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Materializing Six Years : Lucy R. Lippard and the emergence of conceptual art

Author: Catherine Morris; Brooklyn Museum.
Publisher: Cambridge, Massachusetts : The MIT Press ; Brooklyn, New York : Brooklyn Museum, [2012]
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
"In 1973 the critic and curator Lucy R. Lippard published Six Years, a book with possibly the longest subtitle in the bibliography of art: The dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and  Read more...
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Genre/Form: Exhibition catalogs
Exhibitions
Exhbitions
Additional Physical Format: Online version:
Materializing Six Years
(OCoLC)974992638
Named Person: Lucy R Lippard; Lucy R Lippard; Lucy R Lippard; Lucy R Lippard
Document Type: Book
All Authors / Contributors: Catherine Morris; Brooklyn Museum.
ISBN: 9780262018166 0262018160
OCLC Number: 769916209
Notes: Published on the occasion of the exhibition The Six Years' Project: Lucy R. Lippard and the Emergence of Conceptual Art, September 14, 2012-February 3, 2013, organized by Catherine Morris, Curator of the Elizabeth A. Sackler Center at the Brooklyn Museum, and the independent scholar Vincent Bonin.
Awards: Winner of Winner, 2012 Specific Object Publication of the Year Award 2012
Description: xx, 275 pages : illustrations ; 27 cm
Contents: Foreword / Arnold L. Lehman --
Preface: Six years ... forty years later / Lucy R. Lippard --
An introduction to Six years / Catherine Morris and Vincent Bonin --
Six years as a curatorial project / Catherine Morris --
Lucy R. Lippard's writing in and around conceptual art, 1969-73 / Vincent Bonin --
Still relevant: Lucy R. Lippard, feminist activism, and art institutions / Julia Bryan-Wilson --
Illustrations and commentary --
1966 --
1967 --
1968 --
1969 --
1970 --
1971 --
Epilogue: c. 7,500.
Responsibility: edited by Catherine Morris and Vincent Bonin ; essays by Vincent Bonin, Julia Bryan-Wilson, Catherine Morris ; preface by Lucy R. Lippard.

Abstract:

Lucy R. Lippard's famous book, itself resembling an exhibition, is now brought full circle in an exhibition (and catalog) resembling her book.  Read more...

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Along with a short retrospective essay by Ms. Lippard, chapters by the exhibition's organizers, Catherine Morris and Vincent Bonin, clearly and engagingly explicate a genre so casual observers often Read more...

 
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   schema:description ""In 1973 the critic and curator Lucy R. Lippard published Six Years, a book with possibly the longest subtitle in the bibliography of art: The dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, anti-form, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones) edited and annotated by Lucy R. Lippard. Six Years, sometimes referred to as a conceptual art object itself, not only described and embodied the new type of art-making that Lippard was intent on identifying and cataloging, it also exemplified a new way of criticizing and curating art. Nearly forty years later, the Brooklyn Museum takes Lippard's celebrated experiment in curated concatenation as a template, turning a book that resembled an exhibition into an exhibition materializing the ideas in her book. The artworks and essays featured in this publication recall the thrill that was tangible in Lippard's original documentation, reminding us that during the late sixties and early seventies all possible social and material parameters of art (making) were played with, worked over, inverted, reduced, expanded, and rejected. By tracing Lippard's own activities in those years, the book also documents the early blurring of boundaries among critical, curatorial, and artistic practices. With more than 200 images of work by dozens of artists (printed in color throughout), this book brings Lippard's curatorial experiment full circle."--Publisher's website."@en ;
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