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The music of the Bible revealed : the deciphering of a millenary notation

Author: Suzanne Haïk-Vantoura; John Wheeler
Publisher: Berkeley, CA : BIBAL Press ; San Francisco, CA : King David's Harp, ©1991.
Edition/Format:   Print book : EnglishView all editions and formats
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Additional Physical Format: Online version:
Haïk-Vantoura, Suzanne.
Music of the Bible revealed.
Berkeley, CA : BIBAL Press ; San Francisco, CA : King David's Harp, ©1991
(OCoLC)690451070
Document Type: Book
All Authors / Contributors: Suzanne Haïk-Vantoura; John Wheeler
ISBN: 094103710X 9780941037105
OCLC Number: 22911291
Notes: Translation of: La musique de la Bible révélée.
"Translated from the French text of the second edition, revised, Dessain et Tolra."
Description: xviii, 557 pages : illustrations ; 21 cm
Contents: Part One: A musical discovery faces history --
Introduction I: The spirit of the priestly music of the Hebrews --
Ancient music has been preserved in spirt of its oblivion in practice --
I: A brief explanation of the deciphering key --
The cantillation signs of the Hebrew Bible guarded an unsuspected music --
II: The Tiberian system of notation --
The Tiberian system is an anachronistic notation of exemplary efficiency --
III: Chironomy: The answer to the neumatic notations --
The principle of chironomy accounts for the features of the Tiberian notation and the conformation of the reconstituted music --
IV: Etymology of the meanings symbolized by the Tiberian notation --
Correlation between the meanings of the signs in the Tiberian notation and the deciphering key indicates the ensemble was conceived as a whole V. Brilliant liturgical music revealed by the deciphering key --
Only in antiquity could such music have been crated --
VI. Relation of this music to synagogue chants --
Traditional cantillations are the product of the synagogue, which explains their nonprofessional character. Coincidences between some synagogue chants (as well as some plain-chants) and the reconstituted biblical chant confirm the latter's authenticity --
VII. Conclusion --
This resurrected music originated before the Christian era, as did the ancestral names, the written signs, and the tonal values they represent --
Supplement I: A theoretical syntax as the source of the Tiberian notation Part Two: The deciphering process the syntax of the reconstituted monodies --
Book I: The Prosodic System --
Introduction II: The simple conformation of ancient music does not rule out its being an accomplished art --
Chapter I: Experimental investigation of the musical notation of the Bible --
The two systems comprising this notation are both similar and complementary --
Chapter II: The Prosadic system: the lower signs --
The lowers signs represent basic degrees of a diatonic scale --
III. How the mode is ascertained --
IV. The simpler upper signs --
The upper signs represent simple melismas or ornamentations subordinated to the meanings represented by the lower signs --
V. The unnoted rhythm of the biblical prosody --
The system does not include a specific rhythmic notation --
VI. The composite upper signs --
These, too, represent melismas subordinate to the basic constituent degrees. Three signs are rarely encountered in the prosodic system. The ultimate proof of the key is the Decalogue --
VII. The syntax of the biblical prosody Book II. The Psalmodic system --
I. The seven lower signs: a scale limited to seven degrees --
II. The meaning of the upper signs --
III. The modality of the psalmody --
minimally varied --
IV. A very simple use of rhythm --
delicately measured --
V. The syntax of the Psalms --
Annotation: The technical safeguards surrounding this restitution --
Appendix: How the resolution of the ornamentations is affected by the particular positions of the upper signs --
Supplement II: The traditional cantillations do not take into account the accent signs.
Other Titles: Musique de la Bible révélée.
Responsibility: Suzanne Haïk-Vantoura ; translated by Dennis Weber ; edited by John Wheeler.

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How the mode is ascertained -- IV. The simpler upper signs -- The upper signs represent simple melismas or ornamentations subordinated to the meanings represented by the lower signs -- V. The unnoted rhythm of the biblical prosody -- The system does not include a specific rhythmic notation -- VI. The composite upper signs -- These, too, represent melismas subordinate to the basic constituent degrees. Three signs are rarely encountered in the prosodic system. The ultimate proof of the key is the Decalogue -- VII. The syntax of the biblical prosody<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"V. Brilliant liturgical music revealed by the deciphering key -- Only in antiquity could such music have been crated -- VI. Relation of this music to synagogue chants -- Traditional cantillations are the product of the synagogue, which explains their nonprofessional character. Coincidences between some synagogue chants (as well as some plain-chants) and the reconstituted biblical chant confirm the latter\'s authenticity -- VII. Conclusion -- This resurrected music originated before the Christian era, as did the ancestral names, the written signs, and the tonal values they represent -- Supplement I: A theoretical syntax as the source of the Tiberian notation<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Book II. The Psalmodic system -- I. The seven lower signs: a scale limited to seven degrees -- II. The meaning of the upper signs -- III. The modality of the psalmody -- minimally varied -- IV. A very simple use of rhythm -- delicately measured -- V. The syntax of the Psalms -- Annotation: The technical safeguards surrounding this restitution -- Appendix: How the resolution of the ornamentations is affected by the particular positions of the upper signs -- Supplement II: The traditional cantillations do not take into account the accent signs.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Part One: A musical discovery faces history -- Introduction I: The spirit of the priestly music of the Hebrews -- Ancient music has been preserved in spirt of its oblivion in practice -- I: A brief explanation of the deciphering key -- The cantillation signs of the Hebrew Bible guarded an unsuspected music -- II: The Tiberian system of notation -- The Tiberian system is an anachronistic notation of exemplary efficiency -- III: Chironomy: The answer to the neumatic notations -- The principle of chironomy accounts for the features of the Tiberian notation and the conformation of the reconstituted music -- IV: Etymology of the meanings symbolized by the Tiberian notation -- Correlation between the meanings of the signs in the Tiberian notation and the deciphering key indicates the ensemble was conceived as a whole<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/1151142168<\/a>> ; # Musique de la Bible r\u00E9v\u00E9l\u00E9e.<\/span>\n\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"en<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isSimilarTo<\/a> <http:\/\/www.worldcat.org\/oclc\/690451070<\/a>> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"The music of the Bible revealed : the deciphering of a millenary notation<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"22911291<\/span>\" ;\u00A0\u00A0\u00A0\nschema:publication<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/22911291#PublicationEvent\/berkeley_ca_bibal_press_san_francisco_ca_king_david_s_harp_1991<\/a>> ;\u00A0\u00A0\u00A0\nschema:publisher<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1151142168#Agent\/king_david_s_harp<\/a>> ; # King David\'s Harp<\/span>\n\u00A0\u00A0\u00A0\nschema:publisher<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1151142168#Agent\/bibal_press<\/a>> ; # BIBAL Press<\/span>\n\u00A0\u00A0\u00A0\nschema:workExample<\/a> <http:\/\/worldcat.org\/isbn\/9780941037105<\/a>> ;\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/22911291<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1151142168#Agent\/bibal_press<\/a>> # BIBAL Press<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:Agent<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"BIBAL Press<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1151142168#Agent\/king_david_s_harp<\/a>> # King David\'s Harp<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:Agent<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"King David\'s Harp<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1151142168#CreativeWork\/bibel<\/a>> # Bibel<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Bibel<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1151142168#CreativeWork\/bible<\/a>> # Bible<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Bible<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Bible.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1151142168#Place\/berkeley_ca<\/a>> # Berkeley, CA<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Berkeley, CA<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1151142168#Place\/san_francisco_ca<\/a>> # San Francisco, CA<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"San Francisco, CA<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1151142168#Topic\/11_35_biblical_antiquities_archaeology_and_geography<\/a>> # 11.35 biblical antiquities, archaeology and geography<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"11.35 biblical antiquities, archaeology and geography<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1151142168#Topic\/accents_and_accentuation<\/a>> # Accents and accentuation<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Accents and accentuation<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1151142168#Topic\/bijbel<\/a>> # Bijbel<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Bijbel<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1151142168#Topic\/cantillation<\/a>> # Cantillation<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Cantillation<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1151142168#Topic\/kantillation<\/a>> # Kantillation<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Kantillation<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1151142168#Topic\/muziek<\/a>> # Muziek<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Muziek<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1151142168#Topic\/notenschrift<\/a>> # Notenschrift<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Notenschrift<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/id.loc.gov\/vocabulary\/countries\/cau<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"cau<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/viaf.org\/viaf\/100282812<\/a>> # John Wheeler<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Wheeler<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"John<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"John Wheeler<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/www.worldcat.org\/oclc\/690451070<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nrdfs:label<\/a> \"Music of the Bible revealed.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Online version:<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isSimilarTo<\/a> <http:\/\/www.worldcat.org\/oclc\/22911291<\/a>> ; # The music of the Bible revealed : the deciphering of a millenary notation<\/span>\n\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/22911291<\/a>>\u00A0\u00A0\u00A0\u00A0a \ngenont:InformationResource<\/a>, genont:ContentTypeGenericResource<\/a> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/www.worldcat.org\/oclc\/22911291<\/a>> ; # The music of the Bible revealed : the deciphering of a millenary notation<\/span>\n\u00A0\u00A0\u00A0\nschema:dateModified<\/a> \"2020-07-09<\/span>\" ;\u00A0\u00A0\u00A0\nvoid:inDataset<\/a> <http:\/\/purl.oclc.org\/dataset\/WorldCat<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/22911291#CreativeWork\/unidentifiedOriginalWork<\/a>> # Musique de la Bible r\u00E9v\u00E9l\u00E9e.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"fr<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Musique de la Bible r\u00E9v\u00E9l\u00E9e.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/22911291#PublicationEvent\/berkeley_ca_bibal_press_san_francisco_ca_king_david_s_harp_1991<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:PublicationEvent<\/a> ;\u00A0\u00A0\u00A0\nschema:location<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1151142168#Place\/san_francisco_ca<\/a>> ; # San Francisco, CA<\/span>\n\u00A0\u00A0\u00A0\nschema:location<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1151142168#Place\/berkeley_ca<\/a>> ; # Berkeley, CA<\/span>\n\u00A0\u00A0\u00A0\nschema:organizer<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1151142168#Agent\/king_david_s_harp<\/a>> ; # King David\'s Harp<\/span>\n\u00A0\u00A0\u00A0\nschema:organizer<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1151142168#Agent\/bibal_press<\/a>> ; # BIBAL Press<\/span>\n\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Content-negotiable representations<\/p>\n