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Music history and cosmopolitanism

Author: Anastasia Belina; Kaarina Kilpiö; Derek B Scott
Publisher: Abingdon, Oxon ; New York, NY : Routledge, 2019.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
This collection of essays is the first book-length study of music history and cosmopolitanism, and is informed by arguments that culture and identity do not have to be viewed as primarily located in the context of nationalist narratives. Rather than trying to distinguish between a true cosmopolitanism and a false cosmopolitanism, the book presents studies that deepen understanding of the heritage of this concept -  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
History
Additional Physical Format: Print version:
Music history and cosmopolitanism.
Abingdon, Oxon ; New York, NY : Routledge, 2019
(DLC) 2019007872
(OCoLC)1086560333
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Anastasia Belina; Kaarina Kilpiö; Derek B Scott
ISBN: 9781351060936 1351060937 9781351060950 1351060953 9781351060943 1351060945 9781351060929 1351060929
OCLC Number: 1107700098
Description: 1 online resource
Contents: Cover; Half-Title; Title; Copyright; Contents; List of figures; List of maps; List of tables; List of contributors; Introduction; PART I Music and cosmopolitanism in the nineteenth century; 1 Cosmopolitanism and music for the theatre: Europe and beyond, 1800-1870; 2 Cosmopolitanism in nineteenth-century opera management; 3 Carl Goldmark and cosmopolitan patriotism; 4 The cosmopolitan muse: Searching for a musical style in early nineteenth-century Latin America; PART II Music and cosmopolitanism in the twentieth century 5 An 'intricate fabric of influences and coincidences in the history of popular music': Reflections on the challenging work of popular music historians; 6 Mapping musical modernism; 7 André Tchaikowsky (1935-1982): A cosmopolitan in a closet; 8 The elision of difference, newness and participation: Edward J. Dent's cosmopolitan ethics of opera performance; PART III Music and urban cosmopolitanism; 9 Tip, Trinkgeld, bakšiš: Cosmopolitan and other strategies of touring music groups before the Great War in Sarajevo 10 Musicians as cosmopolitan entrepreneurs: Orchestras in Finnish cities before the modern city orchestra institution; 11 'A foreign cosmopolitanism': Treaty port Shanghai, ad hoc municipal ensembles, and an epistemic modality; Index
Responsibility: edited by Anastasia Belina, Kaarina Kilpiö and Derek B. Scott.

Abstract:

This collection of essays is the first book-length study of music history and cosmopolitanism, and is informed by arguments that culture and identity do not have to be viewed as primarily located in the context of nationalist narratives. Rather than trying to distinguish between a true cosmopolitanism and a false cosmopolitanism, the book presents studies that deepen understanding of the heritage of this concept - the various ways in which the term has been used to describe a wide range of activity and social outlooks. It ranges over a two hundred-year period, and more than a dozen countries, revealing how musicians and audiences have responded to a common humanity by embracing culture beyond regional or national boundaries. Among the various topics investigated are: musical cosmopolitanism among composers in Latin America, the Ottoman Empire, and Austro-Hungarian Empire; cosmopolitan popular music historiography; cosmopolitan musical entrepreneurs; and musical cosmopolitanism in the metropolises of New York and Shanghai.

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