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Genre/Form: | Electronic books Criticism, interpretation, etc |
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Additional Physical Format: | Print version : |
Material Type: | Document, Internet resource |
Document Type: | Internet Resource, Computer File |
All Authors / Contributors: |
Barbara Rose Lange |
ISBN: | 9780190245382 0190245387 9780190245399 0190245395 9780190245399 |
OCLC Number: | 1042329718 |
Description: | 1 online resource |
Contents: | Cover; Local Fusions; Copyright; Contents; List of Figures and Tables; Acknowledgments; Note on Orthography; About the Companion Website; Introduction; 1. "Good Old Days": Critiques of Masculinity in the Hungarian Folk Revival; 2. Ági Szalóki and Multiethnic Femininity; 3. Autobiography, Sexuality, and Ethnicity in the Music of Bea Palya; 4. Banda and the Slovak Folk Revival; 5. Urban Nostalgia in the Music of Požoň sentimentál; 6. Slovak Folk Song, Romani Pop, and Outer Space in the Music of Hudba z Marsu; 7. Recuperating the Alpine Image in Austrian Music 8. Local Identity, World Music 2.0, and Electronic Dance Music9. Sampling and Commercialization in Danubian Trances and Boheme; Epilogue; Notes; References; Index |
Responsibility: | Barbara Rose Lange. |
Abstract:
Reviews
Publisher Synopsis
offers a fine series of manageably sized case studies that explore complex issues and intricate developments in telling detail, and without recourse to jargon. Students of modern Central Europe and of relationships between music, politics, and gender will enjoy reading it very much. * Christopher Goertzen, Journal of Folklore Research * I would certainly recommend this title to any library supporting ethnomusicology or popular music at any level. Additionally, this work would also appeal to those nterested in gender studies, history, and/or politics. The numerous case studies bring theory to life and offer much to consider in an environment that underwent significant political, social, and economic change. Lange provides unique insights on central Europe's changing musical landscape, as well as howthe Internet and changes in the music business impact musicians. * Joe C. Clark, Kent State University, Fontes Artis Musicae * Read more...

