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Martha Argerich plays Prokofiev's Concerto No. 3 : And the Symphony No. 1 by the Rotterdam Philharmonic Orchestra and Lahav Shani

Author: Dick Kuijs; Martha Argerich; Sergei Prokofiev; Maurice Ravel; Rotterdam Philharmonic Orchestra and medici.tv.
Publisher: [Place of publication not identified] : Rotterdam Philharmonic Orchestra and medici.tv, 2018.
Edition/Format:   eVideo : Clipart/images/graphics : English
Summary:
An ebullient musical energy fills the de Doelen's Grote zaal with the return of the pianist nonpareil, Martha Argerich! She joins the Rotterdam Philharmonic under Lahav Shani for a program featuring two of Prokofiev's most enduringly popular works, including one of the Argentinian virtuoso's signature concertos. In 1917, Prokofiev was working on two pieces destined to establish him as one of the 20th century's most  Read more...
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Details

Genre/Form: Internet videos
Concert films
Material Type: Clipart/images/graphics, Internet resource, Videorecording
Document Type: Internet Resource, Computer File, Visual material
All Authors / Contributors: Dick Kuijs; Martha Argerich; Sergei Prokofiev; Maurice Ravel; Rotterdam Philharmonic Orchestra and medici.tv.
OCLC Number: 1125950529
Performer(s): Martha Argerich, pianist.
Description: 1 online resource (1 video file (1 hr., 3 min., 12 sec.)) : sound, color.
Contents: Symphony No. 1 in D Major, Op. 25, "Classical" / Sergei Prokofiev --
Piano Concerto No. 3 in C Major, Op. 26 / Sergei Prokofiev --
Ma mère l'Oye / Maurice Ravel.
Responsibility: Dick Kuijs, director.

Abstract:

An ebullient musical energy fills the de Doelen's Grote zaal with the return of the pianist nonpareil, Martha Argerich! She joins the Rotterdam Philharmonic under Lahav Shani for a program featuring two of Prokofiev's most enduringly popular works, including one of the Argentinian virtuoso's signature concertos. In 1917, Prokofiev was working on two pieces destined to establish him as one of the 20th century's most beloved composers: his "Classical" First Symphony and Third Piano Concerto. The two works show Haydn's influence on Prokofiev's compositional language, and are both brilliant examples of the innovative neoclassical style. The three-movement piano concerto, though devilishly challenging for the pianist, is passionately expressive and filled with kinetic energy. In the symphony mixes, Prokofiev mixes 18th-century structure and style, 20th-century dissonances, and his own cheeky harmonies and jagged rhythms to create an irresistible chef d'œuvre! We would like to thank Concert Hall De Doelen for their partnership. Photo: Martha Argerich © Adriano Heitman.

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