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The musical work : reality or invention?

Author: Mike Talbot
Publisher: Liverpool : Liverpool University Press, 2000
Series: Liverpool Music Symposium (Series), 1
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:

Like literature and art, music has 'works'. But not every piece of music is called a work, and not every musical performance is made up of works. From plainsong to the symphony, from Duke Ellington  Read more...

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Details

Genre/Form: Criticism, interpretation, etc
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Mike Talbot
ISBN: 9780853238256 0853238251 0853238359 9780853238355
OCLC Number: 897033054
Description: 1 online resource (viii, 260 s.) music
Contents: Notes on ContributorsIntroductionMichael Talbot1 Some Thoughts on the Work in Popular MusicDavid Horn2 Intertextuality and Hypertextuality in Recorded Popular MusicSerge Lacasse3 Work-in-(g) Practice: Configuration of the Popular Music IntertextRichard Middleton4 Works and Recordings: The Impact of Commercialism and DigitalisationCatherine Moore5 The Practice of early Nineteenth-Century PianismJim Samson6 Looking Back at Ourselves: The Problem with the Musical Work-ConceptReinhard Strohm7 'The Work': An Evaluative ChargePhilip Tagg8 The Work-Concept and Composer-CentrednessMichael Talbot9 The Musical Artwork and its Materials in the Music and Aesthetics of BusoniJohn Williamson10 Re-composing SchubertJames Wishart11 'On the Problems of Dating' or 'Looking Backward and Forward with Strohm'Lydia GoehrIndex of Musical Compositions and CollectionsIndex of Personal Names
Series Title: Liverpool Music Symposium (Series), 1
Responsibility: edited by Michael Talbot

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