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Musick's monument. A facsim. of the 1676 London ed.

Author: Thomas Mace
Publisher: New York, Broude [1966]
Series: Monuments of music and music literature in facsimile., 2nd ser., Music literature ;, 17.
Edition/Format:   Musical score : English
Summary:
"The first part, shews a necessity of singing psalms well, in parochial churches, or not to sing at all; directing, how they may be well sung, certainly, but two several way, or means; with an assurance of a perpetual national-quire; and also shewing, how cathedral musick, may be much improved, and refined."
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Details

Genre/Form: Instruction and study
Document Type: Musical Score
All Authors / Contributors: Thomas Mace
OCLC Number: 20546035
Description: 272 pages illustrations, music, portrait 34 cm.
Series Title: Monuments of music and music literature in facsimile., 2nd ser., Music literature ;, 17.

Abstract:

"The first part, shews a necessity of singing psalms well, in parochial churches, or not to sing at all; directing, how they may be well sung, certainly, but two several way, or means; with an assurance of a perpetual national-quire; and also shewing, how cathedral musick, may be much improved, and refined."

"The second part, treates of the noble lute, (the best of instruments) now made easie; and all its occult-lock'd-up-secrets plainly laid open, never before discovered; whereby it is now become so familiarly easie, as any instrument of worth, known in the world; giving the true reasons of its former difficulties; and proving its present facility, by undeniable arguments; directing the most ample way, for the use of the theorboe, from off the note, in consort, &c. shewing a general way of procuring invention, and playing volutarily, upon the lute, viol, or any other instrument; with two pritty devices; the one shewing how to translate lessons, from one tuning, or instrument, to another; the other, an indubitable way, to know the best tuning, upon any instrument: both done by example."

"In the third part, the generous viol, in its rightest use, is treated upon; with some curious observations, never before handled, concerning it, and musick in general."

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Primary Entity<\/h3>\n
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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/3901221750#Series\/monuments_of_music_and_music_literature_in_facsimile_2nd_ser_music_literature<\/a>> # Monuments of music and music literature in facsimile. 2nd ser.: Music literature,<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:PublicationSeries<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/www.worldcat.org\/oclc\/20546035<\/a>> ; # Musick\'s monument. A facsim. of the 1676 London ed.<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Monuments of music and music literature in facsimile. 2nd ser.: Music literature,<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/viaf.org\/viaf\/54493975<\/a>> # Thomas Mace<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \"1709?<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Mace<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Thomas<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Thomas Mace<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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