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The music of Joseph Joachim

Author: Katharina Uhde
Publisher: Woodbridge, Suffolk, UK : The Boydell Press, 2018.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Joseph Joachim (1831-1907) was arguably the greatest violinist of the nineteenth century. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures and chamber music works. Uhde's book will be the standard work on the music of Joseph Joachim for many years to come.
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Genre/Form: Electronic books
Criticism, interpretation, etc
History
Additional Physical Format: Print version:
Uhde, Katharina.
Music of Joseph Joachim.
Woodbridge, Suffolk, UK : The Boydell Press, 2018
(OCoLC)1023485759
Named Person: Joseph Joachim; Joseph Joachim
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Katharina Uhde
ISBN: 9781787442580 1787442586
OCLC Number: 1083266919
Description: 1 online resource (xxv, 506 pages) : illustrations, music
Contents: Frontcover; Contents; List of Illustrations; List of Figures; List of Music Examples; List of Tables; Acknowledgements; Abbreviations; Introduction: Approaching the Music of Joseph Joachim; 1. Virtuosity Uncoiled: Two Fantasies Rediscovered. Fantasy on Hungarian Themes (1848-50); Fantasy on Irish [Scottish] Themes (1852); 2. From Leipzig to Weimar. Early Sketches; Andantino and Allegro scherzoso Op. 1 (1844-47); Three Pieces Op. 2 (1849-52); 3. Between Uncoiled Virtuosity and Lisztian Temptations. Violin Concerto in G minor 'in One Movement' Op. 3 (1851-52) 4. Finding his Voice: Between Vergangenheitsmusik and Zukunftsmusik. Overture to Shakespeare's Hamlet Op. 4 (1851-53)5. Joachim Encoded, or 'Psychological Music'. Three Pieces Op. 5 (1853); Cipher Pieces; 6. 'Psychological Music' Experienced and Remembered: Joachim and the Demetrius Plot in 1854 and 1876. Overture to Herman Grimm's Demetrius Op. 6 (1853-54); Scene of Marfa from Schiller's Unfinished Drama Demetrius Op. 14 (1876); 7 Resisting the Dark Butterfly. Overture to Shakespeare's Henry IV Op. 7 (1853-54); Overture to a Comedy (Lustspiel) by Gozzi Op. 8 (1854) String Quartet Movement in C minor (1858)8 Joachim and the Art of Variation. Variations on an Original Theme Op. 10 (1854); Variations on an Irish Elfenlied (1856); Variations for Violin with Orchestral Accompaniment (1878-79); 9 Identities. Concerto 'in the Hungarian Manner' Op. 11 (1857-59); Hebrew Melodys Op. 9 (1854); 10 Ciphers in Disguise: Gisela von Arnim and Compositional Memories. Elegiac Overture 'in Memory of the Poet Heinrich von Kleist' Op. 13 (1856); Notturno Op. 12 (1858); Violin Concerto in G major (1863-64) 11 Cultural Objects in a Prussian Society. March No. 1 in C major (1871) March No. 2 in D major (1871); Overture for the Birthday of Kaiser Wilhelm II (1896); Conclusion: An Assessment of Joachim's Style; Appendix: Catalogue of Works; Bibliography; Index
Responsibility: Katharina Uhde.

Abstract:

Joseph Joachim (1831-1907) was arguably the greatest violinist of the nineteenth century. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures and chamber music  Read more...

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In the end, it seems that the conflicting binaries of nationality, of virtuoso performer vs. "priestly" performer and of performer-interpreter vs. composer remained unresolved within Joachim himself. Read more...

 
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