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Genre/Form: Criticism, interpretation, etc
études diverses
Document Type: Book
All Authors / Contributors: Brigitte Marger; Gerald Bennett; Simone Benmussa
OCLC Number: 299682722
Notes: Bibl. P. 208.
Description: 211 pages
Contents: Boulez, P. Donc on remet en question. --
Boulez, P. Perspective-prospective. --
Bennett, G. Musique, langage et science.- Risset, J.C. Musique et informatique. --
Mathews, M. L'ordinateur en tant qu'instrument de musique. --
Globokar, V. L'interprẗe crǎteur. --
Gottwald, C. Elm̌ents pour une thǒrie de la nouvelle musique vocale. --
Gottwald, C. Fragments d'une analyse de Song books. --
Kagel, M. Porter un coup fatal ̉l'illusion scňique. --
Kagel, M. L'opřa, forme rigoureuse d'amusement. --
Fano, M. Musique et film. --
Globokar, V. Les rapports du physique, du psychique et du rationnel, une problm̌atique de la composition. --
Berio, L. Une question ̉Luciano Berio. --
Osmond-Smith, D. Introduction gňřale ̉une mťhode d'analyse sm̌iotique formelle de la musique. --
Ruwet, N. Syntaxe et pošie : un pom̈e de E.E. Cummings.
Series Title: Collection Cahiers Renaud-Barrault
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Primary Entity<\/h3>\n
<http:\/\/www.worldcat.org\/oclc\/299682722<\/a>> # La musique en projet.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a>, schema:Book<\/a> ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"299682722<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/id.loc.gov\/vocabulary\/countries\/fr<\/a>> ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Place\/paris<\/a>> ; # Paris<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/viaf.org\/viaf\/137748887<\/a>> ; # Institut de recherche et coordination acoustique musique (Paris)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Topic\/musique_experimentale_france<\/a>> ; # Musique exp\u00E9rimentale--France<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Topic\/musique<\/a>> ; # musique<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.loc.gov\/authorities\/subjects\/sh2001000180<\/a>> ; # Music--20th century--History and criticism<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Topic\/musique_acoustique_et_physique_discours_essais_conferences<\/a>> ; # Musique--Acoustique et physique--Discours, essais, conf\u00E9rences<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Topic\/music_acoustics_and_physics<\/a>> ; # Music--Acoustics and physics<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Topic\/musique_20e_siecle_histoire_et_critique_discours_essais_conf_erences<\/a>> ; # Musique--20e si\u00E8cle--Histoire et critique--Discours, essais, conf-erences<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Topic\/musique_electroacoustique<\/a>> ; # Musique \u00E9lectroacoustique<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Topic\/music<\/a>> ; # Music<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.loc.gov\/authorities\/classification\/ML55<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/dewey.info\/class\/780\/a9\/<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Event\/1900_1999<\/a>> ; # 1900-1999<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Thing\/20s<\/a>> ; # 20s<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.loc.gov\/authorities\/subjects\/sh85088771<\/a>> ; # Music--Acoustics and physics<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Topic\/musique_1945<\/a>> ; # Musique--1945-<\/span>\n\u00A0\u00A0\u00A0\nschema:bookFormat<\/a> bgn:PrintBook<\/a> ;\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/viaf.org\/viaf\/91253941<\/a>> ; # Simone Benmussa<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/viaf.org\/viaf\/284341294<\/a>> ; # Brigitte Marger<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/viaf.org\/viaf\/70035386<\/a>> ; # Gerald Bennett<\/span>\n\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"1975<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Boulez, P. Donc on remet en question. -- Boulez, P. Perspective-prospective. -- Bennett, G. Musique, langage et science.- Risset, J.C. Musique et informatique. -- Mathews, M. L\'ordinateur en tant qu\'instrument de musique. -- Globokar, V. L\'interpr\u1E97e cr\u01CEteur. -- Gottwald, C. Elm\u030Cents pour une th\u01D2rie de la nouvelle musique vocale. -- Gottwald, C. Fragments d\'une analyse de Song books. -- Kagel, M. Porter un coup fatal \u0309l\'illusion sc\u0148ique. -- Kagel, M. L\'op\u0159a, forme rigoureuse d\'amusement. -- Fano, M. Musique et film. -- Globokar, V. Les rapports du physique, du psychique et du rationnel, une problm\u030Catique de la composition. -- Berio, L. Une question \u0309Luciano Berio. -- Osmond-Smith, D. Introduction g\u0148\u0159ale \u0309une m\u0165hode d\'analyse sm\u030Ciotique formelle de la musique. -- Ruwet, N. Syntaxe et po\u0161ie : un pom\u0308e de E.E. Cummings.<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/180325554<\/a>> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Criticism, interpretation, etc.<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"fr<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isPartOf<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Series\/collection_cahiers_renaud_barrault<\/a>> ; # Collection Cahiers Renaud-Barrault<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"La musique en projet.<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"299682722<\/span>\" ;\u00A0\u00A0\u00A0\nschema:publication<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/299682722#PublicationEvent\/paris_gallimard_1975<\/a>> ;\u00A0\u00A0\u00A0\nschema:publisher<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Agent\/gallimard<\/a>> ; # Gallimard<\/span>\n\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/299682722<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Agent\/gallimard<\/a>> # Gallimard<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:Agent<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Gallimard<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Event\/1900_1999<\/a>> # 1900-1999<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Event<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"1900-1999<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Place\/paris<\/a>> # Paris<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Paris<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Series\/collection_cahiers_renaud_barrault<\/a>> # Collection Cahiers Renaud-Barrault<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:PublicationSeries<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/www.worldcat.org\/oclc\/299682722<\/a>> ; # La musique en projet.<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Collection Cahiers Renaud-Barrault<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Thing\/20s<\/a>> # 20s<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"20s<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Topic\/music<\/a>> # Music<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Music<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Topic\/music_acoustics_and_physics<\/a>> # Music--Acoustics and physics<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Music--Acoustics and physics<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Topic\/musique<\/a>> # musique<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"musique<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Musique<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Topic\/musique_1945<\/a>> # Musique--1945-<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Musique--1945-<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Topic\/musique_20e_siecle_histoire_et_critique_discours_essais_conf_erences<\/a>> # Musique--20e si\u00E8cle--Histoire et critique--Discours, essais, conf-erences<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Musique--20e si\u00E8cle--Histoire et critique--Discours, essais, conf-erences<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Topic\/musique_acoustique_et_physique_discours_essais_conferences<\/a>> # Musique--Acoustique et physique--Discours, essais, conf\u00E9rences<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Musique--Acoustique et physique--Discours, essais, conf\u00E9rences<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Topic\/musique_electroacoustique<\/a>> # Musique \u00E9lectroacoustique<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Musique \u00E9lectroacoustique<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Topic\/musique_experimentale_france<\/a>> # Musique exp\u00E9rimentale--France<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Musique exp\u00E9rimentale--France<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/classification\/ML55<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/subjects\/sh2001000180<\/a>> # Music--20th century--History and criticism<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Music--20th century--History and criticism<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/subjects\/sh85088771<\/a>> # Music--Acoustics and physics<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Music--Acoustics and physics<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/fr<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"fr<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/137748887<\/a>> # Institut de recherche et coordination acoustique musique (Paris)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Institut de recherche et coordination acoustique musique (Paris)<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/284341294<\/a>> # Brigitte Marger<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Marger<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Brigitte<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Brigitte Marger<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/70035386<\/a>> # Gerald Bennett<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Bennett<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Gerald<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Gerald Bennett<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/91253941<\/a>> # Simone Benmussa<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Benmussa<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Simone<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Simone Benmussa<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/299682722<\/a>>\u00A0\u00A0\u00A0\u00A0a \ngenont:InformationResource<\/a>, genont:ContentTypeGenericResource<\/a> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/www.worldcat.org\/oclc\/299682722<\/a>> ; # La musique en projet.<\/span>\n\u00A0\u00A0\u00A0\nschema:dateModified<\/a> \"2020-03-10<\/span>\" ;\u00A0\u00A0\u00A0\nvoid:inDataset<\/a> <http:\/\/purl.oclc.org\/dataset\/WorldCat<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/299682722#PublicationEvent\/paris_gallimard_1975<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:PublicationEvent<\/a> ;\u00A0\u00A0\u00A0\nschema:location<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Place\/paris<\/a>> ; # Paris<\/span>\n\u00A0\u00A0\u00A0\nschema:organizer<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/180325554#Agent\/gallimard<\/a>> ; # Gallimard<\/span>\n\u00A0\u00A0\u00A0\nschema:startDate<\/a> \"1975<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Content-negotiable representations<\/p>\n