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Manuscripts in the making, art & science

Author: Stella Panayotova; Paola Ricciardi; Fitzwilliam Museum,
Publisher: London ; Turnhout : Harvey Miller Publishers, 2017-2018.
Edition/Format:   Print book : Conference publication : English
Summary:
"This publication presents the papers delivered at the international conference held in Cambridge in December 2016 to mark the end of the Fitzwilliam Museum's acclaimed bicentenary exhibition 'Colour: the art and science of illuminated manuscripts.' It is the first of two volumes in which medievalists and scientists share the results of their research, and combine here to elucidate both the materials and techniques  Read more...
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Genre/Form: History
Conference papers and proceedings
Congresses
Material Type: Conference publication
Document Type: Book
All Authors / Contributors: Stella Panayotova; Paola Ricciardi; Fitzwilliam Museum,
ISBN: 9781909400108 1909400106 9781912554133 1912554135
OCLC Number: 1005723122
Notes: Papers delivered at an international conference held in Cambridge, England, December 8-10, 2016, in conjunction with the Fitzwilliam Museum's bicentenary exhibition "Colour: the art and science of illuminated manuscripts" (July 30, 2016-January 2, 2017).
Description: 2 volumes ; illustrations (chiefly color), color facsimiles ; 29 cm
Contents: volume 1. Western European manuscripts: The art and the pigments: a study of four insular Gospel books in the library of Trinity College Dublin / Susie Bioletti and Rachel Moss --
Colour at Canterbury: the pigments of Canterbury illuminators from the tenth to the twelfth centuries / Andrew Beeby, Richard Gameson and Catherine Nicholson --
Seeing red: the use of "gules" in the pictorial imagery of fourteenth-century English manuscripts / Lucy Freeman Sandler --
Illuminators' materials and techniques in fourteenth-century English manuscripts / Stella Panayotova, Lucia Pereira Pardo and Paola Ricciardi --
The Vadiana Rudolf of Ems: painting technique and workshop practices in early fourteenth-century Zurich / Doris Oltrogge and Robert Fuchs --
Dyers, weavers and illuminators: evidence from the Florentine Ordinamenti e matricola della Compagnia di sant'Onofrio (1338) / Bryan Keene --
Making the Cardinal's missal: looking anew at the circle of Lorenzo Monaco and the illuminators of Fitzwilliam MS 30 / Éowyn Kerr-Di Carlo --
Fra Angelico and his circle: the materials and techniques of book illumination / Magnolia Scudieri and Marcello Picollo --
The peripatetic activity of Thomas Tresswell, London stationer (fl. c.1440-1470) / Holly James-Maddocks --
Colour versus gold: disgruntled digressions in a late medieval workshop / Nicholas Herman --
Tours 1500 / Roger S. Wieck --
Painting materials in the Fitzwilliam Book of hours: new discoveries / Paola Ricciardi and Stella Panayotova --
Byzantine manuscripts: Colours and pigments in the miniatures of the illuminated Book of Job at the Monastery of St John the Theologian, Patmos / Hariclia Brecoulaki, Sophia Sotiropoulou, Vicky Kantarelou and Ioannis Melianos --
Technical analysis of a Byzantine lectionary from the Ivan Duichev Centre / Nikifor Haralampiev, Joy Mazurek, Catherine Schmidt Patterson, Dafne Cimino, Jo Kirby, David Peggie and Lucretia Miu --
New discoveries in the painting materials in the medieval Mediterranean: connections between manuscript illumination and glass technology during the Byzantine era, c.1100-1300 / Nancy K. Turner and Catherine Schmidt Patterson --
Islamic manuscripts: The origins and modifications of the Blue Qur'an / Marcus Fraser --
Colour in the Great Mongol Shahnama / Robert Hillenbrand. volume 2. Vision, colour and meaning: Windows, light and worldly space in Italian Annunciation imagery around 1300 / Donal Cooper --
Robert Grosseteste's De iride and its Addendum in the Vatican manuscript Barb. Lat. 165: transmission, reception, meaning / Greti Dinkova-Bruun and Cecilia Panti --
Seeing a pink elephant: creating meaning through colour in the Medieval bestiary / Elizabeth Morrison --
The colours of Fortune / Deirdre Jackson --
Illuminators' materials: Recipes and reception: late Mediaeval English colour - recipes and amateur illuminators / Mark Clarke --
Looking for lichen, fooled by folium and tricked by tyrian: a brief tour and new research on purple in manuscripts / Cheryl Porter, Maurizio Aceto, Elisa Calà, Angelo Agostino, Gaia Fenoglio, Ambra Idone and Monica Gulmini --
Reflecting a heavenly light: gold and other metals in Medieval and Renaissance manuscript illumination / Nancy Turner --
Gold or brass, silver or tin: the analysis of metals in Medieval book illumination / Robert Fuchs --
Pigmenta: materials for writing, painting and healing / Lea Olsan --
The use of copper sulphates in sixteenth-century Flemish illumination: Simon Bening as a case study / Giulia Bertolotti and Paola Ricciardi --
Analytical techniques: Between tradition and innovation: giving light to a visionary text in the Lorvão Beatus / Maria João Melo, Maria Adelaide Miranda, Rita Castro, João Lopes and Jorge Sarraguça --
Scientific study of Cistercian illuminated manuscripts: techniques, aesthetics and religion / Catarina Miguel, Angela Nuñez-Gáitan, Maria Luisa Carvalho and Cristina Barrocas-Diasa --
Mapping and identification of the pigments used in two illuminations from the Laudario of Sant'Agnese attributed to the Master of the Dominican Effigies / John K. Delaney, Kathryn Dooley, Damon Conover, Lisha Glinsman, Giorgio Trumpy and Michelle Facini --
The benefits of scanning illuminated manuscripts with MA-XRF and MA-rFTIR / Stijn Legrand, Paola Ricciardi and Koen Janssens --
Restoration and forgery: The Psalter-Hours of Isabelle of France in the nineteenth century / Stella Panayotova --
The Spanish Forger exposed: an interdisciplinary study of two of his paintings / Christina Currie, Steven Saverwyns and Dominique Vanwijnsberghe.
Other Titles: Manuscripts in the making, art and science
Art and science
Colour: the art and science of illuminated manuscripts
Color: the art and science of illuminated manuscripts
Responsibility: edited by Stella Panayotova & Paola Ricciardi.
More information:

Abstract:

"This publication presents the papers delivered at the international conference held in Cambridge in December 2016 to mark the end of the Fitzwilliam Museum's acclaimed bicentenary exhibition 'Colour: the art and science of illuminated manuscripts.' It is the first of two volumes in which medievalists and scientists share the results of their research, and combine here to elucidate both the materials and techniques of production of illuminated manuscripts, as well as the artists' collaboration and their aesthetic objectives. Topics covered include: scientific analyses of West European, Byzantine and Islamic manuscripts, colour and pigment studies, painting techniques and workshop practices, as well as details of the latest scientific techniques and instruments employed for these non-invasive and non-destructive investigations into the delicate manuscripts. The texts are accompanied by over 200 illustrations as well as explanatory tables and diagrams."--

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