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Music criticism in France, 1918-1939 : authority, advocacy, legacy

Author: Barbara L Kelly; Christopher Moore, (Musicologist)
Publisher: Woodbridge : The Boydell Press, 2018. ©2018
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
This collection uncovers how music criticism contributed to national and transnational preoccupations and agendas.
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Music criticism in France, 1918-1939.
Woodbridge : The Boydell Press, 2018
(OCoLC)1007747547
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Barbara L Kelly; Christopher Moore, (Musicologist)
ISBN: 9781787442573 1787442578
OCLC Number: 1040072447
Description: 1 online resource (xi, 346 pages) : illustrations
Contents: Music criticism and aesthetics during the interwar period : fewer crimes and more punishments / Michel Duchesneau --
Nostalgia and violence in the music criticism of L'Action française / Christopher Moore --
Charles Koechlin : the figure of the expert / Philippe Cathe --
Bleu-horizon politics and music for radio listeners : L'Initiation à la musique (1935) / Jann Pasler --
Common canon, conflicting ideologies : music criticism in performance in interwar France / Barbara L. Kelly --
Arthur Honegger : music critic for Musique et théâtre (1925-1926) / Pascal Lecroart --
A woman's critical voice : Nadia Boulanger and Le Monde musical, 1919-1923 / Kimberly Francis --
From a foreign correspondent : the Parisian chronicles of Alejo Carpentier / Caroline Rae --
Debussy's "reputational entrepreneurs" : Vuillermoz, Koechlin, Laloy and Vallas / Marianne Wheeldon --
Legacy of war : conceptualising wartime musical life in the post-war musical press, 1919-1920 / Rachel Moore --
Satie, Relâche and the critics : controversies and legacy / Jacinthe Harbec --
Creating a canon : Émile Vuillermoz's Musiques d'aujourd'hui and French musical modernity / Danick Trottier.
Responsibility: edited by Barbara L. Kelly and Christopher Moore.

Abstract:

This collection uncovers how music criticism contributed to national and transnational preoccupations and agendas.  Read more...

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