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The musicality of narrative film

Author: Danijela Kulezic-Wilson
Publisher: Houndmills, Basingstoke, Hampshire : Palgrave Macmillan, 2015, cop. 2015.
Series: Palgrave studies in audio-visual culture.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
The musicality of narrative film is the first book to examine in depth the film/music analogy. Using comparative analysis, Kulezic-Wilson explores film's musical potential, arguing that film's musicality can be achieved through various cinematic devices, with or without music.--Fourni par l'éditeur.
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Genre/Form: Criticism, interpretation, etc
Document Type: Book
All Authors / Contributors: Danijela Kulezic-Wilson
ISBN: 9781137489982 1137489987
OCLC Number: 964446773
Description: 1 vol. (X-218 p.) : ill., couv. ill., musique. ; 23 cm.
Contents: List of Figures Acknowledgments 1. Introduction 2. Music as Model and Metaphor 3. The Musicality of Film Rhythm 4. The Rhythm of Rhythms 5. Musical and Film Kinesis 6. The Symbolic Nature of Musical and Film Time 7. Jim Jarmusch's Dead Man and the Rhythm of Musical Form 8. Hip Hop and Techno Composing Techniques and Models of Structuring in Darren Aronofsky's ? 9. Audio-Visual Musicality and Reflexivity in Joe Wright's Anna Karenina Conclusion Bibliography Filmography
Series Title: Palgrave studies in audio-visual culture.
Responsibility: Danijela Kulezic-Wilson.

Abstract:

The Musicality of Narrative Film is the first book to examine in depth the film/music analogy. Using comparative analysis, Kulezic-Wilson explores film's musical potential, arguing that film's  Read more...

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'In this provocative and ground-breaking study, Kulezic-Wilson considers how film itself can be "musical". This book does not simply highlight the importance of music in film or even the importance Read more...

 
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