skip to content
Manual for ear training and sight singing Preview this item
ClosePreview this item
Checking...

Manual for ear training and sight singing

Author: Gary S Karpinski
Publisher: New York, NY : WW. Norton & Company,Inc., [2017] ©2017
Edition/Format:   Print book : English : Second editionView all editions and formats
Summary:

A research-based aural skills curriculum that reflects the way students learn.

Rating:

(not yet rated) 0 with reviews - Be the first.

Subjects
More like this

Find a copy in the library

&AllPage.SpinnerRetrieving; Finding libraries that hold this item...

Details

Document Type: Book
All Authors / Contributors: Gary S Karpinski
ISBN: 0393614255 9780393614251 0393264262 9780393264265
OCLC Number: 987068851
Notes: Includes indexes.
Spiral bound.
Description: xxiv, 432 pages : illustrations, music ; 28 cm
Contents: Machine generated contents note: 1.The Fundamentals of Meter and Rhythm --
2.The Fundamentals of Pitch --
3.Combining Pitches with Meter and Rhythm --
4.Error Detection and Correction --
5.More about Meter and Rhythm --
6.More about Pitch --
7.Notating Rhythm and Meter --
8.Notating Pitches --
9.Combining Rhythm and Pitch Notation --
10.Dictation in Longer Contexts --
11.The Fifteen Major Keys --
12.Ties and the Dotted Beat --
13.More about Intervals: Number and Quality --
14.Skips to 7 and 2 as Prefix Neighbors --
15.Tempo --
16.Compound Meters --
17.Introduction to the Minor Mode: Diatonic Minor through Relative and Parallel Approaches --
18.Lower Chromatic Neighbors --
19.More about the Minor Mode: Chromatic 6 and 7 Through Modal Borrowing --
20.Triplets and Duplets --
21.Introduction to Transcription --
22.Quadruple Division of the Beat in Simple Meters --
23.Conducting Pulse Levels Other Than the Notated Beat --
24.Performance Indications Note continued: 25.The Dominant Triad; Skips to 5, 7, and 2 --
26.The Modern C Clefs: Alto and Tenor Clefs --
27.Skips to 4 and 6 as Prefix Neighbors --
28.Pentatonicism --
29.Sextuple Division of the Beat in Compound Meters --
30.Repeat Signs --
31.The Subdominant Triad; Skips to 4, 6, and 1 --
32.Syncopation --
33.The Dominant Seventh Chord in Melodic Contexts; Skips to 5, 7, 2, and 4 --
34.Introduction to Harmonic Singing --
35.Introduction to Harmonic Listening: Harmonic Rhythm and Cadences --
36.Two-Part Music --
37.Introduction to Bass-Line Dictation --
38.Root Position and First Inversion Triads --
39.Introduction to Voice Leading; Compound Melody --
40.Triad Qualities --
41.The Leading-Tone Triad; Skips to 7, 2, and 4 --
42.The Supertonic Triad; Skips to 2, 4, and 6 --
43.The Submediant Triad; Skips to 6, 1, and 3 --
44.The Mediant Triad; Skips to 3, 5, and 7 --
45.The Dominant Seventh Chord in Harmonic Contexts --
46.Voice-Leading Techniques Note continued: 47.Six-Four Figures --
48.Other Seventh Chords --
49.Transposition --
50.The Modes: Relative Approach --
51.The Modes: Parallel Approach --
52.Advanced Triplets --
53.Chromatic Passing Tones --
54.Skips to Chromatic Pitches as Prefix Neighbors --
55.Chords Applied to the Dominant; Skips Involving [↑]4 --
56.Chords Applied to the Subdominant; Skips Involving [↓]7 in Major and [↑]3 in Minor --
57.Chords Applied to the Supertonic; Skips Involving [↑]1 --
58.Chords Applied to the Submediant; Skips Involving [↑]5 --
59.Chords Applied to the Mediant; The 7 --
3 Skip in Minor; Skips Involving [↑]2 in Major --
60.The Neapolitan Chord; Steps and Skips Involving [↓]2 --
61.The Augmented Sixth Chords; Steps and Skips Involving [↑]4 and 6 in Minor, [↑]4 and [↓] 6 in Major --
62.Other Chords --
63.Melodic Sequence --
64.Harmonic Sequence --
65.Other Clefs --
66.Hemiola Note continued: 67.Stepwise Chromatic Alterations --
68.Reading in Keys Other Than the Notated Key Signature --
69.Introduction to Modulation --
70.Closely Related Modulation from the Maj or Mode --
71.Closely Related Modulation from the Minor Mode --
72.Distant Modulations --
73.Successive Modulations --
74.Fragments of Tonality --
75.Advanced Meters --
76.More Advanced Rhythms --
77.Some Common Non-Diatonic Pitch Collections --
78.Hypermeter --
79.Form.
Responsibility: Gary S. Karpinski.

Reviews

User-contributed reviews
Retrieving GoodReads reviews...
Retrieving DOGObooks reviews...

Tags

Be the first.

Similar Items

Related Subjects:(2)

Confirm this request

You may have already requested this item. Please select Ok if you would like to proceed with this request anyway.

Linked Data


Primary Entity

<http://www.worldcat.org/oclc/987068851> # Manual for ear training and sight singing
    a schema:Book, schema:CreativeWork ;
   library:oclcnum "987068851" ;
   library:placeOfPublication <http://id.loc.gov/vocabulary/countries/nyu> ;
   schema:about <http://id.loc.gov/authorities/classification/MT870> ;
   schema:about <http://experiment.worldcat.org/entity/work/data/17660314#Topic/sight_singing> ; # Sight-singing
   schema:about <http://dewey.info/class/786.219/> ;
   schema:about <http://experiment.worldcat.org/entity/work/data/17660314#Topic/ear_training> ; # Ear training
   schema:author <http://experiment.worldcat.org/entity/work/data/17660314#Person/karpinski_gary_s_gary_steven> ; # Gary Steven Karpinski
   schema:bookEdition "Second edition." ;
   schema:bookFormat bgn:PrintBook ;
   schema:copyrightYear "2017" ;
   schema:datePublished "2017" ;
   schema:description "Note continued: 67.Stepwise Chromatic Alterations -- 68.Reading in Keys Other Than the Notated Key Signature -- 69.Introduction to Modulation -- 70.Closely Related Modulation from the Maj or Mode -- 71.Closely Related Modulation from the Minor Mode -- 72.Distant Modulations -- 73.Successive Modulations -- 74.Fragments of Tonality -- 75.Advanced Meters -- 76.More Advanced Rhythms -- 77.Some Common Non-Diatonic Pitch Collections -- 78.Hypermeter -- 79.Form."@en ;
   schema:description "Machine generated contents note: 1.The Fundamentals of Meter and Rhythm -- 2.The Fundamentals of Pitch -- 3.Combining Pitches with Meter and Rhythm -- 4.Error Detection and Correction -- 5.More about Meter and Rhythm -- 6.More about Pitch -- 7.Notating Rhythm and Meter -- 8.Notating Pitches -- 9.Combining Rhythm and Pitch Notation -- 10.Dictation in Longer Contexts -- 11.The Fifteen Major Keys -- 12.Ties and the Dotted Beat -- 13.More about Intervals: Number and Quality -- 14.Skips to 7 and 2 as Prefix Neighbors -- 15.Tempo -- 16.Compound Meters -- 17.Introduction to the Minor Mode: Diatonic Minor through Relative and Parallel Approaches -- 18.Lower Chromatic Neighbors -- 19.More about the Minor Mode: Chromatic 6 and 7 Through Modal Borrowing -- 20.Triplets and Duplets -- 21.Introduction to Transcription -- 22.Quadruple Division of the Beat in Simple Meters -- 23.Conducting Pulse Levels Other Than the Notated Beat -- 24.Performance Indications"@en ;
   schema:description "Note continued: 47.Six-Four Figures -- 48.Other Seventh Chords -- 49.Transposition -- 50.The Modes: Relative Approach -- 51.The Modes: Parallel Approach -- 52.Advanced Triplets -- 53.Chromatic Passing Tones -- 54.Skips to Chromatic Pitches as Prefix Neighbors -- 55.Chords Applied to the Dominant; Skips Involving [↑]4 -- 56.Chords Applied to the Subdominant; Skips Involving [↓]7 in Major and [↑]3 in Minor -- 57.Chords Applied to the Supertonic; Skips Involving [↑]1 -- 58.Chords Applied to the Submediant; Skips Involving [↑]5 -- 59.Chords Applied to the Mediant; The 7 -- 3 Skip in Minor; Skips Involving [↑]2 in Major -- 60.The Neapolitan Chord; Steps and Skips Involving [↓]2 -- 61.The Augmented Sixth Chords; Steps and Skips Involving [↑]4 and 6 in Minor, [↑]4 and [↓] 6 in Major -- 62.Other Chords -- 63.Melodic Sequence -- 64.Harmonic Sequence -- 65.Other Clefs -- 66.Hemiola"@en ;
   schema:description "Note continued: 25.The Dominant Triad; Skips to 5, 7, and 2 -- 26.The Modern C Clefs: Alto and Tenor Clefs -- 27.Skips to 4 and 6 as Prefix Neighbors -- 28.Pentatonicism -- 29.Sextuple Division of the Beat in Compound Meters -- 30.Repeat Signs -- 31.The Subdominant Triad; Skips to 4, 6, and 1 -- 32.Syncopation -- 33.The Dominant Seventh Chord in Melodic Contexts; Skips to 5, 7, 2, and 4 -- 34.Introduction to Harmonic Singing -- 35.Introduction to Harmonic Listening: Harmonic Rhythm and Cadences -- 36.Two-Part Music -- 37.Introduction to Bass-Line Dictation -- 38.Root Position and First Inversion Triads -- 39.Introduction to Voice Leading; Compound Melody -- 40.Triad Qualities -- 41.The Leading-Tone Triad; Skips to 7, 2, and 4 -- 42.The Supertonic Triad; Skips to 2, 4, and 6 -- 43.The Submediant Triad; Skips to 6, 1, and 3 -- 44.The Mediant Triad; Skips to 3, 5, and 7 -- 45.The Dominant Seventh Chord in Harmonic Contexts -- 46.Voice-Leading Techniques"@en ;
   schema:exampleOfWork <http://worldcat.org/entity/work/id/17660314> ;
   schema:inLanguage "en" ;
   schema:name "Manual for ear training and sight singing"@en ;
   schema:productID "987068851" ;
   schema:workExample <http://worldcat.org/isbn/9780393264265> ;
   schema:workExample <http://worldcat.org/isbn/9780393614251> ;
   wdrs:describedby <http://www.worldcat.org/title/-/oclc/987068851> ;
    .


Related Entities

<http://experiment.worldcat.org/entity/work/data/17660314#Person/karpinski_gary_s_gary_steven> # Gary Steven Karpinski
    a schema:Person ;
   schema:familyName "Karpinski" ;
   schema:givenName "Gary Steven" ;
   schema:givenName "Gary S." ;
   schema:name "Gary Steven Karpinski" ;
    .

<http://worldcat.org/isbn/9780393264265>
    a schema:ProductModel ;
   schema:isbn "0393264262" ;
   schema:isbn "9780393264265" ;
    .

<http://worldcat.org/isbn/9780393614251>
    a schema:ProductModel ;
   schema:isbn "0393614255" ;
   schema:isbn "9780393614251" ;
    .


Content-negotiable representations

Close Window

Please sign in to WorldCat 

Don't have an account? You can easily create a free account.