skip to content
Covid-19 virus
COVID-19 Resources

Reliable information about the coronavirus (COVID-19) is available from the World Health Organization (current situation, international travel). Numerous and frequently-updated resource results are available from this WorldCat.org search. OCLC’s WebJunction has pulled together information and resources to assist library staff as they consider how to handle coronavirus issues in their communities.

Image provided by: CDC/ Alissa Eckert, MS; Dan Higgins, MAM
Movement for actors Preview this item
ClosePreview this item
Checking...

Movement for actors

Author: Nicole Potter; Mary Fleischer; Barbara Adrian
Publisher: New York : Allworth Press, [2016] ©2016
Edition/Format:   eBook : Document : English : Second editionView all editions and formats
Rating:

(not yet rated) 0 with reviews - Be the first.

Subjects
More like this

Find a copy online

Links to this item

Find a copy in the library

&AllPage.SpinnerRetrieving; Finding libraries that hold this item...

Details

Genre/Form: Electronic books
Additional Physical Format: Print version:
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Nicole Potter; Mary Fleischer; Barbara Adrian
ISBN: 1621535436 9781621535430
OCLC Number: 993694487
Notes: Previous edition: 2002.
Description: 1 online resource (xii, 363 pages) : illustrations (black and white)
Contents: pt. One A Little History --
Biomechanics: Understanding Meyerhold's System of Actor Training / Marianne Kubik --
Michael Chekhov, Psychological Gesture, and the Thinking Heart / Floyd Rumohr --
Theatrical Stillness / Mary Fleischer --
Teaching Charlie Chaplin How to Walk / Dan Kamin --
The Whole of an Actor's Life / Richard Stockton Rand --
pt. Two Body Basics --
The Feldenkrais Method® / Alan S. Questel --
Alexander Technique and the Integrated Actor: Applying the Principles of the Alexander Technique to Actor Preparation / Teresa Lee --
An Introduction to Laban Movement Analysis for Actors: A Historical, Theoretical, and Practical Perspective / Barbara Adrian --
Acting with Bartenieff Fundamentals SM: A Somatic, Developmental Movement Training for Presence and Physical Characterization / Rachelle Palnick Tsachor --
Breathe Before You Act / Caroline Thomas --
Yoga for Actors: Approaches / Robert Allen --
pt. Three Transformations. Mask and Ritual / Shelley Wyant --
The Smallest Mask: The Red Nose / Jean Taylor --
Discovering Ensemble and Impulse through Improvisation / Paul Urcioli --
pt. Four Beyond Glove, Fan, and Sword --
Bringing the Past into the Present: Period Dance on the Stage and in the Curriculum / Nira Pullin --
Shakespeare Honors the Three Centers of the Body / Susan Dibble --
Some Rehearsal Notes for Moliere and Restoration Comedy Style / Rod McLucas --
Stage Combat: A Paradox of Fixed Technique and Free Expression / Matthew R. Wilson --
pt. Five Schools of Thought --
The Williamson Physical Technique: The Physical Process of Acting / Loyd Williamson --
A Comprehensive Approach to Theater Training and the Dynamic Merging of the Actor, Director, and Playwright / Kari Margolis --
Movement Training: Dell'Arte International / Joan Schirle --
Somatic Training for Actors with the Principles of Body-Mind Centering® / Erika Berland --
pt. Six Inside Out and Outside In. Synergizing Internal and External Acting / Jill Mackavey --
The Actor as Athlete of the Emotions: The Rasaboxes Exercise / Paula Murray Cole --
Authentic Movement and Its Application to Contemporary Performance Training / Rebecca VerNooy --
pt. Seven Moving Forward --
Mind-Body Juggling for the Camera / Erika Batdorf --
Teaching Postmodern Choreography to Actors: Eschewing the Inebriation of Emotion Nicole Potter interviews Annie-B Parson --
SITI: Why We Train, A conversation between Anne Bogart and the SITI company, compiled / Will Bond --
The Problem of Movement Theater / Brad Krumholz.
Responsibility: edited by Nicole Potter.

Reviews

Editorial reviews

Publisher Synopsis

"The most complete survey to date of the available physical components of modern actor training. Invaluable." George Morrison, former president, the New Actor Works, former emeritus professor, SUNY Read more...

 
User-contributed reviews
Retrieving GoodReads reviews...
Retrieving DOGObooks reviews...

Tags

Be the first.

Similar Items

Related Subjects:(1)

Confirm this request

You may have already requested this item. Please select Ok if you would like to proceed with this request anyway.

Linked Data


\n\n

Primary Entity<\/h3>\n
<http:\/\/www.worldcat.org\/oclc\/993694487<\/a>> # Movement for actors<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Book<\/a>, schema:MediaObject<\/a>, schema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"993694487<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/id.loc.gov\/vocabulary\/countries\/nyu<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/dewey.info\/class\/792.028\/e23\/<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/413091737#Topic\/movement_acting<\/a>> ; # Movement (Acting)<\/span>\n\u00A0\u00A0\u00A0\nschema:bookEdition<\/a> \"Second edition \/<\/span>\" ;\u00A0\u00A0\u00A0\nschema:bookFormat<\/a> schema:EBook<\/a> ;\u00A0\u00A0\u00A0\nschema:copyrightYear<\/a> \"2016<\/span>\" ;\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2016<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Synergizing Internal and External Acting \/ Jill Mackavey -- The Actor as Athlete of the Emotions: The Rasaboxes Exercise \/ Paula Murray Cole -- Authentic Movement and Its Application to Contemporary Performance Training \/ Rebecca VerNooy -- pt. Seven Moving Forward -- Mind-Body Juggling for the Camera \/ Erika Batdorf -- Teaching Postmodern Choreography to Actors: Eschewing the Inebriation of Emotion Nicole Potter interviews Annie-B Parson -- SITI: Why We Train, A conversation between Anne Bogart and the SITI company, compiled \/ Will Bond -- The Problem of Movement Theater \/ Brad Krumholz.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"pt. One A Little History -- Biomechanics: Understanding Meyerhold\'s System of Actor Training \/ Marianne Kubik -- Michael Chekhov, Psychological Gesture, and the Thinking Heart \/ Floyd Rumohr -- Theatrical Stillness \/ Mary Fleischer -- Teaching Charlie Chaplin How to Walk \/ Dan Kamin -- The Whole of an Actor\'s Life \/ Richard Stockton Rand -- pt. Two Body Basics -- The Feldenkrais Method\u00AE \/ Alan S. Questel -- Alexander Technique and the Integrated Actor: Applying the Principles of the Alexander Technique to Actor Preparation \/ Teresa Lee -- An Introduction to Laban Movement Analysis for Actors: A Historical, Theoretical, and Practical Perspective \/ Barbara Adrian -- Acting with Bartenieff Fundamentals SM: A Somatic, Developmental Movement Training for Presence and Physical Characterization \/ Rachelle Palnick Tsachor -- Breathe Before You Act \/ Caroline Thomas -- Yoga for Actors: Approaches \/ Robert Allen -- pt. Three Transformations.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Mask and Ritual \/ Shelley Wyant -- The Smallest Mask: The Red Nose \/ Jean Taylor -- Discovering Ensemble and Impulse through Improvisation \/ Paul Urcioli -- pt. Four Beyond Glove, Fan, and Sword -- Bringing the Past into the Present: Period Dance on the Stage and in the Curriculum \/ Nira Pullin -- Shakespeare Honors the Three Centers of the Body \/ Susan Dibble -- Some Rehearsal Notes for Moliere and Restoration Comedy Style \/ Rod McLucas -- Stage Combat: A Paradox of Fixed Technique and Free Expression \/ Matthew R. Wilson -- pt. Five Schools of Thought -- The Williamson Physical Technique: The Physical Process of Acting \/ Loyd Williamson -- A Comprehensive Approach to Theater Training and the Dynamic Merging of the Actor, Director, and Playwright \/ Kari Margolis -- Movement Training: Dell\'Arte International \/ Joan Schirle -- Somatic Training for Actors with the Principles of Body-Mind Centering\u00AE \/ Erika Berland -- pt. Six Inside Out and Outside In.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:editor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/413091737#Person\/fleischer_mary<\/a>> ; # Mary Fleischer<\/span>\n\u00A0\u00A0\u00A0\nschema:editor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/413091737#Person\/adrian_barbara<\/a>> ; # Barbara Adrian<\/span>\n\u00A0\u00A0\u00A0\nschema:editor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/413091737#Person\/potter_nicole<\/a>> ; # Nicole Potter<\/span>\n\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/413091737<\/a>> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Electronic books<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"en<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isSimilarTo<\/a> <http:\/\/worldcat.org\/entity\/work\/data\/413091737#CreativeWork\/<\/a>> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Movement for actors<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"993694487<\/span>\" ;\u00A0\u00A0\u00A0\nschema:url<\/a> <http:\/\/www.myilibrary.com?id=985234<\/a>> ;\u00A0\u00A0\u00A0\nschema:url<\/a> <http:\/\/public.ebookcentral.proquest.com\/choice\/publicfullrecord.aspx?p=4560661<\/a>> ;\u00A0\u00A0\u00A0\nschema:workExample<\/a> <http:\/\/worldcat.org\/isbn\/9781621535430<\/a>> ;\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/993694487<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Related Entities<\/h3>\n
<http:\/\/dewey.info\/class\/792.028\/e23\/<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/413091737#Person\/adrian_barbara<\/a>> # Barbara Adrian<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Adrian<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Barbara<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Barbara Adrian<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/413091737#Person\/fleischer_mary<\/a>> # Mary Fleischer<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Fleischer<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Mary<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Mary Fleischer<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/413091737#Person\/potter_nicole<\/a>> # Nicole Potter<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Potter<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Nicole<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Nicole Potter<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/413091737#Topic\/movement_acting<\/a>> # Movement (Acting)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Movement (Acting)<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/nyu<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"nyu<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/entity\/work\/data\/413091737#CreativeWork\/<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Print version:<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isSimilarTo<\/a> <http:\/\/www.worldcat.org\/oclc\/993694487<\/a>> ; # Movement for actors<\/span>\n\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9781621535430<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"1621535436<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9781621535430<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n