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E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/982506016 Title: Markt und Macht : der Kunsthandel im "Dritten Reich" / herausgegeben von Uwe Fleckner, Thomas W. Gaehtgens und Christian Huemer Author: Uwe Fleckner; Thomas W Gaehtgens; Christian Huemer Publisher: Berlin : De Gruyter, [2017] ©2017 ISBN/ISSN: 9783110547191 3110547198 OCLC:982506016

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Markt und Macht : der Kunsthandel im "Dritten Reich" / herausgegeben von Uwe Fleckner, Thomas W. Gaehtgens und Christian Huemer

Author:	Uwe Fleckner; Thomas W Gaehtgens; Christian Huemer
Publisher:	Berlin : De Gruyter, [2017] ©2017
Series:	, Bd. 12.'">Schriften der Forschungsstelle "Entartete Kunst", Bd. 12.
Edition/Format:	Print book : GermanView all editions and formats
Summary:	Die Geschichte des Kunsthandels im "Dritten Reich" zu schreiben, steht nicht nur aufgrund einer schwierigen Quellenlage vor besonderen Herausforderungen. Zwischen Komplizenschaft und Sabotage verstrickt sich das Handeln der Akteure in Widersprüche. Kunst- und Wirtschaftshistoriker untersuchen in diesem Buch den Kunstmarkt und seine Mechanismen im Nationalsozialismus, die Rolle der Raubkunst sowie insbesondere moderner und "entarteter" Werke. Read more...
Rating:	(not yet rated) 0 with reviews - Be the first.
Subjects	National socialism and art. Art -- Economic aspects -- Germany -- History -- 20th century. Art -- Germany -- Marketing -- History -- 20th century. View all subjects
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Details

Genre/Form:	History
Document Type:	Book
All Authors / Contributors:	Uwe Fleckner; Thomas W Gaehtgens; Christian Huemer Find more information about:
ISBN:	9783110547191 3110547198
OCLC Number:	982506016
Description:	xvi, 434 pages : illustrations, charts, facsimiles, portraits ; 25 cm.
Series Title:	Schriften der Forschungsstelle "Entartete Kunst", Bd. 12.

Abstract:

Die Geschichte des Kunsthandels im "Dritten Reich" zu schreiben, steht nicht nur aufgrund einer schwierigen Quellenlage vor besonderen Herausforderungen. Zwischen Komplizenschaft und Sabotage verstrickt sich das Handeln der Akteure in Widersprüche. Kunst- und Wirtschaftshistoriker untersuchen in diesem Buch den Kunstmarkt und seine Mechanismen im Nationalsozialismus, die Rolle der Raubkunst sowie insbesondere moderner und "entarteter" Werke.

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"Der gro z gig bebilderte Band [...] bietet Einblicke in das vielf ltige Forschungsfeld zum Kunstmarkt im "Dritten Reich" [...] Im Abr cken vom deutschen Blick auf den Komplex "Kunst 1933-1945" hin Read more...

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