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Master class with Amit Peled. (IV/V), Elgar's Cello concerto in E minor, op. 85, first movement Preview this item
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Master class with Amit Peled. (IV/V), Elgar's Cello concerto in E minor, op. 85, first movement

Author: Gianriccardo PeraAmit PeledFerran AlbrichIveta SabovaEdward ElgarAll authors
Publisher: [Place of publication not identified] : iClassical Academy, 2015.
Edition/Format:   eVideo : Clipart/images/graphics : English
Summary:
Amit Peled, one of the most sought-after cello pedagogues, gives a brilliant masterclass on Elgar's Concerto in E Minor, Op. 85. He works here with Ferran Albrich on the First Movement. In this master class Peled explores Elgar's Cello Concerto in E Minor, Op. 85, a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, and he seems to have poured his pain and depression  Read more...
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Details

Genre/Form: Instructional films
Internet videos
Excerpts Solo with piano
Named Person: Edward Elgar
Material Type: Clipart/images/graphics, Internet resource, Videorecording
Document Type: Internet Resource, Computer File, Visual material
All Authors / Contributors: Gianriccardo Pera; Amit Peled; Ferran Albrich; Iveta Sabova; Edward Elgar; iClassical Academy,
OCLC Number: 1045797338
Language Note: Commentary in English.
Performer(s): Amit Peled, cello, instructor ; Ferran Albrich, cello ; Iveta Sabova, piano.
Description: 1 online resource (1 video file (58 min., 55 sec.)) : sound, color.
Other Titles: Elgar's Cello concerto in E minor, op. 85, first movement
Responsibility: iClassical Academy ; Gianriccardo Pera, director.

Abstract:

Amit Peled, one of the most sought-after cello pedagogues, gives a brilliant masterclass on Elgar's Concerto in E Minor, Op. 85. He works here with Ferran Albrich on the First Movement. In this master class Peled explores Elgar's Cello Concerto in E Minor, Op. 85, a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, and he seems to have poured his pain and depression in the face of such terrible destruction into the work. Premiered in October 1919, the first performance's success was unfortunately limited due to insufficient rehearsal time (time eaten up by the other works in the program, conducted by Albert Coates), despite the presence of Elgar himself at the baton. The work finally became popular in the 1960s, when a recording by Jacqueline du Pré elevated the work to the level of masterpiece in the public's imagination. Since then, leading cellists like Pablo Casals, Paul Tortelier, and Yo-Yo Ma have performed and recorded the concerto. From the United States to Europe to the Middle East and Asia, Peled is acclaimed as one of the most exciting instrumentalists on the concert stage today. A musician of profound artistry and charismatic stage presence, Peled often surprises audiences with the ways he breaks down barriers between performers and the public. Tim Smith of the Baltimore Sun reflected on a recent performance: "Peled did a lot of joking in remarks to the audience. His amiable and inviting personality is exactly the type everyone says we'll need more of if classical music is to survive." Peled performs on a 1733 Matteo Gofriller cello that formerly belonged to Pablo Casals, and has been loaned to him by the great cellist's widow, Marta.

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He works here with Ferran Albrich on the First Movement. In this master class Peled explores Elgar\'s Cello Concerto in E Minor, Op. 85, a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, and he seems to have poured his pain and depression in the face of such terrible destruction into the work. Premiered in October 1919, the first performance\'s success was unfortunately limited due to insufficient rehearsal time (time eaten up by the other works in the program, conducted by Albert Coates), despite the presence of Elgar himself at the baton. The work finally became popular in the 1960s, when a recording by Jacqueline du Pr\u00E9 elevated the work to the level of masterpiece in the public\'s imagination. Since then, leading cellists like Pablo Casals, Paul Tortelier, and Yo-Yo Ma have performed and recorded the concerto. From the United States to Europe to the Middle East and Asia, Peled is acclaimed as one of the most exciting instrumentalists on the concert stage today. A musician of profound artistry and charismatic stage presence, Peled often surprises audiences with the ways he breaks down barriers between performers and the public. Tim Smith of the Baltimore Sun reflected on a recent performance: \"Peled did a lot of joking in remarks to the audience. His amiable and inviting personality is exactly the type everyone says we\'ll need more of if classical music is to survive.\" Peled performs on a 1733 Matteo Gofriller cello that formerly belonged to Pablo Casals, and has been loaned to him by the great cellist\'s widow, Marta.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/5353913213<\/a>> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Internet videos<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Instructional films<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"en<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Master class with Amit Peled. 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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/5353913213#Organization\/iclassical_academy<\/a>> # iClassical Academy,<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"iClassical Academy,<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/5353913213#Person\/albrich_ferran<\/a>> # Ferran Albrich<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Albrich<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Ferran<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Ferran Albrich<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/5353913213#Person\/elgar_edward_1857_1934<\/a>> # Edward Elgar<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1857<\/span>\" ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \"1934<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Elgar<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Edward<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Edward Elgar<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/5353913213#Person\/peled_amit<\/a>> # Amit Peled<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Peled<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Amit<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Amit Peled<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/5353913213#Topic\/concertos_cello_excerpts_solo_with_piano<\/a>> # Concertos (Cello)--Excerpts--Solo with piano<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Concertos (Cello)--Excerpts--Solo with piano<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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Content-negotiable representations<\/p>\n