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Genre/Form: | Conference papers and proceedings Congresses |
---|---|
Material Type: | Conference publication |
Document Type: | Book |
All Authors / Contributors: |
Michael Talbot |
ISBN: | 0853238251 9780853238256 0853238359 9780853238355 |
OCLC Number: | 972837529 |
Notes: | Proceedings of the symposium held at the Institute of Popular Music, University of Liverpool on 21 September 1998. |
Description: | viii, 260 pages : illustrations ; 21 cm |
Contents: | Some thoughts on the work in popular music / David Horn -- Intertextuality and hypertextuality in recorded popular music / Serge Lacasse -- Work-in-(g) practice : configuration of the popular music intertext / Richard Middleton -- Works and recordings : the impact of commercialism and digitalisation / Catherine Moore -- The practice of early-nineteenth-century pianism / Jim Samson -- Looking back at ourselves : the problem with the musical work-concept / Reinhard Strohm -- 'The Work' : an evaluative charge / Philip Tagg -- The work-concept and composer-centredness / Michael Talbot -- The musical artwork and its materials in the music and aesthetics of Busoni / John Williamson -- Re-composing Schubert / James Wishart -- 'On the problems of dating' or 'Looking backward and forward with Strohm' / Lydia Goehr. |
Series Title: | Liverpool Music Symposium (Series), 1. |
Responsibility: | edited by Michael Talbot. |
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