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The musical work : reality or invention?

Author: Michael Talbot
Publisher: Liverpool : Liverpool University Press, 2000.
Series: Liverpool Music Symposium (Series), 1.
Edition/Format:   Print book : Conference publication : EnglishView all editions and formats
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Genre/Form: Conference papers and proceedings
Congresses
Material Type: Conference publication
Document Type: Book
All Authors / Contributors: Michael Talbot
ISBN: 0853238251 9780853238256 0853238359 9780853238355
OCLC Number: 972837529
Notes: Proceedings of the symposium held at the Institute of Popular Music, University of Liverpool on 21 September 1998.
Description: viii, 260 pages : illustrations ; 21 cm
Contents: Some thoughts on the work in popular music / David Horn --
Intertextuality and hypertextuality in recorded popular music / Serge Lacasse --
Work-in-(g) practice : configuration of the popular music intertext / Richard Middleton --
Works and recordings : the impact of commercialism and digitalisation / Catherine Moore --
The practice of early-nineteenth-century pianism / Jim Samson --
Looking back at ourselves : the problem with the musical work-concept / Reinhard Strohm --
'The Work' : an evaluative charge / Philip Tagg --
The work-concept and composer-centredness / Michael Talbot --
The musical artwork and its materials in the music and aesthetics of Busoni / John Williamson --
Re-composing Schubert / James Wishart --
'On the problems of dating' or 'Looking backward and forward with Strohm' / Lydia Goehr.
Series Title: Liverpool Music Symposium (Series), 1.
Responsibility: edited by Michael Talbot.
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