event<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"1900-1999<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/aktionskunst<\/a>> # Aktionskunst<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Aktionskunst<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/art_and_design<\/a>> # Art and Design<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Art and Design<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/art_modern_20th_century_themes_motives<\/a>> # Art, Modern--20th century--Themes, motives<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nrdfs:seeAlso<\/a> <http:\/\/id.loc.gov\/authorities\/subjects\/sh2007101464<\/a>> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Art, Modern--20th century--Themes, motives<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/art_modern_themes_motives<\/a>> # Art, Modern--Themes, motives<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Art, Modern--Themes, motives<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/art_modern_themes_motives_20th_century<\/a>> # Art, Modern--Themes, motives--20th century<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/id.loc.gov\/authorities\/subjects\/sh85007793<\/a>> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Art, Modern--Themes, motives--20th century<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/engagierte_kunst<\/a>> # Engagierte Kunst<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Engagierte Kunst<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/performance<\/a>> # Performance<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Performance<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/radicalism_in_art<\/a>> # Radicalism in art<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Radicalism in art<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/social_movements<\/a>> # Social movements<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Social movements<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/social_movements_in_art<\/a>> # Social movements in art<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Social movements in art<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/social_practice_art<\/a>> # Social practice (Art)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Social practice (Art)<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/soziale_bewegung<\/a>> # Soziale Bewegung<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Soziale Bewegung<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1119083069#Topic\/soziales_engagement<\/a>> # Soziales Engagement<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Soziales Engagement<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/classification\/N8243<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/subjects\/sh2010113470<\/a>> # Social movements--History<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Social movements--History<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/subjects\/sh96012004<\/a>> # Social movements in art<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Social movements in art<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/subjects\/sh97000670<\/a>> # Radicalism in art<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Radicalism in art<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/nyu<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"nyu<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/27352194<\/a>> # Nato Thompson<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Thompson<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Nato<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Nato Thompson<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9780262017343<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"0262017342<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9780262017343<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n