skip to content
The musical work : reality or invention? Preview this item
ClosePreview this item
Checking...

The musical work : reality or invention?

Author: Mike Talbot
Publisher: Liverpool : Liverpool University Press, 2000.
Series: Liverpool Music Symposium (Series), 1.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Like literature and art, music has?works?. But not every piece of music is called a work, and not every musical performance is made up of works. The complexities of this situation are explored in these essays, which examine a broad swathe of western music. From plainsong to the symphony, from Duke Ellington to the Beatles, this is at root an investigation into how our minds parcel up the music that we create and  Read more...
Rating:

(not yet rated) 0 with reviews - Be the first.

Subjects
More like this

Find a copy online

Links to this item

Find a copy in the library

&AllPage.SpinnerRetrieving; Finding libraries that hold this item...

Details

Genre/Form: Criticism, interpretation, etc
Electronic books
Congressen (vorm)
Additional Physical Format: Print version:
Musical work.
Liverpool : Liverpool University Press, 2000
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Mike Talbot
ISBN: 9780853238256 0853238251
OCLC Number: 1058116562
Description: 1 online resource.
Contents: Some thoughts on the work in popular music / David Horn --
Intertextuality and hypertextuality in recorded popular music / Serge Lacasse --
Work-in-(g) practice : configuration of the popular music intertext / Richard Middleton --
Works and recordings : the impact of commercialism and digitalisation / Catherine Moore --
The practice of early-nineteenth-century pianism / Jim Samson --
Looking back at ourselves : the problem with the musical work-concept / Reinhard Strohm --
'The Work' : an evaluative charge / Philip Tagg --
The work-concept and composer-centredness / Michael Talbot --
The musical artwork and its materials in the music and aesthetics of Busoni / John Williamson --
Re-composing Schubert / James Wishart --
'On the problems of dating' or 'Looking backward and forward with Strohm' / Lydia Goehr.
Series Title: Liverpool Music Symposium (Series), 1.
Responsibility: edited by Michael Talbot.

Abstract:

Like literature and art, music has?works?. But not every piece of music is called a work, and not every musical performance is made up of works. The complexities of this situation are explored in these essays, which examine a broad swathe of western music. From plainsong to the symphony, from Duke Ellington to the Beatles, this is at root an investigation into how our minds parcel up the music that we create and hear.

Reviews

User-contributed reviews
Retrieving GoodReads reviews...
Retrieving DOGObooks reviews...

Tags

Be the first.
Confirm this request

You may have already requested this item. Please select Ok if you would like to proceed with this request anyway.

Linked Data


Primary Entity

<http://www.worldcat.org/oclc/1058116562> # The musical work : reality or invention?
    a schema:MediaObject, schema:Book, schema:CreativeWork ;
    library:oclcnum "1058116562" ;
    library:placeOfPublication <http://experiment.worldcat.org/entity/work/data/9463798224#Place/liverpool> ; # Liverpool
    library:placeOfPublication <http://id.loc.gov/vocabulary/countries/enk> ;
    schema:about <http://experiment.worldcat.org/entity/work/data/9463798224#Topic/sociale_aspecten> ; # Sociale aspecten
    schema:about <http://experiment.worldcat.org/entity/work/data/9463798224#Topic/music_genres_&_styles_classical> ; # MUSIC--Genres & Styles--Classical
    schema:about <http://experiment.worldcat.org/entity/work/data/9463798224#Topic/muziekwerken> ; # Muziekwerken
    schema:about <http://experiment.worldcat.org/entity/work/data/9463798224#Topic/music> ; # Music
    schema:about <http://experiment.worldcat.org/entity/work/data/9463798224#Topic/music_history_and_criticism> ; # Music--History and criticism
    schema:about <http://experiment.worldcat.org/entity/work/data/9463798224#Topic/esthetica> ; # Esthetica
    schema:about <http://experiment.worldcat.org/entity/work/data/9463798224#Topic/music_philosophy_and_aesthetics> ; # Music--Philosophy and aesthetics
    schema:about <http://id.loc.gov/authorities/classification/ML3845> ;
    schema:about <http://dewey.info/class/780.1/e22/> ;
    schema:about <http://experiment.worldcat.org/entity/work/data/9463798224#Topic/popmuziek> ; # Popmuziek
    schema:about <http://experiment.worldcat.org/entity/work/data/9463798224#Topic/music_reference> ; # MUSIC--Reference
    schema:bookFormat schema:EBook ;
    schema:contributor <http://experiment.worldcat.org/entity/work/data/9463798224#Person/talbot_mike_michael> ; # Michael Talbot
    schema:datePublished "2000" ;
    schema:description "Some thoughts on the work in popular music / David Horn -- Intertextuality and hypertextuality in recorded popular music / Serge Lacasse -- Work-in-(g) practice : configuration of the popular music intertext / Richard Middleton -- Works and recordings : the impact of commercialism and digitalisation / Catherine Moore -- The practice of early-nineteenth-century pianism / Jim Samson -- Looking back at ourselves : the problem with the musical work-concept / Reinhard Strohm -- 'The Work' : an evaluative charge / Philip Tagg -- The work-concept and composer-centredness / Michael Talbot -- The musical artwork and its materials in the music and aesthetics of Busoni / John Williamson -- Re-composing Schubert / James Wishart -- 'On the problems of dating' or 'Looking backward and forward with Strohm' / Lydia Goehr."@en ;
    schema:description "Like literature and art, music has?works?. But not every piece of music is called a work, and not every musical performance is made up of works. The complexities of this situation are explored in these essays, which examine a broad swathe of western music. From plainsong to the symphony, from Duke Ellington to the Beatles, this is at root an investigation into how our minds parcel up the music that we create and hear."@en ;
    schema:exampleOfWork <http://worldcat.org/entity/work/id/9463798224> ;
    schema:genre "Congressen (vorm)"@en ;
    schema:genre "Criticism, interpretation, etc."@en ;
    schema:genre "Electronic books"@en ;
    schema:inLanguage "en" ;
    schema:isPartOf <http://experiment.worldcat.org/entity/work/data/9463798224#Series/liverpool_music_symposium_series> ; # Liverpool Music Symposium (Series) ;
    schema:isSimilarTo <http://worldcat.org/entity/work/data/9463798224#CreativeWork/musical_work> ;
    schema:name "The musical work : reality or invention?"@en ;
    schema:productID "1058116562" ;
    schema:publication <http://www.worldcat.org/title/-/oclc/1058116562#PublicationEvent/liverpool_liverpool_university_press_2000> ;
    schema:publisher <http://experiment.worldcat.org/entity/work/data/9463798224#Agent/liverpool_university_press> ; # Liverpool University Press
    schema:url <http://public.eblib.com/choice/publicfullrecord.aspx?p=380749> ;
    schema:url <http://site.ebrary.com/id/10369614> ;
    schema:url <http://www.jstor.org/stable/10.2307/j.ctt5vjcnv> ;
    schema:url <http://0-www.cambridge.org.pugwash.lib.warwick.ac.uk/core/product/identifier/9781781387757/type/BOOK> ;
    schema:url <https://www.cambridge.org/core/product/identifier/9781781387757/type/BOOK> ;
    schema:url <http://dx.doi.org/10.5949/UPO9781846313615> ;
    schema:url <http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=242449> ;
    schema:url <http://public.ebookcentral.proquest.com/choice/publicfullrecord.aspx?p=380749> ;
    schema:workExample <http://worldcat.org/isbn/9780853238256> ;
    wdrs:describedby <http://www.worldcat.org/title/-/oclc/1058116562> ;
    .


Related Entities

<http://experiment.worldcat.org/entity/work/data/9463798224#Agent/liverpool_university_press> # Liverpool University Press
    a bgn:Agent ;
    schema:name "Liverpool University Press" ;
    .

<http://experiment.worldcat.org/entity/work/data/9463798224#Person/talbot_mike_michael> # Michael Talbot
    a schema:Person ;
    schema:familyName "Talbot" ;
    schema:givenName "Michael" ;
    schema:givenName "Mike" ;
    schema:name "Michael Talbot" ;
    .

<http://experiment.worldcat.org/entity/work/data/9463798224#Series/liverpool_music_symposium_series> # Liverpool Music Symposium (Series) ;
    a bgn:PublicationSeries ;
    schema:hasPart <http://www.worldcat.org/oclc/1058116562> ; # The musical work : reality or invention?
    schema:name "Liverpool Music Symposium (Series) ;" ;
    .

<http://experiment.worldcat.org/entity/work/data/9463798224#Topic/music_genres_&_styles_classical> # MUSIC--Genres & Styles--Classical
    a schema:Intangible ;
    schema:name "MUSIC--Genres & Styles--Classical"@en ;
    .

<http://experiment.worldcat.org/entity/work/data/9463798224#Topic/music_history_and_criticism> # Music--History and criticism
    a schema:Intangible ;
    schema:name "Music--History and criticism"@en ;
    .

<http://experiment.worldcat.org/entity/work/data/9463798224#Topic/music_philosophy_and_aesthetics> # Music--Philosophy and aesthetics
    a schema:Intangible ;
    schema:name "Music--Philosophy and aesthetics"@en ;
    .

<http://worldcat.org/entity/work/data/9463798224#CreativeWork/musical_work>
    a schema:CreativeWork ;
    rdfs:label "Musical work." ;
    schema:description "Print version:" ;
    schema:isSimilarTo <http://www.worldcat.org/oclc/1058116562> ; # The musical work : reality or invention?
    .

<http://worldcat.org/isbn/9780853238256>
    a schema:ProductModel ;
    schema:isbn "0853238251" ;
    schema:isbn "9780853238256" ;
    .


Content-negotiable representations

Close Window

Please sign in to WorldCat 

Don't have an account? You can easily create a free account.