skip to content
Covid-19 virus
COVID-19 Resources

Reliable information about the coronavirus (COVID-19) is available from the World Health Organization (current situation, international travel). Numerous and frequently-updated resource results are available from this WorldCat.org search. OCLC’s WebJunction has pulled together information and resources to assist library staff as they consider how to handle coronavirus issues in their communities.

Image provided by: CDC/ Alissa Eckert, MS; Dan Higgins, MAM
Musique et liturgie au Monastère de Santa Cruz de Coimbra (c.1650) : les sons d'un Cartapacio à travers l'édition critique du manuscrit musical 51 de l'Université de Coimbra Preview this item
ClosePreview this item
Checking...

Musique et liturgie au Monastère de Santa Cruz de Coimbra (c.1650) : les sons d'un Cartapacio à travers l'édition critique du manuscrit musical 51 de l'Université de Coimbra

Author: Tiago Joao De castro Simas da Costa FreireDenis HerlinPaulo Estudante Dias MoreiraMarianne Müller, violiste).Philippe CanguilhemAll authors
Publisher: 2017.
Dissertation: Thèse de doctorat : Musique : recherche et pratique : Lyon : 2017.
Thèse de doctorat : Musique : recherche et pratique : Universidade de Coimbra : 2017.
Edition/Format:   Computer file : Document : Thesis/dissertation : French
Summary:
Le corpus du projet repose sur les Cartapácios de Coimbra, un ensemble de manuscrits du milieu du XVIIe siècle, résolument passionnants et pratiquement inédits, issus de Santa Cruz et conservés à la Bibliothèque Générale de l'Université de Coimbra. Le présent travail s'inscrit dans un projet de recherche multidisciplinaire en cours à l'Université de Coimbra (Mundos e Fundos | CECH), et se concentre sur
Rating:

(not yet rated) 0 with reviews - Be the first.

Subjects
More like this

Find a copy online

Links to this item

Find a copy in the library

&AllPage.SpinnerRetrieving; Finding libraries that hold this item...

Details

Genre/Form: Thèses et écrits académiques
Material Type: Document, Thesis/dissertation, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Tiago Joao De castro Simas da Costa Freire; Denis Herlin; Paulo Estudante Dias Moreira; Marianne Müller, violiste).; Philippe Canguilhem; Javier Marín Ceballos; William Dongois; Françoise Lengellé; Caroline Magalhaes; Université de Lyon (2015-....).; Universidade de Coimbra.; École doctorale Lettres, langues, linguistique, arts (Lyon).; Université Jean Monnet (Saint-Étienne).; Conservatoire national supérieur de musique de Lyon.
OCLC Number: 1099932084
Notes: Thèse soutenue en co-tutelle.
Titre provenant de l'écran-titre.
Description: 1 online resource
Responsibility: Tiago Joao De castro Simas da Costa Freire ; sous la direction de Denis Herlin et de Paulo Estudante Dias Moreira et de Marianne Müller.

Abstract:

Le corpus du projet repose sur les Cartapácios de Coimbra, un ensemble de manuscrits du milieu du XVIIe siècle, résolument passionnants et pratiquement inédits, issus de Santa Cruz et conservés à la Bibliothèque Générale de l'Université de Coimbra. Le présent travail s'inscrit dans un projet de recherche multidisciplinaire en cours à l'Université de Coimbra (Mundos e Fundos | CECH), et se concentre sur l´un des seize manuscrits de cette collection : le manuscrit musical 51 (MM 51). Il constitue la première étude détaillée d'un cartapácio comportant également son édition critique complète. Cette étude monographique engage également une confrontation permanente avec les quinze autres cartapácios et avec son contexte spécifique portugais et ibérique.D'après notre étude philologique, le MM 51 s'avère un cahier d'usage personnel d'un musicien à l'œuvre. Il contient un répertoire très varié regroupant des œuvres sur textes latins et sur textes vernaculaires. Les propositions polyphoniques que le manuscrit offre sont multiples et variées, souvent au sein d'une même œuvre, et appartiennent à un langage typiquement ibérique. La majorité de la musique est écrite à huit voix, toujours en polychoralité et accompagnée d'un guião, avec divers contrastes produits notamment par un style concertato.Le travail est fondé sur une approche positiviste, philologique et critique, le tout enrichi par une expérimentation analytique et sensible du répertoire, grâce au laboratoire musicale de la Capella Sanctae Crucis.Notre thèse espère ainsi contribuer à enrichir les fondements d'une meilleure connaissance de l'activité musicale du XVIIe siècle portugais.

This study is based on Cartapácios de Coimbra, an ensemble of practically unstudied seventeenth century music manuscripts preserved at Coimbra's University Library (Biblioteca Geral da Universidade de Coimbra). It is part of a multidisciplinary research project currently in progress at University of Coimbra (Mundos e Fundos | CECH). The research is concentrated on one manuscript among the sixteen that constitute this collection: musical manuscript 51 (MM 51). This study is the first ever detailed study over one cartapácio including its complete critical edition. Although focussing primarily on one cartapácio, a comparative analysis with the respect to the other fifteen cartapácios was also conducted, and located in the specific Portuguese and Iberian context.According to our philological study, the MM 51 seems to be a notebook for private use of a working musician. It contains a very diverse repertoire comprising both vernacular and Latin works. The polyphonic settings in the manuscript are multiple and varied, often within the same work, and belong to a typically Iberian language. The majority of the music is written for eight voices, always in polychorality and accompanied by a guião, with various contrasts produced in particular by a concertato style.A positivist, philological and critical approach was taken in the research, which was supplemented by an experimental performance of the repertory, thanks to the musical laboratory Capella Sanctae Crucis.It is hoped that this thesis study will substantially enrich the knowledge base of Portuguese seventeenth century musical activity.

Reviews

User-contributed reviews
Retrieving GoodReads reviews...
Retrieving DOGObooks reviews...

Tags

Be the first.
Confirm this request

You may have already requested this item. Please select Ok if you would like to proceed with this request anyway.

Linked Data


\n\n

Primary Entity<\/h3>\n
<http:\/\/www.worldcat.org\/oclc\/1099932084<\/a>> # Musique et liturgie au Monast\u00E8re de Santa Cruz de Coimbra (c.1650) : les sons d\'un Cartapacio \u00E0 travers l\'\u00E9dition critique du manuscrit musical 51 de l\'Universit\u00E9 de Coimbra<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a>, bgn:ComputerFile<\/a>, bgn:Thesis<\/a>, schema:MediaObject<\/a> ;\u00A0\u00A0\u00A0\nbgn:inSupportOf<\/a> \"Th\u00E8se de doctorat : Musique : recherche et pratique : Universidade de Coimbra : 2017.<\/span>\" ;\u00A0\u00A0\u00A0\nbgn:inSupportOf<\/a> \"Th\u00E8se de doctorat : Musique : recherche et pratique : Lyon : 2017.<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"1099932084<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/id.loc.gov\/vocabulary\/countries\/fr<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Topic\/musique_17e_siecle<\/a>> ; # Musique--17e si\u00E8cle<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Topic\/musique_religieuse<\/a>> ; # Musique religieuse<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Thing\/cartapacios<\/a>> ; # Cartapacios<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Organization\/mosteiro_de_santa_cruz_coimbra_portugal<\/a>> ; # Mosteiro de Santa Cruz (Coimbra, Portugal).<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Thing\/musique_portugaise<\/a>> ; # Musique portugaise<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Thing\/p_cug_mm_51<\/a>> ; # P-Cug MM 51<\/span>\n\u00A0\u00A0\u00A0\nschema:author<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Person\/de_castro_simas_da_costa_freire_tiago_joao_1981<\/a>> ; # Tiago Joao De castro Simas da Costa Freire<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Person\/moreira_paulo_estudante_dias_1971<\/a>> ; # Paulo Estudante Dias Moreira<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Person\/canguilhem_philippe<\/a>> ; # Philippe Canguilhem<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Person\/herlin_denis_1961<\/a>> ; # Denis Herlin<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Organization\/universidade_de_coimbra<\/a>> ; # Universidade de Coimbra.<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Organization\/ecole_doctorale_lettres_langues_linguistique_arts_lyon<\/a>> ; # \u00C9cole doctorale Lettres, langues, linguistique, arts (Lyon).<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Organization\/universite_de_lyon_2015<\/a>> ; # Universit\u00E9 de Lyon (2015-....).<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Person\/muller_marianne_1955_violiste<\/a>> ; # violiste). Marianne M\u00FCller<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Person\/dongois_william<\/a>> ; # William Dongois<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Organization\/universite_jean_monnet_saint_etienne<\/a>> ; # Universit\u00E9 Jean Monnet (Saint-\u00C9tienne).<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Person\/marin_ceballos_javier<\/a>> ; # Javier Mar\u00EDn Ceballos<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Person\/lengelle_francoise<\/a>> ; # Fran\u00E7oise Lengell\u00E9<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Organization\/conservatoire_national_superieur_de_musique_de_lyon<\/a>> ; # Conservatoire national sup\u00E9rieur de musique de Lyon.<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Person\/magalhaes_caroline<\/a>> ; # Caroline Magalhaes<\/span>\n\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2017<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"This study is based on Cartap\u00E1cios de Coimbra, an ensemble of practically unstudied seventeenth century music manuscripts preserved at Coimbra\'s University Library (Biblioteca Geral da Universidade de Coimbra). It is part of a multidisciplinary research project currently in progress at University of Coimbra (Mundos e Fundos | CECH). The research is concentrated on one manuscript among the sixteen that constitute this collection: musical manuscript 51 (MM 51). This study is the first ever detailed study over one cartap\u00E1cio including its complete critical edition. Although focussing primarily on one cartap\u00E1cio, a comparative analysis with the respect to the other fifteen cartap\u00E1cios was also conducted, and located in the specific Portuguese and Iberian context.According to our philological study, the MM 51 seems to be a notebook for private use of a working musician. It contains a very diverse repertoire comprising both vernacular and Latin works. The polyphonic settings in the manuscript are multiple and varied, often within the same work, and belong to a typically Iberian language. The majority of the music is written for eight voices, always in polychorality and accompanied by a gui\u00E3o, with various contrasts produced in particular by a concertato style.A positivist, philological and critical approach was taken in the research, which was supplemented by an experimental performance of the repertory, thanks to the musical laboratory Capella Sanctae Crucis.It is hoped that this thesis study will substantially enrich the knowledge base of Portuguese seventeenth century musical activity.<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Le corpus du projet repose sur les Cartap\u00E1cios de Coimbra, un ensemble de manuscrits du milieu du XVIIe si\u00E8cle, r\u00E9solument passionnants et pratiquement in\u00E9dits, issus de Santa Cruz et conserv\u00E9s \u00E0 la Biblioth\u00E8que G\u00E9n\u00E9rale de l\'Universit\u00E9 de Coimbra. Le pr\u00E9sent travail s\'inscrit dans un projet de recherche multidisciplinaire en cours \u00E0 l\'Universit\u00E9 de Coimbra (Mundos e Fundos | CECH), et se concentre sur l\u00B4un des seize manuscrits de cette collection : le manuscrit musical 51 (MM 51). Il constitue la premi\u00E8re \u00E9tude d\u00E9taill\u00E9e d\'un cartap\u00E1cio comportant \u00E9galement son \u00E9dition critique compl\u00E8te. Cette \u00E9tude monographique engage \u00E9galement une confrontation permanente avec les quinze autres cartap\u00E1cios et avec son contexte sp\u00E9cifique portugais et ib\u00E9rique.D\'apr\u00E8s notre \u00E9tude philologique, le MM 51 s\'av\u00E8re un cahier d\'usage personnel d\'un musicien \u00E0 l\'\u0153uvre. Il contient un r\u00E9pertoire tr\u00E8s vari\u00E9 regroupant des \u0153uvres sur textes latins et sur textes vernaculaires. Les propositions polyphoniques que le manuscrit offre sont multiples et vari\u00E9es, souvent au sein d\'une m\u00EAme \u0153uvre, et appartiennent \u00E0 un langage typiquement ib\u00E9rique. La majorit\u00E9 de la musique est \u00E9crite \u00E0 huit voix, toujours en polychoralit\u00E9 et accompagn\u00E9e d\'un gui\u00E3o, avec divers contrastes produits notamment par un style concertato.Le travail est fond\u00E9 sur une approche positiviste, philologique et critique, le tout enrichi par une exp\u00E9rimentation analytique et sensible du r\u00E9pertoire, gr\u00E2ce au laboratoire musicale de la Capella Sanctae Crucis.Notre th\u00E8se esp\u00E8re ainsi contribuer \u00E0 enrichir les fondements d\'une meilleure connaissance de l\'activit\u00E9 musicale du XVIIe si\u00E8cle portugais.<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/9087533902<\/a>> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Th\u00E8ses et \u00E9crits acad\u00E9miques<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"fr<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Musique et liturgie au Monast\u00E8re de Santa Cruz de Coimbra (c.1650) : les sons d\'un Cartapacio \u00E0 travers l\'\u00E9dition critique du manuscrit musical 51 de l\'Universit\u00E9 de Coimbra<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"1099932084<\/span>\" ;\u00A0\u00A0\u00A0\nschema:url<\/a> <http:\/\/www.theses.fr\/2017LYSES031\/abes<\/a>> ;\u00A0\u00A0\u00A0\nschema:url<\/a> <https:\/\/tel.archives-ouvertes.fr\/tel-02117390<\/a>> ;\u00A0\u00A0\u00A0\nschema:url<\/a> <http:\/\/www.theses.fr\/2017LYSES031\/document<\/a>> ;\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/1099932084<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Related Entities<\/h3>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Organization\/conservatoire_national_superieur_de_musique_de_lyon<\/a>> # Conservatoire national sup\u00E9rieur de musique de Lyon.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Conservatoire national sup\u00E9rieur de musique de Lyon.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Organization\/ecole_doctorale_lettres_langues_linguistique_arts_lyon<\/a>> # \u00C9cole doctorale Lettres, langues, linguistique, arts (Lyon).<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"\u00C9cole doctorale Lettres, langues, linguistique, arts (Lyon).<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Organization\/mosteiro_de_santa_cruz_coimbra_portugal<\/a>> # Mosteiro de Santa Cruz (Coimbra, Portugal).<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Mosteiro de Santa Cruz (Coimbra, Portugal).<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Organization\/universidade_de_coimbra<\/a>> # Universidade de Coimbra.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Universidade de Coimbra.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Organization\/universite_de_lyon_2015<\/a>> # Universit\u00E9 de Lyon (2015-....).<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Universit\u00E9 de Lyon (2015-....).<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Organization\/universite_jean_monnet_saint_etienne<\/a>> # Universit\u00E9 Jean Monnet (Saint-\u00C9tienne).<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Universit\u00E9 Jean Monnet (Saint-\u00C9tienne).<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Person\/canguilhem_philippe<\/a>> # Philippe Canguilhem<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Canguilhem<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Philippe<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Philippe Canguilhem<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Person\/de_castro_simas_da_costa_freire_tiago_joao_1981<\/a>> # Tiago Joao De castro Simas da Costa Freire<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1981<\/span>\" ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \"\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"De castro Simas da Costa Freire<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Tiago Joao<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Tiago Joao De castro Simas da Costa Freire<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Person\/dongois_william<\/a>> # William Dongois<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Dongois<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"William<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"William Dongois<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Person\/herlin_denis_1961<\/a>> # Denis Herlin<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1961<\/span>\" ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \"\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Herlin<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Denis<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Denis Herlin<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Person\/lengelle_francoise<\/a>> # Fran\u00E7oise Lengell\u00E9<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Lengell\u00E9<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Fran\u00E7oise<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Fran\u00E7oise Lengell\u00E9<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Person\/magalhaes_caroline<\/a>> # Caroline Magalhaes<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Magalhaes<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Caroline<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Caroline Magalhaes<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Person\/marin_ceballos_javier<\/a>> # Javier Mar\u00EDn Ceballos<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Mar\u00EDn Ceballos<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Javier<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Javier Mar\u00EDn Ceballos<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Person\/moreira_paulo_estudante_dias_1971<\/a>> # Paulo Estudante Dias Moreira<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1971<\/span>\" ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \"\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Moreira<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Paulo Estudante Dias<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Paulo Estudante Dias Moreira<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Person\/muller_marianne_1955_violiste<\/a>> # violiste). Marianne M\u00FCller<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1955<\/span>\" ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \";<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"M\u00FCller<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Marianne<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"violiste). Marianne M\u00FCller<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Thing\/cartapacios<\/a>> # Cartapacios<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Cartapacios<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Thing\/musique_portugaise<\/a>> # Musique portugaise<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Musique portugaise<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Thing\/p_cug_mm_51<\/a>> # P-Cug MM 51<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"P-Cug MM 51<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Topic\/musique_17e_siecle<\/a>> # Musique--17e si\u00E8cle<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Musique--17e si\u00E8cle<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9087533902#Topic\/musique_religieuse<\/a>> # Musique religieuse<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Musique religieuse<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/fr<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"fr<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.theses.fr\/2017LYSES031\/document<\/a>>\u00A0\u00A0\u00A0\nrdfs:comment<\/a> \"Acc\u00E8s au texte int\u00E9gral<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/1099932084<\/a>>\u00A0\u00A0\u00A0\u00A0a \ngenont:InformationResource<\/a>, genont:ContentTypeGenericResource<\/a> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/www.worldcat.org\/oclc\/1099932084<\/a>> ; # Musique et liturgie au Monast\u00E8re de Santa Cruz de Coimbra (c.1650) : les sons d\'un Cartapacio \u00E0 travers l\'\u00E9dition critique du manuscrit musical 51 de l\'Universit\u00E9 de Coimbra<\/span>\n\u00A0\u00A0\u00A0\nschema:dateModified<\/a> \"2020-05-19<\/span>\" ;\u00A0\u00A0\u00A0\nvoid:inDataset<\/a> <http:\/\/purl.oclc.org\/dataset\/WorldCat<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Content-negotiable representations<\/p>\n