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Mediating museums : exhibiting material culture in Tunisia (1881-2016)

Author: Virginie Rey
Publisher: Leiden ; Boston : Brill, [2019]
Series: Studies in the history and society of the Maghrib, v. 11.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
This book documents and interprets the trajectory of ethnographic museums in Tunisia from the colonial to the post-revolutionary period, demonstrating changes and continuities in role, setting and architecture across shifting ideological landscapes. The display of everyday culture in museums is generally looked down upon as being kitsch and old-fashioned. This research shows that, in Tunisia, ethnographic museums  Read more...
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Genre/Form: History
Additional Physical Format: Online version:
Rey, Virginie, 1978- author.
Mediating museums
Leiden ; Boston : Brill, 2019
(DLC) 2019019832
Document Type: Book
All Authors / Contributors: Virginie Rey
ISBN: 9789004394964 9004394966
OCLC Number: 1089567122
Description: xi, 244 pages ; 25 cm.
Contents: Mapping Tunisian material culture (1881-1956) --
Artisanship revival in the Maghreb --
The Tunisian arts --
Ethnographic objects (1957-1980) --
Le centre des arts et traditions populaires --
Les musees d'arts et traditions populaires --
Carving a modern Tunisian identity in traditions --
Le patrimoine vivant --
Patrimonialisation (1985-2011) --
Turning traditional culture into heritage --
The heteronomous pole of cultural production --
Museums and communities --
Revolutionary museums (2011-2015) --
The field of museum production --
The journey of an ethnographic museum from the colonial to the post-revolutionary --
Conclusion.
Series Title: Studies in the history and society of the Maghrib, v. 11.
Responsibility: by Virginie Rey.

Abstract:

This book documents and interprets the trajectory of ethnographic museums in Tunisia from the colonial to the post-revolutionary period, demonstrating changes and continuities in role, setting and architecture across shifting ideological landscapes. The display of everyday culture in museums is generally looked down upon as being kitsch and old-fashioned. This research shows that, in Tunisia, ethnographic museums have been highly significant sites in the definition of social identities. They have worked as sites that diffuse social, economic and political tensions through a vast array of means, such as the exhibition itself, architecture, activities, tourism, and consumerism. The book excavates the evolution of paradigms in which Tunisian popular identity has been expressed through the ethnographic museum, from the modernist notion of 'indigenous authenticity' under colonial time, to efforts at developing a Tunisian ethnography after Independence, and more recent conceptions of cultural diversity since the revolution. Based on a combination of archival research in Tunisia and in France, participant observation and interviews with past and present protagonists in the Tunisian museum field, this research brings to light new material on an understudied area.

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